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Bianca Van Laun

Biographic Data

ID1246224
NAMEBianca Van Laun
GIVEN NAMESBianca
FAMILY NAMEVan Laun
SIGNATUREVAN LAUN B
AFFILIATIONSUniversity of the Western Cape
ORCID0000-0003-3775-6058
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Following the image

    Open Access•Bianca Van Laun•ARTICLE•Journal of African Cinemas•2020

    Drawing on debates on materiality, this article investigates the lives and multiple afterlives of prison identification photographs of individuals hanged by the apartheid state in South Africa during the 1960s for crimes framed as political. In recent years these photographs have been recovered and repurposed as part of post-apartheid nation-building and memorialization projects. Under the auspices of the Gallows Memorialization Project, bureaucr…

  • Of bodies captured

    Bianca Van Laun•ARTICLE•Social Dynamics•2014•References: 8

    This article examines the visual representation of the violent march on the Western Cape town of Paarl in November 1962, and the place of photographs as employed by the media, a state-appointed commission of inquiry, and a series of judicial trials in the making of this event and its subjects. It is particularly concerned with a file of photographs of men accused of participating in the march, as a means to potentially enabling more complex and n…

No prominent works on this page.

  • Of bodies captured

    Bianca Van Laun•ARTICLE•Social Dynamics•2014•References: 8

    This article examines the visual representation of the violent march on the Western Cape town of Paarl in November 1962, and the place of photographs as employed by the media, a state-appointed commission of inquiry, and a series of judicial trials in the making of this event and its subjects. It is particularly concerned with a file of photographs of men accused of participating in the march, as a means to potentially enabling more complex and n…

  • Following the image

    Open Access•Bianca Van Laun•ARTICLE•Journal of African Cinemas•2020

    Drawing on debates on materiality, this article investigates the lives and multiple afterlives of prison identification photographs of individuals hanged by the apartheid state in South Africa during the 1960s for crimes framed as political. In recent years these photographs have been recovered and repurposed as part of post-apartheid nation-building and memorialization projects. Under the auspices of the Gallows Memorialization Project, bureaucr…

Art (2 works) · History (2 works) · Law (2 works) · Law in Society and Culture (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · South African History and Culture (2 works) · Visual arts (2 works)

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