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Nashilongweshipwe Mushaandja

Biographic Data

ID1246296
NAMENashilongweshipwe Mushaandja
GIVEN NAMESNashilongweshipwe
FAMILY NAMEMushaandja
SIGNATUREMUSHAANDJA N
AFFILIATIONSUniversity of Cape Town
ORCID0000-0002-1524-9082
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Mapping the Social Lives of The Namibian Review

    Koni Benson, Asher Gamedze et al.•ARTICLE•Radical History Review•2024•Cited by: 1•References: 1

    Thirty-two editions of The Namibian Review (1976–87) were published by anti-apartheid revolutionaries in a decade of intensifying struggle for independence from the South African occupation of South West Africa. This teaching tool discusses the wider history of political orientations and networks surrounding The Namibian Review, presenting a creative approach to African history research and political education aimed at challenging the ongoing leg…

  • Speculative Cartographies

    Open Access•Nashilongweshipwe Mushaandja•ARTICLE•African Diaspora•2023•References: 3

    There are far too few studies on Namibian art and artists in the diaspora. In response to this, I look at the work of Herman Mbamba, Jackson Wahengo and Shishani Vranckx. Mbamba is a visual artist based in Haugesund, Norway while musicians Wahengo and Vranckx are based in Copenhagen, Denmark and Amsterdam, The Netherlands, respectively. I offer an aesthetic reading, unpacking their work as counter-hegemonic maps, that signal the places of imagini…

  • Eekamba adishe nadi ufanwe, Eendingosho adishe na di ongelwe u pule kwali Nashima

    Martha Akawa, Ndapewa Fenny Nakanyete et al.•ARTICLE•Journal of Namibian Studies…•2023•Cited by: 1•References: 2

    This article studies Nanghili Nashima's Oudano practices and public life. We discuss how her autobiographical public performance practices during apartheid and independent Namibia constitute feminism. The study mainly focused on the sound and video recordings currently archived at the Namibian Broadcasting Corporation's Music Library and on YouTube. This work offers critical engagement on themes of migration, sexuality and labour, challenging col…

  • Embodiments of love on the margins of Windhoek's cinematic landscape

    Nashilongweshipwe Mushaandja•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 8

    In thinking of alternative and undisciplined cinematic forms, I look at the margins and cracks of Windhoek’s cinematic landscape to map and read content that shows critical thought and radical politics. I reference video documentation work by artists and activists Tuli Mekondjo, JuliArt, Neige Moongo, Tangeni Kauzuu and the Decolonising Space Group, most of which is available online. I read their works as acts and embodiments of love because of h…

  • Mapping the Social Lives of The Namibian Review

    Koni Benson, Asher Gamedze et al.•ARTICLE•Radical History Review•2024•Cited by: 1•References: 1

    Thirty-two editions of The Namibian Review (1976–87) were published by anti-apartheid revolutionaries in a decade of intensifying struggle for independence from the South African occupation of South West Africa. This teaching tool discusses the wider history of political orientations and networks surrounding The Namibian Review, presenting a creative approach to African history research and political education aimed at challenging the ongoing leg…

  • Eekamba adishe nadi ufanwe, Eendingosho adishe na di ongelwe u pule kwali Nashima

    Martha Akawa, Ndapewa Fenny Nakanyete et al.•ARTICLE•Journal of Namibian Studies…•2023•Cited by: 1•References: 2

    This article studies Nanghili Nashima's Oudano practices and public life. We discuss how her autobiographical public performance practices during apartheid and independent Namibia constitute feminism. The study mainly focused on the sound and video recordings currently archived at the Namibian Broadcasting Corporation's Music Library and on YouTube. This work offers critical engagement on themes of migration, sexuality and labour, challenging col…

  • Embodiments of love on the margins of Windhoek's cinematic landscape

    Nashilongweshipwe Mushaandja•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 8

    In thinking of alternative and undisciplined cinematic forms, I look at the margins and cracks of Windhoek’s cinematic landscape to map and read content that shows critical thought and radical politics. I reference video documentation work by artists and activists Tuli Mekondjo, JuliArt, Neige Moongo, Tangeni Kauzuu and the Decolonising Space Group, most of which is available online. I read their works as acts and embodiments of love because of h…

  • Embodiments of love on the margins of Windhoek's cinematic landscape

    Nashilongweshipwe Mushaandja•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 8

    In thinking of alternative and undisciplined cinematic forms, I look at the margins and cracks of Windhoek’s cinematic landscape to map and read content that shows critical thought and radical politics. I reference video documentation work by artists and activists Tuli Mekondjo, JuliArt, Neige Moongo, Tangeni Kauzuu and the Decolonising Space Group, most of which is available online. I read their works as acts and embodiments of love because of h…

  • Speculative Cartographies

    Open Access•Nashilongweshipwe Mushaandja•ARTICLE•African Diaspora•2023•References: 3

    There are far too few studies on Namibian art and artists in the diaspora. In response to this, I look at the work of Herman Mbamba, Jackson Wahengo and Shishani Vranckx. Mbamba is a visual artist based in Haugesund, Norway while musicians Wahengo and Vranckx are based in Copenhagen, Denmark and Amsterdam, The Netherlands, respectively. I offer an aesthetic reading, unpacking their work as counter-hegemonic maps, that signal the places of imagini…

  • Eekamba adishe nadi ufanwe, Eendingosho adishe na di ongelwe u pule kwali Nashima

    Martha Akawa, Ndapewa Fenny Nakanyete et al.•ARTICLE•Journal of Namibian Studies…•2023•Cited by: 1•References: 2

    This article studies Nanghili Nashima's Oudano practices and public life. We discuss how her autobiographical public performance practices during apartheid and independent Namibia constitute feminism. The study mainly focused on the sound and video recordings currently archived at the Namibian Broadcasting Corporation's Music Library and on YouTube. This work offers critical engagement on themes of migration, sexuality and labour, challenging col…

  • Mapping the Social Lives of The Namibian Review

    Koni Benson, Asher Gamedze et al.•ARTICLE•Radical History Review•2024•Cited by: 1•References: 1

    Thirty-two editions of The Namibian Review (1976–87) were published by anti-apartheid revolutionaries in a decade of intensifying struggle for independence from the South African occupation of South West Africa. This teaching tool discusses the wider history of political orientations and networks surrounding The Namibian Review, presenting a creative approach to African history research and political education aimed at challenging the ongoing leg…

Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · German Colonialism and Identity Studies (2 works) · African history and culture studies (1 works) · African Sexualities and LGBTQ+ Issues (1 works) · African studies and sociopolitical issues (1 works) · Anthropology (1 works) · Art history (1 works) · Corporation (1 works)

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