Manuel Parada López De Corselas
Biographic Data
| ID | 124691 |
|---|---|
| NAME | Manuel Parada López De Corselas |
| GIVEN NAMES | Manuel Parada López |
| FAMILY NAME | De Corselas |
| SIGNATURE | DE CORSELAS M P L |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0001-5097-7934 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Photogrammetry, 3D modelling and printing: The creation of a collection of archaeological and epigraphical materials at the university
The aim of this contribution is to present the Experimenting Digital Antiquity Project undertaken at the Complutense University in 2021–2022. The initiative consisted of encouraging new teaching methodologies by creating a collection of copies of ancient finds printed with 3D technology. This required a series of carefully organised steps that can be summarised as training students in the skills needed to carry out the photogrammetry of artifacts…
Decheng, Beitang and Tushanwan Cloisonné Workshops: A New Contribution on Chinese Christian Art
Recent research has played a pivotal role in advancing our understanding of cloisonné enamel production in China during the 19th and 20th centuries. However, Christian workshops, whether operating under missionary subcontracting or owned by the Catholic Church, have yet to be accurately identified and contextualized. This article delves into three significant contexts. Firstly, it identifies and contextualizes the Christian connections and intera…
El camafeo de Júpiter de Girona: Una obra imperial reutilizada en la Baja Edad Media
En el presente trabajo abordamos el estudio de un camafeo romano de considerable calidad y tamaño (6,2 × 4,8 cm), en sardónice tricolor tallado en tres estratos, con la representación de Júpiter entronizado y que se encuentra reutilizado en la Cruz de las Cofradías en el tesoro de la catedral de Girona. Proponemos la datación en los siglos III-IV d. C. de la pieza a partir de su estudio estilístico e iconográfico y, por otro lado, abordamos su co…
Observar las estrellas, llegar hasta las estrellas, ser una estrella. Introducción a un topos astral en la religión, el arte y el poder
Este artículo explora el tópico cultural en torno a la conversión del ser humano en estrella (catasterismo) y al privilegio de situarse junto a los astros como recompensa a sus virtudes. Para ello, en primer lugar se expone sucintamente el desarrollo de dicho topos en la Antigüedad Clásica. A continuación, se proponen varios casos de estudio entre los siglos XIV y XVI en el arte español para analizar la continuidad y readaptación de este tema de …
Cultural Hybridization in Christian China: The Art of Cloisonné at The Service of God
The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, cloisonné stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to …
En torno al cardenal Don Gil Álvarez de Albornoz y el platero sienés Andrea Petrucci: El relicario de la mano de Santa Lucía y el cáliz de San Segundo
This article deals with the complex and hitherto unpublished history of the arrival in Spain of two masterpieces of Sienese craftsmanship in silver and translucent enamel from the fourteenth century: the reliquary of the hand of St. Lucy in Toledo Cathedral and the San Segundo chalice in Ávila Cathedral. The import of these important liturgical and devotional pieces, both signed by the Sienese goldsmith Andrea Petrucci, is inextricably linked wit…
El trono preparado: Reflexiones sobre estética, cultura visual e imagen simbólica en el arte tardoantiguo y su proyección en la Hispania visigoda y al-Andalus
Ensayo sobre las placas-nicho visigodas y el mihrab y macsura de la mezquita de Córdoba centrado en sus aspectos formales e iconológicos y sus referentes en la arquitectura de poder y la representación simbólica de la divinidad
Photogrammetry, 3D modelling and printing: The creation of a collection of archaeological and epigraphical materials at the university
The aim of this contribution is to present the Experimenting Digital Antiquity Project undertaken at the Complutense University in 2021–2022. The initiative consisted of encouraging new teaching methodologies by creating a collection of copies of ancient finds printed with 3D technology. This required a series of carefully organised steps that can be summarised as training students in the skills needed to carry out the photogrammetry of artifacts…
Cultural Hybridization in Christian China: The Art of Cloisonné at The Service of God
The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, cloisonné stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to …
El trono preparado: Reflexiones sobre estética, cultura visual e imagen simbólica en el arte tardoantiguo y su proyección en la Hispania visigoda y al-Andalus
Ensayo sobre las placas-nicho visigodas y el mihrab y macsura de la mezquita de Córdoba centrado en sus aspectos formales e iconológicos y sus referentes en la arquitectura de poder y la representación simbólica de la divinidad
En torno al cardenal Don Gil Álvarez de Albornoz y el platero sienés Andrea Petrucci: El relicario de la mano de Santa Lucía y el cáliz de San Segundo
This article deals with the complex and hitherto unpublished history of the arrival in Spain of two masterpieces of Sienese craftsmanship in silver and translucent enamel from the fourteenth century: the reliquary of the hand of St. Lucy in Toledo Cathedral and the San Segundo chalice in Ávila Cathedral. The import of these important liturgical and devotional pieces, both signed by the Sienese goldsmith Andrea Petrucci, is inextricably linked wit…
Cultural Hybridization in Christian China: The Art of Cloisonné at The Service of God
The usual conception of traditional Chinese art tends to forget the existence of a rich cultural legacy of Christian origin that has been reflected in the manufacture of ritual objects for the convert communities and European missionaries in China. Among the most used techniques, cloisonné stands out, with important liturgical or decorative pieces treasured by missionaries and collectors, many of them in Western museums today. This work tries to …
El camafeo de Júpiter de Girona: Una obra imperial reutilizada en la Baja Edad Media
En el presente trabajo abordamos el estudio de un camafeo romano de considerable calidad y tamaño (6,2 × 4,8 cm), en sardónice tricolor tallado en tres estratos, con la representación de Júpiter entronizado y que se encuentra reutilizado en la Cruz de las Cofradías en el tesoro de la catedral de Girona. Proponemos la datación en los siglos III-IV d. C. de la pieza a partir de su estudio estilístico e iconográfico y, por otro lado, abordamos su co…
Observar las estrellas, llegar hasta las estrellas, ser una estrella. Introducción a un topos astral en la religión, el arte y el poder
Este artículo explora el tópico cultural en torno a la conversión del ser humano en estrella (catasterismo) y al privilegio de situarse junto a los astros como recompensa a sus virtudes. Para ello, en primer lugar se expone sucintamente el desarrollo de dicho topos en la Antigüedad Clásica. A continuación, se proponen varios casos de estudio entre los siglos XIV y XVI en el arte español para analizar la continuidad y readaptación de este tema de …
Decheng, Beitang and Tushanwan Cloisonné Workshops: A New Contribution on Chinese Christian Art
Recent research has played a pivotal role in advancing our understanding of cloisonné enamel production in China during the 19th and 20th centuries. However, Christian workshops, whether operating under missionary subcontracting or owned by the Catholic Church, have yet to be accurately identified and contextualized. This article delves into three significant contexts. Firstly, it identifies and contextualizes the Christian connections and intera…
Photogrammetry, 3D modelling and printing: The creation of a collection of archaeological and epigraphical materials at the university
The aim of this contribution is to present the Experimenting Digital Antiquity Project undertaken at the Complutense University in 2021–2022. The initiative consisted of encouraging new teaching methodologies by creating a collection of copies of ancient finds printed with 3D technology. This required a series of carefully organised steps that can be summarised as training students in the skills needed to carry out the photogrammetry of artifacts…
Art (6 works) · Humanities (4 works) · Medieval Architecture and Archaeology (3 works) · Sociology (3 works) · Archaeological and Historical Studies (2 works) · Archaeology (2 works) · China (2 works) · Chinese history and philosophy (2 works) · History (2 works) · Libraries, Manuscripts, and Books (2 works)