Cathy Hannabach
Biographic Data
| ID | 1246928 |
|---|---|
| NAME | Cathy Hannabach |
| GIVEN NAMES | Cathy |
| FAMILY NAME | Hannabach |
| SIGNATURE | HANNABACH C |
| AFFILIATIONS | Film Independent |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Bodies on Display
For this contribution to the special issue on "Mapping Queer Bioethics," the author undertakes the curatorial spaces of the library, the museum, the textbook, and the public exhibition. With showcases such as natural history museums and the recent Bodyworlds traveling exhibit as touchstones, the author argues that distinctions between medical and popular visual culture in pedagogical contexts are porous, such that the study of sensational body ty…
Technologies of Blood
In this article I analyze the gender, racial, sexual, and national ideologies at play in the incarceration and forced sterilization of HIV-positive Haitian refugees at the Guantánamo Bay Naval Base in the 1990s. Focusing on legal and medical technologies—specifically asylum law and blood medicine—as sites of biopolitical contestation, I examine the process by which these Haitian refugees' blood became the site of international anxieties over lega…
Choreographing a queer ethics
What possibilities might melancholia offer for a queer ethics, and what might it mean to perform such an ethics onstage? In this essay the author analyzes mobile figurations of U.S. nationalism, violence, and visuality as theorized in the work of contemporary queer chorographers Bill T. Jones and Keith Hennessy. The author suggests that Jones's 1989 Untitled and Hennessy's 2006 Sol Niger evidence shifts in racialized sexuality and empire from the…
Time & Society Review of Books http
Anxious Embodiment, Disability, and Sexuality
This piece responds to Margrit Shildrick's “Dangerous Discourses,” which offers a theorization of embodiment useful to several fields of scholarship, including disability studies, gender theory, and queer theory. I argue that these fields must take sexuality seriously as a site for both bodily construction and bodily disruption and that the complexities of corporeal contact offer a way to map how discourses of (dis)ability, gender, and race delim…
Bodies on Display
For this contribution to the special issue on "Mapping Queer Bioethics," the author undertakes the curatorial spaces of the library, the museum, the textbook, and the public exhibition. With showcases such as natural history museums and the recent Bodyworlds traveling exhibit as touchstones, the author argues that distinctions between medical and popular visual culture in pedagogical contexts are porous, such that the study of sensational body ty…
Technologies of Blood
In this article I analyze the gender, racial, sexual, and national ideologies at play in the incarceration and forced sterilization of HIV-positive Haitian refugees at the Guantánamo Bay Naval Base in the 1990s. Focusing on legal and medical technologies—specifically asylum law and blood medicine—as sites of biopolitical contestation, I examine the process by which these Haitian refugees' blood became the site of international anxieties over lega…
Anxious Embodiment, Disability, and Sexuality
This piece responds to Margrit Shildrick's “Dangerous Discourses,” which offers a theorization of embodiment useful to several fields of scholarship, including disability studies, gender theory, and queer theory. I argue that these fields must take sexuality seriously as a site for both bodily construction and bodily disruption and that the complexities of corporeal contact offer a way to map how discourses of (dis)ability, gender, and race delim…
Time & Society Review of Books http
Technologies of Blood
In this article I analyze the gender, racial, sexual, and national ideologies at play in the incarceration and forced sterilization of HIV-positive Haitian refugees at the Guantánamo Bay Naval Base in the 1990s. Focusing on legal and medical technologies—specifically asylum law and blood medicine—as sites of biopolitical contestation, I examine the process by which these Haitian refugees' blood became the site of international anxieties over lega…
Choreographing a queer ethics
What possibilities might melancholia offer for a queer ethics, and what might it mean to perform such an ethics onstage? In this essay the author analyzes mobile figurations of U.S. nationalism, violence, and visuality as theorized in the work of contemporary queer chorographers Bill T. Jones and Keith Hennessy. The author suggests that Jones's 1989 Untitled and Hennessy's 2006 Sol Niger evidence shifts in racialized sexuality and empire from the…
Bodies on Display
For this contribution to the special issue on "Mapping Queer Bioethics," the author undertakes the curatorial spaces of the library, the museum, the textbook, and the public exhibition. With showcases such as natural history museums and the recent Bodyworlds traveling exhibit as touchstones, the author argues that distinctions between medical and popular visual culture in pedagogical contexts are porous, such that the study of sensational body ty…
Sociology (5 works) · Gender Studies (4 works) · Aesthetics (3 works) · Art (3 works) · Biopower (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Queer (3 works) · Cinema and Media Studies (2 works)