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Teresa Gómez Reus

Biographic Data

ID1247055
NAMETeresa Gómez Reus
GIVEN NAMESTeresa Gómez
FAMILY NAMEReus
SIGNATUREREUS T G
AFFILIATIONSUniversity of Alicante
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Adventure, art and architecture

    Teresa Gómez Reus•ARTICLE•Studies in Travel Writing•2023

    This article examines Royall Tyler’s reorientation of Hispanic studies, from Moorish Andalusia to medieval Christian Spain. Drawing on archival material, the article traces this young American art historian’s visits to the Iberian Peninsula that culminated in the publication of Spain: A Study of her Life and Arts (1909). This unaccountably neglected text was pioneering in its exploration of the art of Romanesque Spain, describing, for the first t…

  • Remember Spain!” Edith Wharton and the Book She Never Wrote

    Teresa Gómez Reus•ARTICLE•English Studies•2017•References: 2

    Edith Wharton was an indefatigable traveller who was drawn to Europe’s landscapes and cultural heritage. Her footsteps across France and Italy have been carefully traced by her biographers and critics. The fact, however, that the writer’s infatuation with Europe also encompassed Spain has been largely overlooked in Wharton criticism. This article draws together published and archival materials, such as her unpublished letters about Spain, the Spa…

  • Women in Transit Through Literary Liminal Spaces

    Teresa Gómez Reus, Terry Gifford•EDITOR•BOOK•Women in Transit Through Literary…•2013

  • Fighting for Fame

    Teresa Gómez Reus•ARTICLE•Women a Cultural Review•2012•References: 2

    This investigative analysis bases itself on an array of documentary material from the archives of the Imperial War Museum in its effort to recover the intricate story behind the two British volunteer nurses who made their name during the First World War with the first-aid station they set up in Pervyse, a mere stone's throw away from the Belgian firing line. The essay juxtaposes a variety of documentary sources—the unpublished diaries of the two …

  • Flânerie and the Ghosts of War

    Teresa Gómez Reus•ARTICLE•Women a Cultural Review•2011•References: 3

    This essay makes use of the controversial trope of the 'invisible flâneuse' in its attempt to give critical visibility to Edith Wharton's wartime article 'The Look of Paris', and to point out the hitherto unnoticed connections that exist between this documentary text and two of her supernatural tales. What links Wharton's ghosts to her experience of war is that they both represent a felt rather than a seen reality, and it is this fact which opene…

  • Inside Out

    Teresa Gómez Reus, Aránzazu Usandizaga•BOOK•Inside Out•2008

    The incursions of women into areas from which they had been traditionally excluded, together with the literary representations of their attempts to negotiate, subvert and appropriate these forbidden spaces, is the underlying theme that unites this collection of essays. Here scholars from Australia, Greece, Great Britain, Spain, Switzerland and the United States reconsider the well-entrenched assumptions associated with the public/private distinct…

  • Performing the (post-modern) dance of gender

    Teresa Gómez Reus•ARTICLE•Journal of Gender Studies•1993•References: 2

    (1993). Performing the (post‐modern) dance of gender: Nancy Spero and images of women. Journal of Gender Studies: Vol. 2, No. 1, pp. 45-55

  • Configurations without borders or an afternoon among the scrolls

    Teresa Gómez Reus•ARTICLE•Journal of Gender Studies•1993

  • The Use of Collage and Assemblage in Donald Barthelme's Stories

    Open Access•Teresa Gómez Reus•ARTICLE•Revista Alicantina de Estudios…•1988

    Tradilionally the structural analysis of a work of fiction concerns itself with elements of plotted narrative and sequence. Barthelme's fiction, however, is a fiction which lacks or subverts many of the traditional principles. This paper tries to explore Barthelme's individual use of collage and montage in Come Back, Dr. Caligari and in Unspeakable Practices, Unnatural Acts. In these two works Barthelme uses the juxtaposition of fragments as a de…

No prominent works on this page.

  • The Use of Collage and Assemblage in Donald Barthelme's Stories

    Open Access•Teresa Gómez Reus•ARTICLE•Revista Alicantina de Estudios…•1988

    Tradilionally the structural analysis of a work of fiction concerns itself with elements of plotted narrative and sequence. Barthelme's fiction, however, is a fiction which lacks or subverts many of the traditional principles. This paper tries to explore Barthelme's individual use of collage and montage in Come Back, Dr. Caligari and in Unspeakable Practices, Unnatural Acts. In these two works Barthelme uses the juxtaposition of fragments as a de…

  • Performing the (post-modern) dance of gender

    Teresa Gómez Reus•ARTICLE•Journal of Gender Studies•1993•References: 2

    (1993). Performing the (post‐modern) dance of gender: Nancy Spero and images of women. Journal of Gender Studies: Vol. 2, No. 1, pp. 45-55

  • Configurations without borders or an afternoon among the scrolls

    Teresa Gómez Reus•ARTICLE•Journal of Gender Studies•1993

  • Inside Out

    Teresa Gómez Reus, Aránzazu Usandizaga•BOOK•Inside Out•2008

    The incursions of women into areas from which they had been traditionally excluded, together with the literary representations of their attempts to negotiate, subvert and appropriate these forbidden spaces, is the underlying theme that unites this collection of essays. Here scholars from Australia, Greece, Great Britain, Spain, Switzerland and the United States reconsider the well-entrenched assumptions associated with the public/private distinct…

  • Flânerie and the Ghosts of War

    Teresa Gómez Reus•ARTICLE•Women a Cultural Review•2011•References: 3

    This essay makes use of the controversial trope of the 'invisible flâneuse' in its attempt to give critical visibility to Edith Wharton's wartime article 'The Look of Paris', and to point out the hitherto unnoticed connections that exist between this documentary text and two of her supernatural tales. What links Wharton's ghosts to her experience of war is that they both represent a felt rather than a seen reality, and it is this fact which opene…

  • Fighting for Fame

    Teresa Gómez Reus•ARTICLE•Women a Cultural Review•2012•References: 2

    This investigative analysis bases itself on an array of documentary material from the archives of the Imperial War Museum in its effort to recover the intricate story behind the two British volunteer nurses who made their name during the First World War with the first-aid station they set up in Pervyse, a mere stone's throw away from the Belgian firing line. The essay juxtaposes a variety of documentary sources—the unpublished diaries of the two …

  • Women in Transit Through Literary Liminal Spaces

    Teresa Gómez Reus, Terry Gifford•EDITOR•BOOK•Women in Transit Through Literary…•2013

  • Remember Spain!” Edith Wharton and the Book She Never Wrote

    Teresa Gómez Reus•ARTICLE•English Studies•2017•References: 2

    Edith Wharton was an indefatigable traveller who was drawn to Europe’s landscapes and cultural heritage. Her footsteps across France and Italy have been carefully traced by her biographers and critics. The fact, however, that the writer’s infatuation with Europe also encompassed Spain has been largely overlooked in Wharton criticism. This article draws together published and archival materials, such as her unpublished letters about Spain, the Spa…

  • Adventure, art and architecture

    Teresa Gómez Reus•ARTICLE•Studies in Travel Writing•2023

    This article examines Royall Tyler’s reorientation of Hispanic studies, from Moorish Andalusia to medieval Christian Spain. Drawing on archival material, the article traces this young American art historian’s visits to the Iberian Peninsula that culminated in the publication of Spain: A Study of her Life and Arts (1909). This unaccountably neglected text was pioneering in its exploration of the art of Romanesque Spain, describing, for the first t…

Art (9 works) · History (5 works) · Literature (5 works) · History (4 works) · Sociology (4 works) · Aesthetics (3 works) · Archaeology (3 works) · Art history (3 works) · Law (3 works) · Political science (3 works)

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