Toshio Akima
Biographic Data
| ID | 1247080 |
|---|---|
| NAME | Toshio Akima |
| GIVEN NAMES | Toshio |
| FAMILY NAME | Akima |
| SIGNATURE | AKIMA T |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 1993 |
| H-INDEX | 1 |
The myth of the goddess of the undersea world and the tale of Empress Jingū's subjugation of Silla
Egami's horse-rider theory was first published in 1948, but a similar idea was earlier advocated by Oka Masao, Kida Teikichi, and others (see under "horse-rider theory" in the Kodansha Encyclopedia of Japan, Itasaka et a l .1983).Egami has revised his theory many times in response to the criticisms of Japanese historians, but it has been accepted by only a few Japanese academic historians such as M izuno
The Songs of the Dead: Poetry, Drama, and Ancient Death Rituals of Japan
The author reconstructs the religious idea and ritual that lie behind the "Songs of the Dead." The three songs attributed to Empress Saimei in the Nihonshoki (nos. 119-121) are interpreted as sung by a dead person's spirit sailing to the nether world. They must have been handed down by the Asobi-be-shamans who appeased dead emperors' spirits-because these and other funeral songs in the Kojiki use similar verse forms. The Ryō no Shūge says that th…
The myth of the goddess of the undersea world and the tale of Empress Jingū's subjugation of Silla
Egami's horse-rider theory was first published in 1948, but a similar idea was earlier advocated by Oka Masao, Kida Teikichi, and others (see under "horse-rider theory" in the Kodansha Encyclopedia of Japan, Itasaka et a l .1983).Egami has revised his theory many times in response to the criticisms of Japanese historians, but it has been accepted by only a few Japanese academic historians such as M izuno
The Songs of the Dead: Poetry, Drama, and Ancient Death Rituals of Japan
The author reconstructs the religious idea and ritual that lie behind the "Songs of the Dead." The three songs attributed to Empress Saimei in the Nihonshoki (nos. 119-121) are interpreted as sung by a dead person's spirit sailing to the nether world. They must have been handed down by the Asobi-be-shamans who appeased dead emperors' spirits-because these and other funeral songs in the Kojiki use similar verse forms. The Ryō no Shūge says that th…
The myth of the goddess of the undersea world and the tale of Empress Jingū's subjugation of Silla
Egami's horse-rider theory was first published in 1948, but a similar idea was earlier advocated by Oka Masao, Kida Teikichi, and others (see under "horse-rider theory" in the Kodansha Encyclopedia of Japan, Itasaka et a l .1983).Egami has revised his theory many times in response to the criticisms of Japanese historians, but it has been accepted by only a few Japanese academic historians such as M izuno
Ancient history (2 works) · Chinese history and philosophy (2 works) · History (2 works) · Japanese History and Culture (2 works) · Art (1 works) · Asian Culture and Media Studies (1 works) · Classics (1 works) · CONQUEST (1 works) · Drama (1 works) · Gratitude (1 works)