Joseph Mcbrinn
Biographic Data
| ID | 1247082 |
|---|---|
| NAME | Joseph Mcbrinn |
| GIVEN NAMES | Joseph |
| FAMILY NAME | Mcbrinn |
| SIGNATURE | MCBRINN J |
| AFFILIATIONS | Joseph McBrinn lectures in Design History at Belfast School of Art, the University of Ulster, Belfast, Northern Ireland. |
| ORCID | 0000-0002-1607-8959 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Commentary
“Modern Stained Glass in France and Holland” was published by Evie Hone (1894–1955), the celebrated Irish painter and stained glass designer, in Art Notes in the summer of 1940.1 Hone wrote, and in
Queer Hobbies
It is generally accepted that the “Modern British Needlework” exhibition held at the Victoria and Albert Museum in July 1932 was the watershed moment in rehabilitating embroidery’s reputation as a modern art form paving the way for its acceptance into art galleries and art schools in the post-war era. This exhibition, however, was only one in a series of important displays of embroidery that took place throughout the Twenties and Thirties. Many o…
Migrations
Eileen Gray
Eileen Gray, Centre Pompidou, Paris, February 20–May 20, 2013Eileen Gray: Architect, Designer, Painter, Irish Museum of Modern Art, Dublin, October 12, 2013–January 19, 2014
Cleo
Abakanowicz
Yinka Shonibare MBE
The Poetics and Politics of Decoration
Journal Article The Poetics and Politics of Decoration Get access Morna O'Neill, Walter Crane: The Arts and Crafts, Painting and Politics, 1875–1890 (Yale University Press: New Haven and London, 2010), viii + 296 pp., hardback, ISBN 978-0-300-16768-9, £35.Morna O'Neill and Michael Hatt (eds), The Edwardian Sense: Art, Design and Performance in Britain, 1901–10 (Yale Center for British Art and The Paul Mellon Centre for Studies in British Art: New…
Dangerous Liaisons
A Populous Solitude
Although the Titanic is regularly discussed as a pinnacle of Northern Irish workmanship, much of the skilled craft that surrounded the Belfast shipyards, in which the Titanic was made in 1912, is by and large forgotten. Perhaps the most important artist whose work captures this era is Sophia ‘Rosamond’ Praeger. Although at the time of her death in 1954 Rosamond Praeger was considered one of the most important Irish artists of her time, she is tod…
The 1904 Feis na nGleann
In the Irish cultural calendar the year 2004 was marked by the centenary of Bloomsday, the fictional day in June 1904, celebrated in James Joyce's Ulysses (1922), where Stephen Dedalus and Leopold Bloom walk through Dublin. In reality, in 1904 the twenty-two-year-old Joyce attended and performed at a Feis Ceoil in Dublin's Ancient Concert Rooms, an episode far removed from his imagined flâneur odyssey in the style of Baudelaire, Mallarmé or Prous…
The 1904 Feis na nGleann
In the Irish cultural calendar the year 2004 was marked by the centenary of Bloomsday, the fictional day in June 1904, celebrated in James Joyce's Ulysses (1922), where Stephen Dedalus and Leopold Bloom walk through Dublin. In reality, in 1904 the twenty-two-year-old Joyce attended and performed at a Feis Ceoil in Dublin's Ancient Concert Rooms, an episode far removed from his imagined flâneur odyssey in the style of Baudelaire, Mallarmé or Prous…
The 1904 Feis na nGleann
In the Irish cultural calendar the year 2004 was marked by the centenary of Bloomsday, the fictional day in June 1904, celebrated in James Joyce's Ulysses (1922), where Stephen Dedalus and Leopold Bloom walk through Dublin. In reality, in 1904 the twenty-two-year-old Joyce attended and performed at a Feis Ceoil in Dublin's Ancient Concert Rooms, an episode far removed from his imagined flâneur odyssey in the style of Baudelaire, Mallarmé or Prous…
A Populous Solitude
Although the Titanic is regularly discussed as a pinnacle of Northern Irish workmanship, much of the skilled craft that surrounded the Belfast shipyards, in which the Titanic was made in 1912, is by and large forgotten. Perhaps the most important artist whose work captures this era is Sophia ‘Rosamond’ Praeger. Although at the time of her death in 1954 Rosamond Praeger was considered one of the most important Irish artists of her time, she is tod…
Dangerous Liaisons
The Poetics and Politics of Decoration
Journal Article The Poetics and Politics of Decoration Get access Morna O'Neill, Walter Crane: The Arts and Crafts, Painting and Politics, 1875–1890 (Yale University Press: New Haven and London, 2010), viii + 296 pp., hardback, ISBN 978-0-300-16768-9, £35.Morna O'Neill and Michael Hatt (eds), The Edwardian Sense: Art, Design and Performance in Britain, 1901–10 (Yale Center for British Art and The Paul Mellon Centre for Studies in British Art: New…
Abakanowicz
Yinka Shonibare MBE
Eileen Gray
Eileen Gray, Centre Pompidou, Paris, February 20–May 20, 2013Eileen Gray: Architect, Designer, Painter, Irish Museum of Modern Art, Dublin, October 12, 2013–January 19, 2014
Cleo
Migrations
Queer Hobbies
It is generally accepted that the “Modern British Needlework” exhibition held at the Victoria and Albert Museum in July 1932 was the watershed moment in rehabilitating embroidery’s reputation as a modern art form paving the way for its acceptance into art galleries and art schools in the post-war era. This exhibition, however, was only one in a series of important displays of embroidery that took place throughout the Twenties and Thirties. Many o…
Commentary
“Modern Stained Glass in France and Holland” was published by Evie Hone (1894–1955), the celebrated Irish painter and stained glass designer, in Art Notes in the summer of 1940.1 Hone wrote, and in
Art (7 works) · Visual arts (7 works) · Art history (6 works) · History (5 works) · Irish (4 works) · Philosophy (4 works) · Art, Politics, and Modernism (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works)