Ellen P Conant
Biographic Data
| ID | 1247302 |
|---|---|
| NAME | Ellen P Conant |
| GIVEN NAMES | Ellen P |
| FAMILY NAME | Conant |
| SIGNATURE | CONANT E P |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Japan “Abroad” at the Chicago Exposition, 1893
Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the …
The Japan-British Exhibition of 1910: Gateway to the Island Empire of the East
The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance…
Japanese Painting and National Identity: Okakura Tenshin and His Circle (review)
Reviewed by: Japanese Painting and National Identity: Okakura Tenshin and His Circle Ellen P. Conant (bio) Japanese Painting and National Identity: Okakura Tenshin and His Circle. By Victoria Weston. Center for Japanese Studies, University of Michigan, Ann Arbor, 2004. 322 pages. $65.00. Victoria Weston displays the knowledge, skill, and temerity necessary to tackle one of the most politically fraught and culturally contentious topics in the hist…
Japan: Painting after 1868 (Meiji and after)
Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968
Presentation de l'exposition Nihonga, transcending the past : Japanese-style painting, 1868-1968 organisee au Saint Louis Art Museum (Missouri, Etats-Unis) du 3 novembre au 3 decembre et du 6 decembre au 31 decembre 1995, destinee a montrer les caracteristiques et l'evolution du style Nihonga (peinture de style japonais executee sur supports et formats traditionnels)
Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968
Japanese Genre Painting; The Lively Art of Renaissance Japan
The Japan-British Exhibition of 1910: Gateway to the Island Empire of the East
The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance…
Japanese Genre Painting; The Lively Art of Renaissance Japan
Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968
Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968
Presentation de l'exposition Nihonga, transcending the past : Japanese-style painting, 1868-1968 organisee au Saint Louis Art Museum (Missouri, Etats-Unis) du 3 novembre au 3 decembre et du 6 decembre au 31 decembre 1995, destinee a montrer les caracteristiques et l'evolution du style Nihonga (peinture de style japonais executee sur supports et formats traditionnels)
Japan: Painting after 1868 (Meiji and after)
Japanese Painting and National Identity: Okakura Tenshin and His Circle (review)
Reviewed by: Japanese Painting and National Identity: Okakura Tenshin and His Circle Ellen P. Conant (bio) Japanese Painting and National Identity: Okakura Tenshin and His Circle. By Victoria Weston. Center for Japanese Studies, University of Michigan, Ann Arbor, 2004. 322 pages. $65.00. Victoria Weston displays the knowledge, skill, and temerity necessary to tackle one of the most politically fraught and culturally contentious topics in the hist…
The Japan-British Exhibition of 1910: Gateway to the Island Empire of the East
The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance…
Japan “Abroad” at the Chicago Exposition, 1893
Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the …
Art (7 works) · Japanese History and Culture (7 works) · Art history (5 works) · History (5 works) · Painting (5 works) · Visual arts (5 works) · Aesthetics (3 works) · Art, Politics, and Modernism (3 works) · Literature (3 works) · Computer Science (2 works)