Daniella Trimboli
Biographic Data
| ID | 1247708 |
|---|---|
| NAME | Daniella Trimboli |
| GIVEN NAMES | Daniella |
| FAMILY NAME | Trimboli |
| SIGNATURE | TRIMBOLI D |
| AFFILIATIONS | Deakin University |
| ORCID | 0000-0001-8917-3204 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Stammering Pedagogies
This scholarly zine engages the future anterior of our work to un/recover the Australian Multicultural Literacy Collection (AMLC), and to reflect Gunew’s emphasis on stammering pedagogy. The zine d
Re-discovering the Australian Multicultural Literature Collection
In late 2020, Daniella and Michel interviewed Sneja Gunew, founder of The Australian Multicultural Literature Collection (AMLC), to get an overview of the archive: how it started, what the collection methodology was, and why it was, and continues to be, crucial for critically studying and theorizing Australian multiculturalism, ethnicity and race, and migrant life and writing in neo-colonial Australia
Archives and autographics
KEYWORDS: multiculturalismTranspacificdigital autographicsautobiographymigrationarchivemigrant writing
Zines of rupture
Much research has been carried out on the discursive dehumanization of non-Anglo Celtic migrants to Australia – especially refugees and asylum seekers. However, this discourse also has an affective dimension that, in Sara Ahmed’s terms, ‘stick’, impressing upon non-white migrants at a corporeal level. Depictions of self and Other in comic zines such as Where Do I Belong? by Silent Army, Villawood: Notes from a Detention Centre by Safdar Ahmed, an…
I’ll Be Your First Mate
This essay explores the implications of white allyship and activism within the context of refugee advocay in Australia. The Melbournebased organisation I'll Be your First Mate (IBYFM), set up by the author and collaborators as a space to challenge dominant harmful discourse about refugees through art, initiated an honest and selfcritical engagement with different forms of activism. The essay interrogates the potential complicity of well-intention…
Affective Everyday Media
Digital storytelling is popular in Australian community-based arts and contemporary art more broadly, providing an accessible way for people to creatively describe their everyday experiences. While the field has been rapidly growing, little research currently exists on the material implications of digital stories, let alone those about cultural difference. By comparing Big hART's Junk Theory (2006) against Sam Haddad's Loving Lebanon and Australi…
Hybridity and Hybridization
Hybridity has a complicated history; however, it has always been associated with notions of identity and cultural origins. In its most rudimentary form, hybridity refers to a person produced when two or more identities “mix.” It first surfaced during colonialism, which hierarchized humans according to biological notions of race, beginning with “whiteness” at the top. Originally, the hybrid was marred by racist assumptions of impurity, and was sub…
Aesthetic cosmopolitanism
The contemporary migration experience is mobile, fragmented and mediated, creating a new diasporic interface that interplays the three threads of media, culture and art. However, studies of transnationalism within media, culture and art scholarship continue to collapse into binary models, ultimately streamlining the complex cultural translations that occur in this interface. This essay argues that the notion of aesthetic cosmopolitanism allows fo…
Translating Neo-Cosmopolitanism in Neo-Colonial Contexts
Translating Neo-Cosmopolitanism in Neo-Colonial Contexts: Using Sneja Gunew's Notion of Acoustics in Contemporary Cultural Studies
Faces sailing by
This article explores how the arts-for-social change company, Big hART, responded to the Cronulla riots in Western Sydney, Australia. The riots were instigated on 4 December 2005 following an altercation between three Anglo-Australian lifeguards and a group of men identified as being of Lebanese background. Big hART’s creative response, ‘Junk Theory’, involved the collaboration of youth from diverse cultural groups in the Sutherland Shire and res…
Memory magic
The Magical Life of Long Tack Sam is a two-part project created by Canadian-based filmmaker Ann Marie Fleming. The project traces the history of Fleming's Chinese ancestor, Long Tack Sam, and presents it in a documentary (2003) and an accompanying graphic novel (2007). In the concluding moments of the documentary, Fleming comments ‘memory is a type of magic’. This point provides a useful hook to summarize Fleming's aesthetic practice, which can b…
Affective Everyday Media
Digital storytelling is popular in Australian community-based arts and contemporary art more broadly, providing an accessible way for people to creatively describe their everyday experiences. While the field has been rapidly growing, little research currently exists on the material implications of digital stories, let alone those about cultural difference. By comparing Big hART's Junk Theory (2006) against Sam Haddad's Loving Lebanon and Australi…
Aesthetic cosmopolitanism
The contemporary migration experience is mobile, fragmented and mediated, creating a new diasporic interface that interplays the three threads of media, culture and art. However, studies of transnationalism within media, culture and art scholarship continue to collapse into binary models, ultimately streamlining the complex cultural translations that occur in this interface. This essay argues that the notion of aesthetic cosmopolitanism allows fo…
Faces sailing by
This article explores how the arts-for-social change company, Big hART, responded to the Cronulla riots in Western Sydney, Australia. The riots were instigated on 4 December 2005 following an altercation between three Anglo-Australian lifeguards and a group of men identified as being of Lebanese background. Big hART’s creative response, ‘Junk Theory’, involved the collaboration of youth from diverse cultural groups in the Sutherland Shire and res…
Memory magic
The Magical Life of Long Tack Sam is a two-part project created by Canadian-based filmmaker Ann Marie Fleming. The project traces the history of Fleming's Chinese ancestor, Long Tack Sam, and presents it in a documentary (2003) and an accompanying graphic novel (2007). In the concluding moments of the documentary, Fleming comments ‘memory is a type of magic’. This point provides a useful hook to summarize Fleming's aesthetic practice, which can b…
Faces sailing by
This article explores how the arts-for-social change company, Big hART, responded to the Cronulla riots in Western Sydney, Australia. The riots were instigated on 4 December 2005 following an altercation between three Anglo-Australian lifeguards and a group of men identified as being of Lebanese background. Big hART’s creative response, ‘Junk Theory’, involved the collaboration of youth from diverse cultural groups in the Sutherland Shire and res…
Memory magic
The Magical Life of Long Tack Sam is a two-part project created by Canadian-based filmmaker Ann Marie Fleming. The project traces the history of Fleming's Chinese ancestor, Long Tack Sam, and presents it in a documentary (2003) and an accompanying graphic novel (2007). In the concluding moments of the documentary, Fleming comments ‘memory is a type of magic’. This point provides a useful hook to summarize Fleming's aesthetic practice, which can b…
Hybridity and Hybridization
Hybridity has a complicated history; however, it has always been associated with notions of identity and cultural origins. In its most rudimentary form, hybridity refers to a person produced when two or more identities “mix.” It first surfaced during colonialism, which hierarchized humans according to biological notions of race, beginning with “whiteness” at the top. Originally, the hybrid was marred by racist assumptions of impurity, and was sub…
Aesthetic cosmopolitanism
The contemporary migration experience is mobile, fragmented and mediated, creating a new diasporic interface that interplays the three threads of media, culture and art. However, studies of transnationalism within media, culture and art scholarship continue to collapse into binary models, ultimately streamlining the complex cultural translations that occur in this interface. This essay argues that the notion of aesthetic cosmopolitanism allows fo…
Translating Neo-Cosmopolitanism in Neo-Colonial Contexts
Translating Neo-Cosmopolitanism in Neo-Colonial Contexts: Using Sneja Gunew's Notion of Acoustics in Contemporary Cultural Studies
Affective Everyday Media
Digital storytelling is popular in Australian community-based arts and contemporary art more broadly, providing an accessible way for people to creatively describe their everyday experiences. While the field has been rapidly growing, little research currently exists on the material implications of digital stories, let alone those about cultural difference. By comparing Big hART's Junk Theory (2006) against Sam Haddad's Loving Lebanon and Australi…
I’ll Be Your First Mate
This essay explores the implications of white allyship and activism within the context of refugee advocay in Australia. The Melbournebased organisation I'll Be your First Mate (IBYFM), set up by the author and collaborators as a space to challenge dominant harmful discourse about refugees through art, initiated an honest and selfcritical engagement with different forms of activism. The essay interrogates the potential complicity of well-intention…
Re-discovering the Australian Multicultural Literature Collection
In late 2020, Daniella and Michel interviewed Sneja Gunew, founder of The Australian Multicultural Literature Collection (AMLC), to get an overview of the archive: how it started, what the collection methodology was, and why it was, and continues to be, crucial for critically studying and theorizing Australian multiculturalism, ethnicity and race, and migrant life and writing in neo-colonial Australia
Archives and autographics
KEYWORDS: multiculturalismTranspacificdigital autographicsautobiographymigrationarchivemigrant writing
Zines of rupture
Much research has been carried out on the discursive dehumanization of non-Anglo Celtic migrants to Australia – especially refugees and asylum seekers. However, this discourse also has an affective dimension that, in Sara Ahmed’s terms, ‘stick’, impressing upon non-white migrants at a corporeal level. Depictions of self and Other in comic zines such as Where Do I Belong? by Silent Army, Villawood: Notes from a Detention Centre by Safdar Ahmed, an…
Stammering Pedagogies
This scholarly zine engages the future anterior of our work to un/recover the Australian Multicultural Literacy Collection (AMLC), and to reflect Gunew’s emphasis on stammering pedagogy. The zine d
Art (10 works) · Sociology (10 works) · Aesthetics (8 works) · Gender Studies (8 works) · Political science (8 works) · Gender Studies (6 works) · Media studies (6 works) · Law (5 works) · Politics (5 works) · Anthropology (4 works)