Roberta Wue
Biographic Data
| ID | 1248227 |
|---|---|
| NAME | Roberta Wue |
| GIVEN NAMES | Roberta |
| FAMILY NAME | Wue |
| SIGNATURE | WUE R |
| AFFILIATIONS | North-West State Technical University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Essentially Chinese
China in the World
Two examples of photographic montages from the first half of the twentieth century, one by the Modern Sketch Society in the magazine Shidai manhua and the other by the photographer Lang Jingshan, craft images of the modern Chinese nation. Although dramatically different, both images rely on assemblage formats and the photographic fragment in order to present a vision of a new China within a larger global context. This article proposes a nineteent…
Art Worlds
The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port’s commercialized culture. Art Worlds examines the relationship between the city’s visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art …
The Profits of Philanthropy
The Profits of Philanthropy:Relief Aid, Shenbao, and the Art World in Later Nineteenth-Century Shanghai Roberta Wue (bio) Painting in Shanghai of the later nineteenth century occupies an uncertain place in the history of Chinese painting. Often referred to as the "Shanghai School," artists active in the melting-pot of Shanghai from the 1860s onwards were not in fact part of any school nor were many from Shanghai; instead, they came from a broad s…
No prominent works on this page.
The Profits of Philanthropy
The Profits of Philanthropy:Relief Aid, Shenbao, and the Art World in Later Nineteenth-Century Shanghai Roberta Wue (bio) Painting in Shanghai of the later nineteenth century occupies an uncertain place in the history of Chinese painting. Often referred to as the "Shanghai School," artists active in the melting-pot of Shanghai from the 1860s onwards were not in fact part of any school nor were many from Shanghai; instead, they came from a broad s…
Art Worlds
The growth of Shanghai in the late nineteenth century gave rise to an exciting new art world in which a flourishing market in popular art became a highly visible part of the treaty port’s commercialized culture. Art Worlds examines the relationship between the city’s visual artists and their urban audiences. Through a discussion of images ranging from fashionable painted fans to lithograph-illustrated magazines, the book explores how popular art …
Essentially Chinese
China in the World
Two examples of photographic montages from the first half of the twentieth century, one by the Modern Sketch Society in the magazine Shidai manhua and the other by the photographer Lang Jingshan, craft images of the modern Chinese nation. Although dramatically different, both images rely on assemblage formats and the photographic fragment in order to present a vision of a new China within a larger global context. This article proposes a nineteent…
Chinese history and philosophy (4 works) · Art history (3 works) · Art (2 works) · History (2 works) · Philosophy (2 works) · Visual arts (2 works) · Archaeology (1 works) · Art world (1 works) · Categorization, perception, and language (1 works) · China (1 works)