Bill Johnson González
Biographic Data
| ID | 1248496 |
|---|---|
| NAME | Bill Johnson González |
| GIVEN NAMES | Bill Johnson |
| FAMILY NAME | González |
| SIGNATURE | GONZÁLEZ B J |
| AFFILIATIONS | DePaul University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
The Barbara Johnson Reader
This Reader collects in a single volume some of the most influential essays written by Barbara Johnson over the course of her thirty-year career as a pioneering literary theorist and cultural critic. Johnson achieved renown early in her career, both as a brilliant student of the Yale School of literary criticism and as the translator of Jacques Derrida's Dissemination . She went on to lead the way in extending the insights of structuralism and po…
The Limits of Desire
The small-budget independent film On the Downlow, directed by Tadeo Garcia and released in 2004, represents the star-crossed romance between two male Latino members of a Chicago street gang. I argue that the film provides a critique of the city's racialized organization of space, as well as a critique of the paradoxical hypermasculine homosociality of the street gang itself. The film's protagonist must decide whether he will remain loyal to his g…
Brown on Brown
The Politics of Translation in Sandra Cisneros'sCaramelo
Research Article| December 01 2006 The Politics of Translation in Sandra Cisneros's Caramelo Bill Johnson González Bill Johnson González Search for other works by this author on: This Site Google differences (2006) 17 (3): 3–19. https://doi.org/10.1215/10407391-2006-008 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Bill Johnson González; The Politics of Translation in Sandra Cisneros's Caramelo. …
The Limits of Desire
The small-budget independent film On the Downlow, directed by Tadeo Garcia and released in 2004, represents the star-crossed romance between two male Latino members of a Chicago street gang. I argue that the film provides a critique of the city's racialized organization of space, as well as a critique of the paradoxical hypermasculine homosociality of the street gang itself. The film's protagonist must decide whether he will remain loyal to his g…
The Politics of Translation in Sandra Cisneros'sCaramelo
Research Article| December 01 2006 The Politics of Translation in Sandra Cisneros's Caramelo Bill Johnson González Bill Johnson González Search for other works by this author on: This Site Google differences (2006) 17 (3): 3–19. https://doi.org/10.1215/10407391-2006-008 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Bill Johnson González; The Politics of Translation in Sandra Cisneros's Caramelo. …
The Politics of Translation in Sandra Cisneros'sCaramelo
Research Article| December 01 2006 The Politics of Translation in Sandra Cisneros's Caramelo Bill Johnson González Bill Johnson González Search for other works by this author on: This Site Google differences (2006) 17 (3): 3–19. https://doi.org/10.1215/10407391-2006-008 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Bill Johnson González; The Politics of Translation in Sandra Cisneros's Caramelo. …
Brown on Brown
The Barbara Johnson Reader
This Reader collects in a single volume some of the most influential essays written by Barbara Johnson over the course of her thirty-year career as a pioneering literary theorist and cultural critic. Johnson achieved renown early in her career, both as a brilliant student of the Yale School of literary criticism and as the translator of Jacques Derrida's Dissemination . She went on to lead the way in extending the insights of structuralism and po…
The Limits of Desire
The small-budget independent film On the Downlow, directed by Tadeo Garcia and released in 2004, represents the star-crossed romance between two male Latino members of a Chicago street gang. I argue that the film provides a critique of the city's racialized organization of space, as well as a critique of the paradoxical hypermasculine homosociality of the street gang itself. The film's protagonist must decide whether he will remain loyal to his g…
Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · Latin American and Latino Studies (3 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Gender Studies (2 works) · Law (2 works) · Philosophy (2 works)