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Lara Milesi García

Biographic Data

ID125178
NAMELara Milesi García
GIVEN NAMESLara Milesi
FAMILY NAMEGarcía
SIGNATUREGARCÍA L M
AFFILIATIONSUniversity of Birmingham
ORCID0000-0001-6122-0515
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS77
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2026
H-INDEX5
  • Gender identities in the prehistoric societies of south-eastern Iberia: New insights from non-masticatory dental wear analysis and peptide-based sex identification

    Open Access•Manuel Velasco Suarez, Gonzalo Aranda Jiménez et al.•ARTICLE•Journal of Archaeological Science•2026

    Anthropological skeletal remains provide access to the embodied dimensions of daily life, allowing the exploration of how gender was shaped through culturally specific practices. Non-masticatory dental wear has recently emerged as a valuable proxy for identifying craft-related activities and their potential association with gendered roles. The aim of this study is to explore gender identities through non-masticatory dental wear analysis and the c…

  • The tempo of the Iberian megalithic rituals in the European context: The cemetery of Panoría

    Open Access•Gonzalo Aranda Jiménez, L Milesi et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 12•References: 6

    Our ability to build precise narratives regarding megalithic societies largely depends on the chronology of the multi-ritual events that usually shaped these complex sites. The cemetery of Panoría offers an excellent opportunity for exploring ritual complexity in Iberia through radiocarbon chronology, as four of the nine recently excavated dolmens are remarkably well preserved. For this purpose, seventy-three radiocarbon dates were obtained and a…

  • Multi-isotopic diet analysis of south-eastern Iberian megalithic populations: The cemeteries of El Barranquete and Panoría

    Open Access•M Díaz‐zorita Bonilla, Marta Díaz-Zorita Bonilla et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 20•References: 46

  • Agonistic festivities: Urban Nightlife Scenes and the Sociability of 'Anti-Social' Fun

    Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Annals of Leisure Research•2017•Cited by: 11•References: 6

    Nightlife venues frequently find themselves in conflict with competing interests in and uses of urban space, and it is a rare occasion when municipal government or law enforcement comes to their defence. This article examines the role of conflict in the ongoing development of urban nightlife scenes, drawing on two contrasting case studies that took place in the autumn of 2016: the forced closure of Fabric nightclub in London and the recognition o…

  • Chicago house music, from dance floor to museum: The Frankie Knuckles Vinyl Collection

    Maria Perevedentseva, Lara Milesi García et al.•ARTICLE•Sound Studies•2016•References: 3

    The Rebuild Foundation’s new site – the Stony Island Arts Bank on Chicago’s South Side – has been open since the beginning of October, and yet, the exhibit that initially generated the most press i

  • Techno-tourism and post-industrial neo-romanticism in Berlin's electronic dance music scenes

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Tourist Studies•2015•Cited by: 15•References: 7

    This article profiles the 'techno-tourists' of Berlin: music fans who return repeatedly to the city in order to participate in the local electronic dance music scenes. Based on interviews, this article sketches a profile of these music-minded voyagers, surveying their motivations, their attitudes, their patterns of travel and their strategies for making this mode of travel possible in terms of work and money. It also situates this recent wave of …

  • Beats, flesh, and grain: Sonic Tactility and Affect in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Sound Studies•2015•Cited by: 15•References: 16

    This essay sets out to explore the tactilization of sound in electronic dance music (EDM), which offers an important sensory-affective bridge between touch, sonic experience, and an expansive sense of connection in dancing crowds. Electronic dance music events tend to engender spaces of heightened tactility and embodied intimacy, and so it should not be surprising that their musical aesthetics also highlight tactility. In track titles, lyrics, an…

  • Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Dancecult•2011•Cited by: 1

  • On and On: Repetition as Process and Pleasure in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Music Theory Online•2005•Cited by: 3

    Repetition has often been cast in a negative light, associated with immature or regressive states. This view is reflected in music criticism and pedagogy, recast in aesthetic terms and it also reappears in cultural criticism, attacking repetition as a dangerous tool for social control. Defenses that have been mounted in favor of repetition seem inadequate in that they tend to recategorize certain repetitive practices as not-quite-repetition, rath…

  • Multi-isotopic diet analysis of south-eastern Iberian megalithic populations: The cemeteries of El Barranquete and Panoría

    Open Access•M Díaz‐zorita Bonilla, Marta Díaz-Zorita Bonilla et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 20•References: 46

  • Techno-tourism and post-industrial neo-romanticism in Berlin's electronic dance music scenes

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Tourist Studies•2015•Cited by: 15•References: 7

    This article profiles the 'techno-tourists' of Berlin: music fans who return repeatedly to the city in order to participate in the local electronic dance music scenes. Based on interviews, this article sketches a profile of these music-minded voyagers, surveying their motivations, their attitudes, their patterns of travel and their strategies for making this mode of travel possible in terms of work and money. It also situates this recent wave of …

  • Beats, flesh, and grain: Sonic Tactility and Affect in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Sound Studies•2015•Cited by: 15•References: 16

    This essay sets out to explore the tactilization of sound in electronic dance music (EDM), which offers an important sensory-affective bridge between touch, sonic experience, and an expansive sense of connection in dancing crowds. Electronic dance music events tend to engender spaces of heightened tactility and embodied intimacy, and so it should not be surprising that their musical aesthetics also highlight tactility. In track titles, lyrics, an…

  • The tempo of the Iberian megalithic rituals in the European context: The cemetery of Panoría

    Open Access•Gonzalo Aranda Jiménez, L Milesi et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 12•References: 6

    Our ability to build precise narratives regarding megalithic societies largely depends on the chronology of the multi-ritual events that usually shaped these complex sites. The cemetery of Panoría offers an excellent opportunity for exploring ritual complexity in Iberia through radiocarbon chronology, as four of the nine recently excavated dolmens are remarkably well preserved. For this purpose, seventy-three radiocarbon dates were obtained and a…

  • Agonistic festivities: Urban Nightlife Scenes and the Sociability of 'Anti-Social' Fun

    Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Annals of Leisure Research•2017•Cited by: 11•References: 6

    Nightlife venues frequently find themselves in conflict with competing interests in and uses of urban space, and it is a rare occasion when municipal government or law enforcement comes to their defence. This article examines the role of conflict in the ongoing development of urban nightlife scenes, drawing on two contrasting case studies that took place in the autumn of 2016: the forced closure of Fabric nightclub in London and the recognition o…

  • On and On: Repetition as Process and Pleasure in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Music Theory Online•2005•Cited by: 3

    Repetition has often been cast in a negative light, associated with immature or regressive states. This view is reflected in music criticism and pedagogy, recast in aesthetic terms and it also reappears in cultural criticism, attacking repetition as a dangerous tool for social control. Defenses that have been mounted in favor of repetition seem inadequate in that they tend to recategorize certain repetitive practices as not-quite-repetition, rath…

  • Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Dancecult•2011•Cited by: 1

  • On and On: Repetition as Process and Pleasure in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Music Theory Online•2005•Cited by: 3

    Repetition has often been cast in a negative light, associated with immature or regressive states. This view is reflected in music criticism and pedagogy, recast in aesthetic terms and it also reappears in cultural criticism, attacking repetition as a dangerous tool for social control. Defenses that have been mounted in favor of repetition seem inadequate in that they tend to recategorize certain repetitive practices as not-quite-repetition, rath…

  • Pathological Crowds: Affect and Danger in Responses to the Love Parade Disaster at Duisburg

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Dancecult•2011•Cited by: 1

  • Techno-tourism and post-industrial neo-romanticism in Berlin's electronic dance music scenes

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Tourist Studies•2015•Cited by: 15•References: 7

    This article profiles the 'techno-tourists' of Berlin: music fans who return repeatedly to the city in order to participate in the local electronic dance music scenes. Based on interviews, this article sketches a profile of these music-minded voyagers, surveying their motivations, their attitudes, their patterns of travel and their strategies for making this mode of travel possible in terms of work and money. It also situates this recent wave of …

  • Beats, flesh, and grain: Sonic Tactility and Affect in Electronic Dance Music

    Open Access•Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Sound Studies•2015•Cited by: 15•References: 16

    This essay sets out to explore the tactilization of sound in electronic dance music (EDM), which offers an important sensory-affective bridge between touch, sonic experience, and an expansive sense of connection in dancing crowds. Electronic dance music events tend to engender spaces of heightened tactility and embodied intimacy, and so it should not be surprising that their musical aesthetics also highlight tactility. In track titles, lyrics, an…

  • Chicago house music, from dance floor to museum: The Frankie Knuckles Vinyl Collection

    Maria Perevedentseva, Lara Milesi García et al.•ARTICLE•Sound Studies•2016•References: 3

    The Rebuild Foundation’s new site – the Stony Island Arts Bank on Chicago’s South Side – has been open since the beginning of October, and yet, the exhibit that initially generated the most press i

  • Agonistic festivities: Urban Nightlife Scenes and the Sociability of 'Anti-Social' Fun

    Lara Milesi García, Luis-Manuel Garcia•ARTICLE•Annals of Leisure Research•2017•Cited by: 11•References: 6

    Nightlife venues frequently find themselves in conflict with competing interests in and uses of urban space, and it is a rare occasion when municipal government or law enforcement comes to their defence. This article examines the role of conflict in the ongoing development of urban nightlife scenes, drawing on two contrasting case studies that took place in the autumn of 2016: the forced closure of Fabric nightclub in London and the recognition o…

  • Multi-isotopic diet analysis of south-eastern Iberian megalithic populations: The cemeteries of El Barranquete and Panoría

    Open Access•M Díaz‐zorita Bonilla, Marta Díaz-Zorita Bonilla et al.•ARTICLE•Archaeological and Anthropological…•2019•Cited by: 20•References: 46

  • The tempo of the Iberian megalithic rituals in the European context: The cemetery of Panoría

    Open Access•Gonzalo Aranda Jiménez, L Milesi et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 12•References: 6

    Our ability to build precise narratives regarding megalithic societies largely depends on the chronology of the multi-ritual events that usually shaped these complex sites. The cemetery of Panoría offers an excellent opportunity for exploring ritual complexity in Iberia through radiocarbon chronology, as four of the nine recently excavated dolmens are remarkably well preserved. For this purpose, seventy-three radiocarbon dates were obtained and a…

  • Gender identities in the prehistoric societies of south-eastern Iberia: New insights from non-masticatory dental wear analysis and peptide-based sex identification

    Open Access•Manuel Velasco Suarez, Gonzalo Aranda Jiménez et al.•ARTICLE•Journal of Archaeological Science•2026

    Anthropological skeletal remains provide access to the embodied dimensions of daily life, allowing the exploration of how gender was shaped through culturally specific practices. Non-masticatory dental wear has recently emerged as a valuable proxy for identifying craft-related activities and their potential association with gendered roles. The aim of this study is to explore gender identities through non-masticatory dental wear analysis and the c…

Art (4 works) · Archaeology (3 works) · Computer Science (3 works) · Geography (3 works) · Music History and Culture (3 works) · Psychology (3 works) · Aesthetics (2 works) · Archaeology and ancient environmental studies (2 works) · Art history (2 works) · Dance (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae