Joshua D Pilzer
Biographic Data
| ID | 125190 |
|---|---|
| NAME | Joshua D Pilzer |
| GIVEN NAMES | Joshua D |
| FAMILY NAME | Pilzer |
| SIGNATURE | PILZER J D |
| AFFILIATIONS | Associate Professor of Ethnomusicology, University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Quietude: A Musical Anthropology of "Korea's Hiroshima"
What can be learned from musically encountering others beyond music? Quietude is an attempt to answer this question, a holistic ethnography of the expressive lives of Korean first and second-generation victims of the atomic bombing of Japan, focused on the everyday arts of living that they employ to make life possible and worthwhile. The book documents the practically unknown history of Korean experiences of the atomic bombs and their aftermath, …
"Yi Suyong and the Quiet of "Korea's Hiroshima
Bicultural residents of the Hapcheon Atomic Bomb Victims Welfare Center in rural southeastern Korea who were raised in Hiroshima and survived the bomb live in a complex world of quiet-of radiation-related vocal disability, Japanese and Korean cultural values of restraint and civility, religious practice and propriety, and traumatic memory. In this article, I musically encounter a world largely devoid of music, focusing on one survivor's style of …
Vamping the Stage: Female Voices of Asian Modernities
Music and Dance in the Japanese Military “Comfort Women” System: A Case Study in the Performing Arts, War, and Sexual Violence
Two Women's Stories Yi Yongsu was born in the southeastern Korean city of Daegu in 1928 during the second decade of Japanese colonial rule in Korea, which lasted from 1910 to 1945. (1) Her family was quite poor and was unable to afford her schooling; she worked in factory from very young age. But she was keen to study, and so she attended evening classes. She had always loved to sing and received some formal training in music. In 1944, at the age…
"Hearts of PineSongs in the Lives of Three Korean Survivors of the Japanese "Comfort Women: Songs in the lives of three Korean survivors of the Japanese "comfort women"
In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
Sŏdosori (Northwestern Korean Lyric Song) on the Demilitarized Zone: A Study in Music and Teleological Judgment
L'un des pouvoirs les plus interessants de la musique est sa capacite de faire apparaitre les choses comme possibles dans son domaine privilegie, et de laisser un residu de ce sens du possible. L'A. donne un exemple de personnes decouvrant des possibilites a travers la musique, des personnes qui concoivent, sentent, et pratiquent la musique traditionnelle comme une confrontation entre la realite et les reves. Il explore certaines des possibilites…
"Hearts of PineSongs in the Lives of Three Korean Survivors of the Japanese "Comfort Women: Songs in the lives of three Korean survivors of the Japanese "comfort women"
In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
Music and Dance in the Japanese Military “Comfort Women” System: A Case Study in the Performing Arts, War, and Sexual Violence
Two Women's Stories Yi Yongsu was born in the southeastern Korean city of Daegu in 1928 during the second decade of Japanese colonial rule in Korea, which lasted from 1910 to 1945. (1) Her family was quite poor and was unable to afford her schooling; she worked in factory from very young age. But she was keen to study, and so she attended evening classes. She had always loved to sing and received some formal training in music. In 1944, at the age…
Sŏdosori (Northwestern Korean Lyric Song) on the Demilitarized Zone: A Study in Music and Teleological Judgment
L'un des pouvoirs les plus interessants de la musique est sa capacite de faire apparaitre les choses comme possibles dans son domaine privilegie, et de laisser un residu de ce sens du possible. L'A. donne un exemple de personnes decouvrant des possibilites a travers la musique, des personnes qui concoivent, sentent, et pratiquent la musique traditionnelle comme une confrontation entre la realite et les reves. Il explore certaines des possibilites…
Sŏdosori (Northwestern Korean Lyric Song) on the Demilitarized Zone: A Study in Music and Teleological Judgment
L'un des pouvoirs les plus interessants de la musique est sa capacite de faire apparaitre les choses comme possibles dans son domaine privilegie, et de laisser un residu de ce sens du possible. L'A. donne un exemple de personnes decouvrant des possibilites a travers la musique, des personnes qui concoivent, sentent, et pratiquent la musique traditionnelle comme une confrontation entre la realite et les reves. Il explore certaines des possibilites…
"Hearts of PineSongs in the Lives of Three Korean Survivors of the Japanese "Comfort Women: Songs in the lives of three Korean survivors of the Japanese "comfort women"
In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
Music and Dance in the Japanese Military “Comfort Women” System: A Case Study in the Performing Arts, War, and Sexual Violence
Two Women's Stories Yi Yongsu was born in the southeastern Korean city of Daegu in 1928 during the second decade of Japanese colonial rule in Korea, which lasted from 1910 to 1945. (1) Her family was quite poor and was unable to afford her schooling; she worked in factory from very young age. But she was keen to study, and so she attended evening classes. She had always loved to sing and received some formal training in music. In 1944, at the age…
Vamping the Stage: Female Voices of Asian Modernities
"Yi Suyong and the Quiet of "Korea's Hiroshima
Bicultural residents of the Hapcheon Atomic Bomb Victims Welfare Center in rural southeastern Korea who were raised in Hiroshima and survived the bomb live in a complex world of quiet-of radiation-related vocal disability, Japanese and Korean cultural values of restraint and civility, religious practice and propriety, and traumatic memory. In this article, I musically encounter a world largely devoid of music, focusing on one survivor's style of …
Quietude: A Musical Anthropology of "Korea's Hiroshima"
What can be learned from musically encountering others beyond music? Quietude is an attempt to answer this question, a holistic ethnography of the expressive lives of Korean first and second-generation victims of the atomic bombing of Japan, focused on the everyday arts of living that they employ to make life possible and worthwhile. The book documents the practically unknown history of Korean experiences of the atomic bombs and their aftermath, …
Art (5 works) · Asian Culture and Media Studies (5 works) · History (5 works) · Gender Studies (3 works) · Japanese History and Culture (3 works) · Psychology (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Comfort women (2 works)