Carlos A Miranda
Biographic Data
| ID | 125243 |
|---|---|
| NAME | Carlos A Miranda |
| GIVEN NAMES | Carlos A |
| FAMILY NAME | Miranda |
| SIGNATURE | MIRANDA C A |
| AFFILIATIONS | American University in Cairo New York Office |
| ORCID | 0000-0002-4402-1466 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Omnipresent Negation
Omnipresent Negation:Hottentot Venus and Africa Rising Carlos A. Miranda (bio) and Suzette A. Spencer (bio) —Just because I consent to this life doesn't mean I choose it, she had said in Dutch. —I beg your pardon? —Just because I consent to this life doesn't mean I choose it, she had said in her broken English. —Barbara Chase-Riboud, Hottentot Venus Introduction The life and times of the "Hottentot Venus," also known as "Sarah Baartman" and "Saar…
Abrading Boundaries
Abrading BoundariesReconsidering Barbara Chase-Riboud's Sculpture, Fiction, and Poetry Suzette A. Spencer (bio) and Carlos A. Miranda (bio) Edgy, epic, oft-times controversial, always boundary-crossing—Barbara Chase-Riboud has attracted international attention as a sculptor, novelist, and poet for the past fifty years. This issue of Callaloo features creative work by Chase-Riboud alongside critical engagements with her creative writing, poetry, a…
Afro-Cuban Voices
Afro-Cuban Voices: On Race and Identity in Contemporary Cuba. Pedro Perez Sarduy and Jean Stubbs (eds.)- Gainesville, FL: University Press of Florida, 2000. xxi. 200pp. (Cloth US$24.95)
Omnipresent Negation
Omnipresent Negation:Hottentot Venus and Africa Rising Carlos A. Miranda (bio) and Suzette A. Spencer (bio) —Just because I consent to this life doesn't mean I choose it, she had said in Dutch. —I beg your pardon? —Just because I consent to this life doesn't mean I choose it, she had said in her broken English. —Barbara Chase-Riboud, Hottentot Venus Introduction The life and times of the "Hottentot Venus," also known as "Sarah Baartman" and "Saar…
Afro-Cuban Voices
Afro-Cuban Voices: On Race and Identity in Contemporary Cuba. Pedro Perez Sarduy and Jean Stubbs (eds.)- Gainesville, FL: University Press of Florida, 2000. xxi. 200pp. (Cloth US$24.95)
Omnipresent Negation
Omnipresent Negation:Hottentot Venus and Africa Rising Carlos A. Miranda (bio) and Suzette A. Spencer (bio) —Just because I consent to this life doesn't mean I choose it, she had said in Dutch. —I beg your pardon? —Just because I consent to this life doesn't mean I choose it, she had said in her broken English. —Barbara Chase-Riboud, Hottentot Venus Introduction The life and times of the "Hottentot Venus," also known as "Sarah Baartman" and "Saar…
Abrading Boundaries
Abrading BoundariesReconsidering Barbara Chase-Riboud's Sculpture, Fiction, and Poetry Suzette A. Spencer (bio) and Carlos A. Miranda (bio) Edgy, epic, oft-times controversial, always boundary-crossing—Barbara Chase-Riboud has attracted international attention as a sculptor, novelist, and poet for the past fifty years. This issue of Callaloo features creative work by Chase-Riboud alongside critical engagements with her creative writing, poetry, a…
Art (3 works) · Aesthetics (2 works) · Gender Studies (2 works) · History (2 works) · Literature (2 works) · Sociology (2 works) · African history and culture studies (1 work) · American Literature and Culture (1 work) · Anthropology (1 work) · Appropriation (1 work)