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Njabulo S Ndebele

Biographic Data

ID1253546
NAMENjabulo S Ndebele
GIVEN NAMESNjabulo S
FAMILY NAMENdebele
SIGNATURENDEBELE N S
AFFILIATIONSUniversity of Cape Town
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS28
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2017
H-INDEX2
  • They are burning memory

    Njabulo S Ndebele•ARTICLE•Critical Arts•2017•Cited by: 2

  • To be or not to be: No longer at ease 1

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2016•Cited by: 2

    This essay examines the changing range of descriptors available for black South African experience from the 1960s through to the present and shows the changing implications of ‘black’, ‘African’, ‘citizen’ and ‘human being’, with particular reference to the formative structures of education, and the enabling (or disabling) effects of literary studies in their Eurocentric and Afrocentric forms. In a general continental context in which the post-co…

  • A case for sheer compulsive and imaginative depth

    Open Access•Njabulo S Ndebele, Antjie Krog•ARTICLE•Tydskrif vir letterkunde•2016

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • Tributes to Nelson Mandela (1918-2013)

    Gabeba Baderoon, Rita Barnard et al.•ARTICLE•Journal of the African Literature…•2014

  • Love and politics: Sister Quinlan and the future we have desired

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2014•Cited by: 1

    Seamus Heaney (like Stimpson and Parker in this issue) speaks of: A historic dialectic [which] exists between beautiful and bestial. In this speech, delivered on 13 December 2012, Njabulo Ndebele reflects on stories South Africa tells itself about past atrocity, as a way of achieving the future we have desired. Ndebele informs that telling of story of killing of Sister Quinlan in classroom would have been considered by state as a subversive act. …

  • Liberation betrayed by bloodshed

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2013•Cited by: 1

  • Iph' Indlela? Finding our way into the future' - the first Steve Biko memorial lecture

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2000•Cited by: 5•References: 1

    (2000). ‘Iph’ Indlela? Finding our way into the future’ ‐ the first Steve Biko memorial lecture. Social Dynamics: Vol. 26, No. 1, pp. 43-55

  • Whither English in the 21st century

    Njabulo S Ndebele•ARTICLE•Current Writing•1998

  • Creative Instability: The Case of the South African Higher Education System

    Njabulo S Ndebele•ARTICLE•The Journal of Negro Education•1997

    Njabulo S. Ndebele, Creative Instability: The Case of the South African Higher Education System, The Journal of Negro Education, Vol. 66, No. 4, Education in a New South Africa: The Crises of Conflict, the Challenges of Change (Autumn, 1997), pp. 443-448

  • Literature in Another South Africa: Njabulo Ndebele's Theory of Emergent Culture

    Anthony O’brien, Anthony O'Brien et al.•ARTICLE•diacritics•1992

  • The rediscovery of the ordinary: Some new writings in South Africa

    Njabulo S Ndebele•ARTICLE•Journal of Southern African Studies•1986•Cited by: 17

    The history of Black South African literature has largely been the history of the representation of spectacle. The visible symbols of the overwhelmingly oppressive South African social formation appear to have prompted over the years the development of a highly dramatic, highly demonstrative form of literary representation. One is reminded here of Roland Barthes's essay on wrestling. Some of Barthes's observations on the wrestling match seem part…

  • The rediscovery of the ordinary: Some new writings in South Africa

    Njabulo S Ndebele•ARTICLE•Journal of Southern African Studies•1986•Cited by: 17

    The history of Black South African literature has largely been the history of the representation of spectacle. The visible symbols of the overwhelmingly oppressive South African social formation appear to have prompted over the years the development of a highly dramatic, highly demonstrative form of literary representation. One is reminded here of Roland Barthes's essay on wrestling. Some of Barthes's observations on the wrestling match seem part…

  • Iph' Indlela? Finding our way into the future' - the first Steve Biko memorial lecture

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2000•Cited by: 5•References: 1

    (2000). ‘Iph’ Indlela? Finding our way into the future’ ‐ the first Steve Biko memorial lecture. Social Dynamics: Vol. 26, No. 1, pp. 43-55

  • They are burning memory

    Njabulo S Ndebele•ARTICLE•Critical Arts•2017•Cited by: 2

  • To be or not to be: No longer at ease 1

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2016•Cited by: 2

    This essay examines the changing range of descriptors available for black South African experience from the 1960s through to the present and shows the changing implications of ‘black’, ‘African’, ‘citizen’ and ‘human being’, with particular reference to the formative structures of education, and the enabling (or disabling) effects of literary studies in their Eurocentric and Afrocentric forms. In a general continental context in which the post-co…

  • Love and politics: Sister Quinlan and the future we have desired

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2014•Cited by: 1

    Seamus Heaney (like Stimpson and Parker in this issue) speaks of: A historic dialectic [which] exists between beautiful and bestial. In this speech, delivered on 13 December 2012, Njabulo Ndebele reflects on stories South Africa tells itself about past atrocity, as a way of achieving the future we have desired. Ndebele informs that telling of story of killing of Sister Quinlan in classroom would have been considered by state as a subversive act. …

  • Liberation betrayed by bloodshed

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2013•Cited by: 1

  • The rediscovery of the ordinary: Some new writings in South Africa

    Njabulo S Ndebele•ARTICLE•Journal of Southern African Studies•1986•Cited by: 17

    The history of Black South African literature has largely been the history of the representation of spectacle. The visible symbols of the overwhelmingly oppressive South African social formation appear to have prompted over the years the development of a highly dramatic, highly demonstrative form of literary representation. One is reminded here of Roland Barthes's essay on wrestling. Some of Barthes's observations on the wrestling match seem part…

  • Literature in Another South Africa: Njabulo Ndebele's Theory of Emergent Culture

    Anthony O’brien, Anthony O'Brien et al.•ARTICLE•diacritics•1992

  • Creative Instability: The Case of the South African Higher Education System

    Njabulo S Ndebele•ARTICLE•The Journal of Negro Education•1997

    Njabulo S. Ndebele, Creative Instability: The Case of the South African Higher Education System, The Journal of Negro Education, Vol. 66, No. 4, Education in a New South Africa: The Crises of Conflict, the Challenges of Change (Autumn, 1997), pp. 443-448

  • Whither English in the 21st century

    Njabulo S Ndebele•ARTICLE•Current Writing•1998

  • Iph' Indlela? Finding our way into the future' - the first Steve Biko memorial lecture

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2000•Cited by: 5•References: 1

    (2000). ‘Iph’ Indlela? Finding our way into the future’ ‐ the first Steve Biko memorial lecture. Social Dynamics: Vol. 26, No. 1, pp. 43-55

  • Liberation betrayed by bloodshed

    Njabulo S Ndebele•ARTICLE•Social Dynamics•2013•Cited by: 1

  • Tributes to Nelson Mandela (1918-2013)

    Gabeba Baderoon, Rita Barnard et al.•ARTICLE•Journal of the African Literature…•2014

  • Love and politics: Sister Quinlan and the future we have desired

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2014•Cited by: 1

    Seamus Heaney (like Stimpson and Parker in this issue) speaks of: A historic dialectic [which] exists between beautiful and bestial. In this speech, delivered on 13 December 2012, Njabulo Ndebele reflects on stories South Africa tells itself about past atrocity, as a way of achieving the future we have desired. Ndebele informs that telling of story of killing of Sister Quinlan in classroom would have been considered by state as a subversive act. …

  • To be or not to be: No longer at ease 1

    Open Access•Njabulo S Ndebele•ARTICLE•Arts and Humanities in Higher…•2016•Cited by: 2

    This essay examines the changing range of descriptors available for black South African experience from the 1960s through to the present and shows the changing implications of ‘black’, ‘African’, ‘citizen’ and ‘human being’, with particular reference to the formative structures of education, and the enabling (or disabling) effects of literary studies in their Eurocentric and Afrocentric forms. In a general continental context in which the post-co…

  • A case for sheer compulsive and imaginative depth

    Open Access•Njabulo S Ndebele, Antjie Krog•ARTICLE•Tydskrif vir letterkunde•2016

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • They are burning memory

    Njabulo S Ndebele•ARTICLE•Critical Arts•2017•Cited by: 2

Sociology (8 works) · South African History and Culture (8 works) · Art (6 works) · History (6 works) · Political science (6 works) · Aesthetics (5 works) · Anthropology (4 works) · Law (4 works) · History (3 works) · Philosophy (3 works)

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