Sara Davidmann
Biographic Data
| ID | 1254237 |
|---|---|
| NAME | Sara Davidmann |
| GIVEN NAMES | Sara |
| FAMILY NAME | Davidmann |
| SIGNATURE | DAVIDMANN S |
| AFFILIATIONS | University of the Arts London |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
The Ken. To be destroyed Project Archive
This journal article is based on the Ken. To be destroyed Project Archive. In 2011, Sara Davidmann inherited a family archive of letters,photographs and papers from her mother, Audrey Davidmann. This archive tells the story of Ken and Hazel, Sara’s uncle and aunt, and how it emerged early on in their marriage, in 1958, that Ken was transgender. Sara Davidmann and writer and curator Val Williams have created an archive which preserves and describe…
Queering the Trans✲ Family Album
Historian Elspeth H. Brown and photographer Sara Davidmann explore the relationship between the family photograph album, trans☼ history, and queer archives. Describing their queer archival work, they address topics including ethics; intertwined histories of racism, colonialism, and normativity in photography; and the violent erasures of sexual and gender minorities within the conventional family photography album. "Family" photographs, so central…
Queering Photography
Introductory chapter for this Special Journal Issue of Photography and Culture. Davidmann also co-edited this volume with Elspeth Brown, Associate Professor of History at the University of Toronto, and with Bruno Ceschel, writer, curator, and publisher
Imag(in)ing Trans Partnerships
In this article, I argue that collaborative photography offers dynamic potential for imag(in)ing trans intimate partnerships beyond the authority of textual representation. I present five photographic and narrative case studies, spanning a range of trans partnerships in the UK, to demonstrate some of the complex ways in which bodies, genders, sexualities, and time intersect in trans intimacy. I argue that the photographs create an imaginative res…
Queering the Trans✲ Family Album
Historian Elspeth H. Brown and photographer Sara Davidmann explore the relationship between the family photograph album, trans☼ history, and queer archives. Describing their queer archival work, they address topics including ethics; intertwined histories of racism, colonialism, and normativity in photography; and the violent erasures of sexual and gender minorities within the conventional family photography album. "Family" photographs, so central…
Imag(in)ing Trans Partnerships
In this article, I argue that collaborative photography offers dynamic potential for imag(in)ing trans intimate partnerships beyond the authority of textual representation. I present five photographic and narrative case studies, spanning a range of trans partnerships in the UK, to demonstrate some of the complex ways in which bodies, genders, sexualities, and time intersect in trans intimacy. I argue that the photographs create an imaginative res…
Queering Photography
Introductory chapter for this Special Journal Issue of Photography and Culture. Davidmann also co-edited this volume with Elspeth Brown, Associate Professor of History at the University of Toronto, and with Bruno Ceschel, writer, curator, and publisher
Imag(in)ing Trans Partnerships
In this article, I argue that collaborative photography offers dynamic potential for imag(in)ing trans intimate partnerships beyond the authority of textual representation. I present five photographic and narrative case studies, spanning a range of trans partnerships in the UK, to demonstrate some of the complex ways in which bodies, genders, sexualities, and time intersect in trans intimacy. I argue that the photographs create an imaginative res…
Queering the Trans✲ Family Album
Historian Elspeth H. Brown and photographer Sara Davidmann explore the relationship between the family photograph album, trans☼ history, and queer archives. Describing their queer archival work, they address topics including ethics; intertwined histories of racism, colonialism, and normativity in photography; and the violent erasures of sexual and gender minorities within the conventional family photography album. "Family" photographs, so central…
The Ken. To be destroyed Project Archive
This journal article is based on the Ken. To be destroyed Project Archive. In 2011, Sara Davidmann inherited a family archive of letters,photographs and papers from her mother, Audrey Davidmann. This archive tells the story of Ken and Hazel, Sara’s uncle and aunt, and how it emerged early on in their marriage, in 1958, that Ken was transgender. Sara Davidmann and writer and curator Val Williams have created an archive which preserves and describe…
Art (4 works) · Photography (4 works) · Visual arts (4 works) · Art history (2 works) · Computer Science (2 works) · Gender Studies (2 works) · History (2 works) · Narrative (2 works) · Queer (2 works) · Sociology (2 works)