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Seiji M Lippit

Dados Biográficos

ID1254240
NOMESeiji M Lippit
PRENOMESSeiji M
SOBRENOMELippit
ASSINATURALIPPIT S M
VERIFICADONão
TOTAL DE OBRAS10
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1991
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • All of Tokyo is a black market

    Open Access•Seiji M Lippit•ARTICLE•Japan Forum•2025•Citada por: 1•Referências: 8

  • Spaces of Occupation in the Postwar Fiction of Hotta Yoshie

    Seiji M Lippit•ARTICLE•Journal of Japanese Studies•2010•Citada por: 2

    This essay examines the postwar fiction of Hotta Yoshie (1918–98), a relatively neglected member of the postwar generation, whose work was shaped by his experience in Shanghai at the end of World War II and his subsequent return to occupied Tokyo. The essay argues that the topos of occupation forms an underlying thematic thread in Hotta's early postwar fiction, one that delineates a historical trajectory moving from the space of Japanese empire t…

  • Topographies of Japanese Modernism

    Ken K Ito, Seiji M Lippit•ARTICLE•Harvard Journal of Asiatic Studies•2003

  • Topographies of Japanese Modernism

    Seiji M Lippit, Seiji Lippit•BOOK•Topographies of Japanese Modernism•2002

    What happens when a critique of modernity—a "revolt against the traditions of the Western world"—is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West? Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement— Akutagawa, Yokomitsu, Kawabata, and Hayashi—…

  • Rereading Soseki

    Seiji M Lippit, Seiji Lippit et al.•ARTICLE•Harvard Journal of Asiatic Studies•2000

  • Oe and Beyond

    Seiji M Lippit, Seiji Lippit et al.•ARTICLE•Monumenta Nipponica•2000

    This text surveys the accomplishments of Nobel Prize winner Oe Kenzaburo and other writers of the post-war generation, while looking further to examine the literary parameters of the post-Oe generation. It includes essays on Endo Shusaku, Hayashi Kyoko, Kanai Mieko, Kurahashi Yumiko, Murakami Haruki, Murakami Ryu, Nakagami Kenji, Oe Kenzaburo, Ohba Minako, Shimada Masahiko, Takahashi Takako and Yoshimoto Banana

  • The Disintegrating Machinery of the Modern

    Open Access•Seiji M Lippit•ARTICLE•The Journal of Asian Studies•1999•Referências: 5

    Akutagawa Ryūnosuke's suicide in July 1927, coming little more than half a year after the beginning of the Shōwa period, seemed to many at the time to signify the end of an era. A number of writers and critics, for example, interpreted his death as marking the defeat of an intellectual (or aestheticized) literary practice disengaged from historical and social reality. This point was particularly emphasized by several prominent Marxist critics, wh…

  • The Discursive Space of Modern Japan

    Open Access•Kojin Karatani, Seiji M Lippit•CHAPTER•Japan in the World•1993

  • Origins of Modern Japanese Literature

    Seiji M Lippit, Seiji Lippit•REVIEW•Modern Language Notes•1992

  • The Discursive Space of Modern Japan

    Kojin Karatani, Seiji M Lippit•ARTICLE•boundary 2•1991

    The word and discourse concerning suddenly began to proliferate in summer of 1987, when news of emperor's illness spread. By beginning of 1989, after so many recountings of the End of Showa, ended. Once it had ended, it became apparent that a Showa period had existed, and its historical review could begin. What are implications of periodizing history according to era names? Since Meiji (1868-1912), Japanese era names have functioned as reign, one…

  • Spaces of Occupation in the Postwar Fiction of Hotta Yoshie

    Seiji M Lippit•ARTICLE•Journal of Japanese Studies•2010•Citada por: 2

    This essay examines the postwar fiction of Hotta Yoshie (1918–98), a relatively neglected member of the postwar generation, whose work was shaped by his experience in Shanghai at the end of World War II and his subsequent return to occupied Tokyo. The essay argues that the topos of occupation forms an underlying thematic thread in Hotta's early postwar fiction, one that delineates a historical trajectory moving from the space of Japanese empire t…

  • All of Tokyo is a black market

    Open Access•Seiji M Lippit•ARTICLE•Japan Forum•2025•Citada por: 1•Referências: 8

  • The Discursive Space of Modern Japan

    Kojin Karatani, Seiji M Lippit•ARTICLE•boundary 2•1991

    The word and discourse concerning suddenly began to proliferate in summer of 1987, when news of emperor's illness spread. By beginning of 1989, after so many recountings of the End of Showa, ended. Once it had ended, it became apparent that a Showa period had existed, and its historical review could begin. What are implications of periodizing history according to era names? Since Meiji (1868-1912), Japanese era names have functioned as reign, one…

  • Origins of Modern Japanese Literature

    Seiji M Lippit, Seiji Lippit•REVIEW•Modern Language Notes•1992

  • The Discursive Space of Modern Japan

    Open Access•Kojin Karatani, Seiji M Lippit•CHAPTER•Japan in the World•1993

  • The Disintegrating Machinery of the Modern

    Open Access•Seiji M Lippit•ARTICLE•The Journal of Asian Studies•1999•Referências: 5

    Akutagawa Ryūnosuke's suicide in July 1927, coming little more than half a year after the beginning of the Shōwa period, seemed to many at the time to signify the end of an era. A number of writers and critics, for example, interpreted his death as marking the defeat of an intellectual (or aestheticized) literary practice disengaged from historical and social reality. This point was particularly emphasized by several prominent Marxist critics, wh…

  • Rereading Soseki

    Seiji M Lippit, Seiji Lippit et al.•ARTICLE•Harvard Journal of Asiatic Studies•2000

  • Oe and Beyond

    Seiji M Lippit, Seiji Lippit et al.•ARTICLE•Monumenta Nipponica•2000

    This text surveys the accomplishments of Nobel Prize winner Oe Kenzaburo and other writers of the post-war generation, while looking further to examine the literary parameters of the post-Oe generation. It includes essays on Endo Shusaku, Hayashi Kyoko, Kanai Mieko, Kurahashi Yumiko, Murakami Haruki, Murakami Ryu, Nakagami Kenji, Oe Kenzaburo, Ohba Minako, Shimada Masahiko, Takahashi Takako and Yoshimoto Banana

  • Topographies of Japanese Modernism

    Seiji M Lippit, Seiji Lippit•BOOK•Topographies of Japanese Modernism•2002

    What happens when a critique of modernity—a "revolt against the traditions of the Western world"—is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West? Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement— Akutagawa, Yokomitsu, Kawabata, and Hayashi—…

  • Topographies of Japanese Modernism

    Ken K Ito, Seiji M Lippit•ARTICLE•Harvard Journal of Asiatic Studies•2003

  • Spaces of Occupation in the Postwar Fiction of Hotta Yoshie

    Seiji M Lippit•ARTICLE•Journal of Japanese Studies•2010•Citada por: 2

    This essay examines the postwar fiction of Hotta Yoshie (1918–98), a relatively neglected member of the postwar generation, whose work was shaped by his experience in Shanghai at the end of World War II and his subsequent return to occupied Tokyo. The essay argues that the topos of occupation forms an underlying thematic thread in Hotta's early postwar fiction, one that delineates a historical trajectory moving from the space of Japanese empire t…

  • All of Tokyo is a black market

    Open Access•Seiji M Lippit•ARTICLE•Japan Forum•2025•Citada por: 1•Referências: 8

Japanese History and Culture (10 obras) · Art (6 obras) · History (5 obras) · Literature (5 obras) · Philosophy (4 obras) · Linguistics (3 obras) · Aesthetics (2 obras) · Ancient history (2 obras) · Asian Culture and Media Studies (2 obras) · History (2 obras)

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