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Krister Malm

Biographic Data

ID125486
NAMEKrister Malm
GIVEN NAMESKrister
FAMILY NAMEMalm
SIGNATUREMALM K
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS9
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Media Policy and Music Activity

    Krister Malm, Roger Wallis•BOOK•Media policy and music activity•2003

    How do people make music - and how does this activity relate to the policies of governments and the music industry? What is the relationship between live music and music we hear on the radio, or in music videos? How has the digital revolution affected music-making in industrialised and in developing nations? In Media Policy and Music Activity, Krister Malm and Roger Wallis look in depth at the relationships between policies governing the output o…

  • Guest Editor's Preface

    Open Access•Krister Malm•ARTICLE•Yearbook for Traditional Music•1999

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Media Policy and Music Activity

    Open Access•Chris Goertzen, Krister Malm et al.•ARTICLE•Notes•1995

  • Zouk

    Krister Malm, Jocelyn Guilbault•ARTICLE•Yearbook for Traditional Music•1994

    With its irresistible dance beat, strong bass line, straightforward harmonies lyrics, zouk has become wildly popular in the Caribbean, Africa, Europe. book complete with a compact disc numerous illustrations musical examples provides a thorough introduction to the sound, lyrics, choreography, social milieu of this vibrant infectious new music. This invigorating reference work companion CD of the Antilles' sexy zouk dance sound will lift readers o…

  • Music on the Move

    Krister Malm•ARTICLE•Ethnomusicology•1993•Cited by: 4

    A travers des exemples suedois, l'A. montre que les medias peuvent preserver les traditions musicales, les modifier, voire meme les detruire. L'interaction musicale, due a l'echange culturel, a la dominance culturelle, a l'imperialisme culturel et a la transculturation, amene a la « mediatisation », processus par lequel une musique change (mass media, moyens techniques...). Mais cela donne aussi une chance de survie a la musique traditionnelle gr…

  • Media policy and music activity

    Krister Malm•BOOK•Media policy and music activity•1992

  • Popular Musics of the Non-Western World, an Introductory Survey

    Krister Malm, Peter Manuel•ARTICLE•Yearbook for Traditional Music•1990

  • Push-pull for the video clip

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1988•Cited by: 4•References: 5

    Using pictures to sell music is hardly a new concept. Examples of pictures being set to pre-recorded music with the aim of producing a piece of audio-visual entertainment can be found as early as the first decade of this century. At the Paris World Fair in 1900, stars of the theatre appeared in short film sketches with synchronised gramophone sound (Olsson 1986). From 1905 through to about 1914 in Sweden, a number of commercially available music …

  • The recording industry

    Roger Wallis, Krister Malm•ARTICLE•Critical Studies in Mass…•1986

  • Big Sounds from Small Peoples

    John Shepherd, John A Shepherd et al.•ARTICLE•Ethnomusicology•1986

  • Big Sounds from Small Peoples

    Open Access•L Jafran Jones, Loyal Jones et al.•ARTICLE•Notes•1985

  • World Music Business

    Cyril Ehrlich, Roger Wallis et al.•ARTICLE•The Musical Times•1985

  • Sain Cymru

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1983•Cited by: 1

    One would expect to find a variety of views about a phenomenon which a minority of the 2.3 million inhabitants of Wales (around 500,000 people) value highly, but which a majority literally cannot understand. The role that the Welsh language should play is a controversial subject both within and outside those circles where it is spoken. Wales is one of the countries where the Celtic language has survived as a living language (the other Celtic area…

  • Turkey

    Karl Signell, Deben Bhattacharya et al.•ARTICLE•Ethnomusicology•1978

  • Caribbean Island Music; Songs and Dances of Haiti, the Dominican Republic and Jamaica

    Krister Malm, John Storm Roberts•ARTICLE•Ethnomusicology•1973

  • Music on the Move

    Krister Malm•ARTICLE•Ethnomusicology•1993•Cited by: 4

    A travers des exemples suedois, l'A. montre que les medias peuvent preserver les traditions musicales, les modifier, voire meme les detruire. L'interaction musicale, due a l'echange culturel, a la dominance culturelle, a l'imperialisme culturel et a la transculturation, amene a la « mediatisation », processus par lequel une musique change (mass media, moyens techniques...). Mais cela donne aussi une chance de survie a la musique traditionnelle gr…

  • Push-pull for the video clip

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1988•Cited by: 4•References: 5

    Using pictures to sell music is hardly a new concept. Examples of pictures being set to pre-recorded music with the aim of producing a piece of audio-visual entertainment can be found as early as the first decade of this century. At the Paris World Fair in 1900, stars of the theatre appeared in short film sketches with synchronised gramophone sound (Olsson 1986). From 1905 through to about 1914 in Sweden, a number of commercially available music …

  • Sain Cymru

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1983•Cited by: 1

    One would expect to find a variety of views about a phenomenon which a minority of the 2.3 million inhabitants of Wales (around 500,000 people) value highly, but which a majority literally cannot understand. The role that the Welsh language should play is a controversial subject both within and outside those circles where it is spoken. Wales is one of the countries where the Celtic language has survived as a living language (the other Celtic area…

  • Caribbean Island Music; Songs and Dances of Haiti, the Dominican Republic and Jamaica

    Krister Malm, John Storm Roberts•ARTICLE•Ethnomusicology•1973

  • Turkey

    Karl Signell, Deben Bhattacharya et al.•ARTICLE•Ethnomusicology•1978

  • Sain Cymru

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1983•Cited by: 1

    One would expect to find a variety of views about a phenomenon which a minority of the 2.3 million inhabitants of Wales (around 500,000 people) value highly, but which a majority literally cannot understand. The role that the Welsh language should play is a controversial subject both within and outside those circles where it is spoken. Wales is one of the countries where the Celtic language has survived as a living language (the other Celtic area…

  • Big Sounds from Small Peoples

    Open Access•L Jafran Jones, Loyal Jones et al.•ARTICLE•Notes•1985

  • World Music Business

    Cyril Ehrlich, Roger Wallis et al.•ARTICLE•The Musical Times•1985

  • The recording industry

    Roger Wallis, Krister Malm•ARTICLE•Critical Studies in Mass…•1986

  • Big Sounds from Small Peoples

    John Shepherd, John A Shepherd et al.•ARTICLE•Ethnomusicology•1986

  • Push-pull for the video clip

    Open Access•Roger Wallis, Krister Malm•ARTICLE•Popular Music•1988•Cited by: 4•References: 5

    Using pictures to sell music is hardly a new concept. Examples of pictures being set to pre-recorded music with the aim of producing a piece of audio-visual entertainment can be found as early as the first decade of this century. At the Paris World Fair in 1900, stars of the theatre appeared in short film sketches with synchronised gramophone sound (Olsson 1986). From 1905 through to about 1914 in Sweden, a number of commercially available music …

  • Popular Musics of the Non-Western World, an Introductory Survey

    Krister Malm, Peter Manuel•ARTICLE•Yearbook for Traditional Music•1990

  • Media policy and music activity

    Krister Malm•BOOK•Media policy and music activity•1992

  • Music on the Move

    Krister Malm•ARTICLE•Ethnomusicology•1993•Cited by: 4

    A travers des exemples suedois, l'A. montre que les medias peuvent preserver les traditions musicales, les modifier, voire meme les detruire. L'interaction musicale, due a l'echange culturel, a la dominance culturelle, a l'imperialisme culturel et a la transculturation, amene a la « mediatisation », processus par lequel une musique change (mass media, moyens techniques...). Mais cela donne aussi une chance de survie a la musique traditionnelle gr…

  • Zouk

    Krister Malm, Jocelyn Guilbault•ARTICLE•Yearbook for Traditional Music•1994

    With its irresistible dance beat, strong bass line, straightforward harmonies lyrics, zouk has become wildly popular in the Caribbean, Africa, Europe. book complete with a compact disc numerous illustrations musical examples provides a thorough introduction to the sound, lyrics, choreography, social milieu of this vibrant infectious new music. This invigorating reference work companion CD of the Antilles' sexy zouk dance sound will lift readers o…

  • Media Policy and Music Activity

    Open Access•Chris Goertzen, Krister Malm et al.•ARTICLE•Notes•1995

  • Guest Editor's Preface

    Open Access•Krister Malm•ARTICLE•Yearbook for Traditional Music•1999

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Media Policy and Music Activity

    Krister Malm, Roger Wallis•BOOK•Media policy and music activity•2003

    How do people make music - and how does this activity relate to the policies of governments and the music industry? What is the relationship between live music and music we hear on the radio, or in music videos? How has the digital revolution affected music-making in industrialised and in developing nations? In Media Policy and Music Activity, Krister Malm and Roger Wallis look in depth at the relationships between policies governing the output o…

Art (8 works) · Cultural Industries and Urban Development (6 works) · History (6 works) · Visual arts (6 works) · Diverse Musicological Studies (4 works) · Music History and Culture (4 works) · Business (3 works) · Geography (3 works) · Music education (3 works) · Music industry (3 works)

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