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Y W Ma

Biographic Data

ID1255013
NAMEY W Ma
GIVEN NAMESY W
FAMILY NAMEMa
SIGNATUREMA Y W
AFFILIATIONS1University of Hawaii
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS5
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR1987
H-INDEX2
  • Notes on a Recent Handbook for Chinese Literature

    David R Knechtges, Taiping Chang et al.•ARTICLE•Journal of the American Oriental…•1987

  • Traditional Chinese Stories: Themes and Variations

    Richard C Hessney, Y W Ma et al.•ARTICLE•Journal of the American Oriental…•1981

  • Kung-an Fiction

    Y W Ma, Yuan-jie Ma•ARTICLE•T oung Pao•1979

  • Traditional Chinese Stories: Themes and Variations

    Victor H Mair, Y W Ma et al.•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • The Knight-Errant in Hua-Pen Stories

    Y W Ma, Yiwen Ma•ARTICLE•T oung Pao•1975

    The figure of the righteous man-at-arms as a champion of justice is one of the perpetual hero types consciously cherished in traditional Chinese literature. Thanks to the efforts of Profesor James J. Y. Liu WIJ V,, as represented by his The Chinese Knight-errant (Chicago, I967), the major traits, in fact and in literary imagination, of this otherwise hard to define figure, rendered ambiguous by the passage of time, the changing cultural and polit…

  • The Textual Tradition of Ming Kung-an Fiction: A Study of The Lung-t'u Kung-an

    Y W Ma, Yosephien Reynalda P W•ARTICLE•Harvard Journal of Asiatic Studies•1975

  • The Chinese Historical Novel: An Outline of Themes and Contexts

    Y W Ma•ARTICLE•The Journal of Asian Studies•1975•Cited by: 2

    In China, as in the West, fiction is a late development in the literary scene and serious fiction criticism is correspondingly a recent endeavor. The similarity goes further in the case of the historical novel, which critics of Chinese and Western fiction alike have either consciously avoided or customarily regarded with critical disfavor. In the Chinese case, the San-Kuo chih yen-i (The Three Kingdoms) is the only historical novel which has rece…

  • Themes and Characterization in the Lung-T'u kUng-an

    Y W Ma, Yuhui Ma•ARTICLE•T oung Pao•1973

  • Traditional Chinese Humor: A Study in Art and Literature

    Open Access•Y W Ma, Henry W Wells•ARTICLE•Modern Language Journal•1973•Cited by: 3

  • Traditional Chinese Humor: A Study in Art and Literature

    Open Access•Y W Ma, Henry W Wells•ARTICLE•Modern Language Journal•1973•Cited by: 3

  • The Chinese Historical Novel: An Outline of Themes and Contexts

    Y W Ma•ARTICLE•The Journal of Asian Studies•1975•Cited by: 2

    In China, as in the West, fiction is a late development in the literary scene and serious fiction criticism is correspondingly a recent endeavor. The similarity goes further in the case of the historical novel, which critics of Chinese and Western fiction alike have either consciously avoided or customarily regarded with critical disfavor. In the Chinese case, the San-Kuo chih yen-i (The Three Kingdoms) is the only historical novel which has rece…

  • Themes and Characterization in the Lung-T'u kUng-an

    Y W Ma, Yuhui Ma•ARTICLE•T oung Pao•1973

  • Traditional Chinese Humor: A Study in Art and Literature

    Open Access•Y W Ma, Henry W Wells•ARTICLE•Modern Language Journal•1973•Cited by: 3

  • The Knight-Errant in Hua-Pen Stories

    Y W Ma, Yiwen Ma•ARTICLE•T oung Pao•1975

    The figure of the righteous man-at-arms as a champion of justice is one of the perpetual hero types consciously cherished in traditional Chinese literature. Thanks to the efforts of Profesor James J. Y. Liu WIJ V,, as represented by his The Chinese Knight-errant (Chicago, I967), the major traits, in fact and in literary imagination, of this otherwise hard to define figure, rendered ambiguous by the passage of time, the changing cultural and polit…

  • The Textual Tradition of Ming Kung-an Fiction: A Study of The Lung-t'u Kung-an

    Y W Ma, Yosephien Reynalda P W•ARTICLE•Harvard Journal of Asiatic Studies•1975

  • The Chinese Historical Novel: An Outline of Themes and Contexts

    Y W Ma•ARTICLE•The Journal of Asian Studies•1975•Cited by: 2

    In China, as in the West, fiction is a late development in the literary scene and serious fiction criticism is correspondingly a recent endeavor. The similarity goes further in the case of the historical novel, which critics of Chinese and Western fiction alike have either consciously avoided or customarily regarded with critical disfavor. In the Chinese case, the San-Kuo chih yen-i (The Three Kingdoms) is the only historical novel which has rece…

  • Kung-an Fiction

    Y W Ma, Yuan-jie Ma•ARTICLE•T oung Pao•1979

  • Traditional Chinese Stories: Themes and Variations

    Victor H Mair, Y W Ma et al.•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Traditional Chinese Stories: Themes and Variations

    Richard C Hessney, Y W Ma et al.•ARTICLE•Journal of the American Oriental…•1981

  • Notes on a Recent Handbook for Chinese Literature

    David R Knechtges, Taiping Chang et al.•ARTICLE•Journal of the American Oriental…•1987

History (8 works) · Art (6 works) · Chinese history and philosophy (6 works) · History (5 works) · Literature (5 works) · China (4 works) · Archaeology (3 works) · Folklore, Mythology, and Literature Studies (3 works) · Philosophy (3 works) · Aesthetics (2 works)

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