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Isabelle Biron

Biographic Data

ID125565
NAMEIsabelle Biron
GIVEN NAMESIsabelle
FAMILY NAMEBiron
SIGNATUREBIRON I
AFFILIATIONSCentre de recherche et de restauration des musées de France
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS40
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2022
H-INDEX4
  • Origins and manufacture of the glass mosaic tesserae from the great Umayyad Mosque in Damascus

    Open Access•Nadine Schibille, Patrice Lehuédé et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 4•References: 10

    The Great Umayyad Mosque of Damascus built between about 706 and 714/15 CE is the oldest surviving mosque that still preserves large parts of its original architecture and decoration. The origins of the mosaic tesserae have been the subject of debate for more than a thousand years. The earliest sources written two centuries after the construction of the edifice claim a Byzantine origin of both, the material as well as the craftsmen. Here we use t…

  • Le costume du chef indien sioux Spotted Weasel et sa restauration

    Open Access•Régis Prévot, Mathilde Schneider et al.•ARTICLE•Spotlight•2021

    En 2013, le musée franco-américain de Blérancourt acquiert un costume amérindien exceptionnel. Il s’agit d’un ensemble complet des Plaines, comprenant coiffe, tunique avec motifs historiés, jambières et mocassins. Datant de la fin du xixe siècle, la veste de cet ensemble est par ailleurs un très beau témoignage d’une amitié franco-amérindienne entre un chef indien sioux oglala et le premier réalisateur de westerns français, Joë Hamman. Depuis sa …

  • Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome

    Open Access•Mario Bandiera, Patrice Lehuédé et al.•ARTICLE•Heritage•2019•Cited by: 4

    This work aims to characterise the chemical composition of Roman opaque red glass sectilia dated to the 2nd century A.D and to shed light on Roman glassmaking production of different shades of red, from red to reddish-brown. Due to the lack of technical historical sources for this period many questions about technological aspects still remain. In this project a multi-disciplinary approach is in progress to investigate the red glass sectilia with …

  • The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: The Technology and Provenance of the Enamels—an Analytical Approach

    Open Access•Marco Verità, Isabelle Biron et al.•ARTICLE•Archaeometry•2018•References: 16

    The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasiv…

  • New insights into Byzantine glass technology from loose mosaic tesserae from Hierapolis (Turkey): Pixe/Pige and EPMA analyses

    Open Access•Elisabetta Neri, Isabelle Biron et al.•ARTICLE•Archaeological and Anthropological…•2018•Cited by: 7•References: 24

  • Les yeux d’Auguste et de Livie au musée du Louvre: Une nouvelle technique antique identifiée

    Open Access•Sophie Descamps-Lequime, Isabelle Biron et al.•ARTICLE•Spotlight•2017

    La collaboration entre le musée du Louvre et le C2RMF a permis de réhabiliter définitivement les portraits en bronze d’Auguste et de Livie, découverts à Neuilly-le-Réal (France, Allier) en 1816. L’étude a démontré que les anomalies à la fois typologiques, stylistiques et épigraphiques, constatées à plusieurs reprises, devaient être interprétées comme liées au contexte gallo-romain de création des deux bustes. Une nouvelle technique antique de fab…

  • Glass and gold: Analyses of 4th–12th centuries Levantine mosaic tesserae. A contribution to technological and chronological knowledge

    Open Access•Elisabetta Neri, Marco Verità et al.•ARTICLE•Journal of Archaeological Science•2016•Cited by: 12•References: 3

  • Les vitraux alto-médiévaux de Stavelot (Belgique)

    Open Access•Line Van Wersch, Isabelle Biron et al.•ARTICLE•ArchéoSciences•2014•Cited by: 3•References: 3

    Cet article a pour sujet les vitraux alto-médiévaux du monastère de Stavelot. Le nombre très important de fragments, la grande surface de verre représentée et leur qualité de conservation font de Stavelot un site exceptionnel pour l’étude des verres anciens, en particulier ceux du haut Moyen Âge qui restent encore peu connus. Outre leur intérêt pour l’histoire du site et sa compréhension, ces artefacts nous offrent la possibilité d’aborder d’une …

  • Analytical investigation on Renaissance Venetian enamelled glasses from the Louvre collections

    Open Access•Isabelle Biron, Marco Verità•ARTICLE•Journal of Archaeological Science•2012•Cited by: 10

  • Glass and gold: Analyses of 4th–12th centuries Levantine mosaic tesserae. A contribution to technological and chronological knowledge

    Open Access•Elisabetta Neri, Marco Verità et al.•ARTICLE•Journal of Archaeological Science•2016•Cited by: 12•References: 3

  • Analytical investigation on Renaissance Venetian enamelled glasses from the Louvre collections

    Open Access•Isabelle Biron, Marco Verità•ARTICLE•Journal of Archaeological Science•2012•Cited by: 10

  • New insights into Byzantine glass technology from loose mosaic tesserae from Hierapolis (Turkey): Pixe/Pige and EPMA analyses

    Open Access•Elisabetta Neri, Isabelle Biron et al.•ARTICLE•Archaeological and Anthropological…•2018•Cited by: 7•References: 24

  • Origins and manufacture of the glass mosaic tesserae from the great Umayyad Mosque in Damascus

    Open Access•Nadine Schibille, Patrice Lehuédé et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 4•References: 10

    The Great Umayyad Mosque of Damascus built between about 706 and 714/15 CE is the oldest surviving mosque that still preserves large parts of its original architecture and decoration. The origins of the mosaic tesserae have been the subject of debate for more than a thousand years. The earliest sources written two centuries after the construction of the edifice claim a Byzantine origin of both, the material as well as the craftsmen. Here we use t…

  • Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome

    Open Access•Mario Bandiera, Patrice Lehuédé et al.•ARTICLE•Heritage•2019•Cited by: 4

    This work aims to characterise the chemical composition of Roman opaque red glass sectilia dated to the 2nd century A.D and to shed light on Roman glassmaking production of different shades of red, from red to reddish-brown. Due to the lack of technical historical sources for this period many questions about technological aspects still remain. In this project a multi-disciplinary approach is in progress to investigate the red glass sectilia with …

  • Les vitraux alto-médiévaux de Stavelot (Belgique)

    Open Access•Line Van Wersch, Isabelle Biron et al.•ARTICLE•ArchéoSciences•2014•Cited by: 3•References: 3

    Cet article a pour sujet les vitraux alto-médiévaux du monastère de Stavelot. Le nombre très important de fragments, la grande surface de verre représentée et leur qualité de conservation font de Stavelot un site exceptionnel pour l’étude des verres anciens, en particulier ceux du haut Moyen Âge qui restent encore peu connus. Outre leur intérêt pour l’histoire du site et sa compréhension, ces artefacts nous offrent la possibilité d’aborder d’une …

  • Analytical investigation on Renaissance Venetian enamelled glasses from the Louvre collections

    Open Access•Isabelle Biron, Marco Verità•ARTICLE•Journal of Archaeological Science•2012•Cited by: 10

  • Les vitraux alto-médiévaux de Stavelot (Belgique)

    Open Access•Line Van Wersch, Isabelle Biron et al.•ARTICLE•ArchéoSciences•2014•Cited by: 3•References: 3

    Cet article a pour sujet les vitraux alto-médiévaux du monastère de Stavelot. Le nombre très important de fragments, la grande surface de verre représentée et leur qualité de conservation font de Stavelot un site exceptionnel pour l’étude des verres anciens, en particulier ceux du haut Moyen Âge qui restent encore peu connus. Outre leur intérêt pour l’histoire du site et sa compréhension, ces artefacts nous offrent la possibilité d’aborder d’une …

  • Glass and gold: Analyses of 4th–12th centuries Levantine mosaic tesserae. A contribution to technological and chronological knowledge

    Open Access•Elisabetta Neri, Marco Verità et al.•ARTICLE•Journal of Archaeological Science•2016•Cited by: 12•References: 3

  • Les yeux d’Auguste et de Livie au musée du Louvre: Une nouvelle technique antique identifiée

    Open Access•Sophie Descamps-Lequime, Isabelle Biron et al.•ARTICLE•Spotlight•2017

    La collaboration entre le musée du Louvre et le C2RMF a permis de réhabiliter définitivement les portraits en bronze d’Auguste et de Livie, découverts à Neuilly-le-Réal (France, Allier) en 1816. L’étude a démontré que les anomalies à la fois typologiques, stylistiques et épigraphiques, constatées à plusieurs reprises, devaient être interprétées comme liées au contexte gallo-romain de création des deux bustes. Une nouvelle technique antique de fab…

  • The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: The Technology and Provenance of the Enamels—an Analytical Approach

    Open Access•Marco Verità, Isabelle Biron et al.•ARTICLE•Archaeometry•2018•References: 16

    The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasiv…

  • New insights into Byzantine glass technology from loose mosaic tesserae from Hierapolis (Turkey): Pixe/Pige and EPMA analyses

    Open Access•Elisabetta Neri, Isabelle Biron et al.•ARTICLE•Archaeological and Anthropological…•2018•Cited by: 7•References: 24

  • Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome

    Open Access•Mario Bandiera, Patrice Lehuédé et al.•ARTICLE•Heritage•2019•Cited by: 4

    This work aims to characterise the chemical composition of Roman opaque red glass sectilia dated to the 2nd century A.D and to shed light on Roman glassmaking production of different shades of red, from red to reddish-brown. Due to the lack of technical historical sources for this period many questions about technological aspects still remain. In this project a multi-disciplinary approach is in progress to investigate the red glass sectilia with …

  • Le costume du chef indien sioux Spotted Weasel et sa restauration

    Open Access•Régis Prévot, Mathilde Schneider et al.•ARTICLE•Spotlight•2021

    En 2013, le musée franco-américain de Blérancourt acquiert un costume amérindien exceptionnel. Il s’agit d’un ensemble complet des Plaines, comprenant coiffe, tunique avec motifs historiés, jambières et mocassins. Datant de la fin du xixe siècle, la veste de cet ensemble est par ailleurs un très beau témoignage d’une amitié franco-amérindienne entre un chef indien sioux oglala et le premier réalisateur de westerns français, Joë Hamman. Depuis sa …

  • Origins and manufacture of the glass mosaic tesserae from the great Umayyad Mosque in Damascus

    Open Access•Nadine Schibille, Patrice Lehuédé et al.•ARTICLE•Journal of Archaeological Science•2022•Cited by: 4•References: 10

    The Great Umayyad Mosque of Damascus built between about 706 and 714/15 CE is the oldest surviving mosque that still preserves large parts of its original architecture and decoration. The origins of the mosaic tesserae have been the subject of debate for more than a thousand years. The earliest sources written two centuries after the construction of the edifice claim a Byzantine origin of both, the material as well as the craftsmen. Here we use t…

Cultural Heritage Materials Analysis (9 works) · Archaeology (6 works) · History (6 works) · Ancient history (5 works) · Art (5 works) · Conservation Techniques and Studies (5 works) · History (5 works) · Archaeology and ancient environmental studies (3 works) · Building materials and conservation (3 works) · Byzantine architecture (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae