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Ayhan Erol

Biographic Data

ID1256371
NAMEAyhan Erol
GIVEN NAMESAyhan
FAMILY NAMEErol
SIGNATUREEROL A
AFFILIATIONSDokuz Eylül University
ORCID0000-0002-4157-2932
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS18
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2012
H-INDEX3
  • Music, power and symbolic violence: The Turkish state’s music policies during the early republican period

    Open Access•Ayhan Erol•ARTICLE•European Journal of Cultural…•2012•Cited by: 6•References: 9

    The importance and significance of music in terms of the state and society were discovered and redefined at particular junctures in the history of the Ottoman Empire and modern Turkey. This history is simultaneously Turkey’s history of modernization and westernization, extending back to the institutional reforms of the late Ottoman era and epitomized by the establishment of a secular nation-state in 1923. The musical values of the people and thei…

  • Identity, Migration and Transnationalism: Expressive Cultural Practices of the Toronto Alevi Community

    Ayhan Erol•ARTICLE•New Community•2012•Cited by: 3•References: 12

    Based on my observations and in-depth interviews over a ten-month period, this article explores the efforts of Toronto's Alevi community to maintain a separate identity in their adopted country, while attempting to integrate their families into Canadian society. Major issues in my study include the question of whether, and how, Alevis in Toronto maintain a sense of self-identity and a measure of communal cohesion. Special attention is given to mu…

  • Understanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus

    Open Access•Ayhan Erol•ARTICLE•Social Compass•2011

    Although it is now often considered that the cantilliation of the Koran is the ideal form of music in the worship of Sunni Orthodoxy in Turkey, the issue appears not yet to be decided in discussions on the subject. However, this also provides a certain legitimacy for those who have argued the theological and moral benefits of music in certain contexts. Needless to say, music is seldom stable in the context of social change. Migration has had a pr…

  • Re-Imagining Identity: The Transformation of the Alevi Semah

    Ayhan Erol•ARTICLE•Middle Eastern Studies•2010•Cited by: 9

    Until the early 1990s, the Alevi community, a heterodox Islamic sect in Turkey, actively avoided explaining their beliefs to outsiders and were against permitting non-Alevis to enter their cem rituals. By the mid-1990s they began to hold their rituals publicly in the cemevi (lit. cem house) in Turkish cities and in their cultural centres in the diaspora. Almost all Alevi associations or the cemevis in the diaspora and ‘at home' have a semah group…

  • Re-Imagining Identity: The Transformation of the Alevi Semah

    Ayhan Erol•ARTICLE•Middle Eastern Studies•2010•Cited by: 9

    Until the early 1990s, the Alevi community, a heterodox Islamic sect in Turkey, actively avoided explaining their beliefs to outsiders and were against permitting non-Alevis to enter their cem rituals. By the mid-1990s they began to hold their rituals publicly in the cemevi (lit. cem house) in Turkish cities and in their cultural centres in the diaspora. Almost all Alevi associations or the cemevis in the diaspora and ‘at home' have a semah group…

  • Music, power and symbolic violence: The Turkish state’s music policies during the early republican period

    Open Access•Ayhan Erol•ARTICLE•European Journal of Cultural…•2012•Cited by: 6•References: 9

    The importance and significance of music in terms of the state and society were discovered and redefined at particular junctures in the history of the Ottoman Empire and modern Turkey. This history is simultaneously Turkey’s history of modernization and westernization, extending back to the institutional reforms of the late Ottoman era and epitomized by the establishment of a secular nation-state in 1923. The musical values of the people and thei…

  • Identity, Migration and Transnationalism: Expressive Cultural Practices of the Toronto Alevi Community

    Ayhan Erol•ARTICLE•New Community•2012•Cited by: 3•References: 12

    Based on my observations and in-depth interviews over a ten-month period, this article explores the efforts of Toronto's Alevi community to maintain a separate identity in their adopted country, while attempting to integrate their families into Canadian society. Major issues in my study include the question of whether, and how, Alevis in Toronto maintain a sense of self-identity and a measure of communal cohesion. Special attention is given to mu…

  • Re-Imagining Identity: The Transformation of the Alevi Semah

    Ayhan Erol•ARTICLE•Middle Eastern Studies•2010•Cited by: 9

    Until the early 1990s, the Alevi community, a heterodox Islamic sect in Turkey, actively avoided explaining their beliefs to outsiders and were against permitting non-Alevis to enter their cem rituals. By the mid-1990s they began to hold their rituals publicly in the cemevi (lit. cem house) in Turkish cities and in their cultural centres in the diaspora. Almost all Alevi associations or the cemevis in the diaspora and ‘at home' have a semah group…

  • Understanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus

    Open Access•Ayhan Erol•ARTICLE•Social Compass•2011

    Although it is now often considered that the cantilliation of the Koran is the ideal form of music in the worship of Sunni Orthodoxy in Turkey, the issue appears not yet to be decided in discussions on the subject. However, this also provides a certain legitimacy for those who have argued the theological and moral benefits of music in certain contexts. Needless to say, music is seldom stable in the context of social change. Migration has had a pr…

  • Music, power and symbolic violence: The Turkish state’s music policies during the early republican period

    Open Access•Ayhan Erol•ARTICLE•European Journal of Cultural…•2012•Cited by: 6•References: 9

    The importance and significance of music in terms of the state and society were discovered and redefined at particular junctures in the history of the Ottoman Empire and modern Turkey. This history is simultaneously Turkey’s history of modernization and westernization, extending back to the institutional reforms of the late Ottoman era and epitomized by the establishment of a secular nation-state in 1923. The musical values of the people and thei…

  • Identity, Migration and Transnationalism: Expressive Cultural Practices of the Toronto Alevi Community

    Ayhan Erol•ARTICLE•New Community•2012•Cited by: 3•References: 12

    Based on my observations and in-depth interviews over a ten-month period, this article explores the efforts of Toronto's Alevi community to maintain a separate identity in their adopted country, while attempting to integrate their families into Canadian society. Major issues in my study include the question of whether, and how, Alevis in Toronto maintain a sense of self-identity and a measure of communal cohesion. Special attention is given to mu…

Aesthetics (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · Law (3 works) · Musical (3 works) · Gender Studies (2 works) · History (2 works) · Identity (music) (2 works)

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