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Sally J Sutherland Goldman

Biographic Data

ID1256706
NAMESally J Sutherland Goldman
GIVEN NAMESSally J Sutherland
FAMILY NAMEGoldman
SIGNATUREGOLDMAN S J S
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Chapter Four Bodies That Don’t Matter: Gender, Body, and Discourse in the Narrative of Sulabhā

    Sally J Sutherland Goldman•CHAPTER•Many Mahābhāratas•2021

  • Women at the Margins: Gender and Religious Anxieties in Vālmīki’s Rāmāyaṇa

    Sally J Sutherland Goldman•ARTICLE•Journal of the American Oriental…•2021

    This paper looks at Vālmīki's use and placement of his female characters as significant markers of religious identity. It argues that Vālmīki conceptualizes and creates specific types of female figures and carefully locates the episodes in which they appear to mark specific narrative transitions and real or imagined anxiety-inducing threats to the author's idealized world. Moreover, Vālmīki provides his audience with potential resolutions to thos…

  • Against their Will: Sexual Assault and the Uttarakāṇḍa

    Open Access•Sally J Sutherland Goldman•ARTICLE•Studies in History•2018

    A close reading of the Uttarakāṇḍa of Vālmīki’s Rāmāyaṇa demonstrates that its author has composed a carefully and logically structured work, one that is haunted by themes of sexual transgression. Not only is the first half of the kāṇḍa occupied with the history and genealogy of Rāvaṇa, who is no less than the sexual predator par excellence, but its latter half tells of Rāma’s seemingly heart-wrenching decision to banish Sītā based on rumours of …

  • The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa

    Robert P Goldman, Sally J Sutherland Goldman•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2016

    The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Rāmāyaṇa of Vālmīki , the Uttarakāṇḍa , brings the epic saga to a close with an account of the dramatic events of King Rāma's millennia-long reign. It opens with a colorful history of the demonic race of the rākṣasas and the violent career of Rāma’s villainous foe Rāvaṇa, and later recounts Rāma’s grateful discharge of hi…

  • Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII

    Robert P Goldman, Sally J Sutherland Goldman•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2016

  • Sītā

    Sally J Sutherland Goldman•DATASET•Oxford Bibliographies in Hinduism•2012

  • Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI

    Barend A Van Nooten, Robert P Goldman et al.•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2009

  • The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Vol. 5: Sundarakāṇḍa

    Richard W Lariviere, Robert P Goldman et al.•ARTICLE•Journal of the American Oriental…•1998

  • Victory to the Mother: The Hindu Goddess of Northwest India in Myth, Ritual, and Symbol

    Sally J Sutherland Goldman, Kathleen M Erndl•ARTICLE•Journal of the American Oriental…•1995

    The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in north-west India today. In this ground-breaking field-based study, Kathleen Erndl uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her

No prominent works on this page.

  • Victory to the Mother: The Hindu Goddess of Northwest India in Myth, Ritual, and Symbol

    Sally J Sutherland Goldman, Kathleen M Erndl•ARTICLE•Journal of the American Oriental…•1995

    The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in north-west India today. In this ground-breaking field-based study, Kathleen Erndl uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her

  • The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Vol. 5: Sundarakāṇḍa

    Richard W Lariviere, Robert P Goldman et al.•ARTICLE•Journal of the American Oriental…•1998

  • Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VI

    Barend A Van Nooten, Robert P Goldman et al.•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2009

  • Sītā

    Sally J Sutherland Goldman•DATASET•Oxford Bibliographies in Hinduism•2012

  • The Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII: Uttarakāṇḍa

    Robert P Goldman, Sally J Sutherland Goldman•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2016

    The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Rāmāyaṇa of Vālmīki , the Uttarakāṇḍa , brings the epic saga to a close with an account of the dramatic events of King Rāma's millennia-long reign. It opens with a colorful history of the demonic race of the rākṣasas and the violent career of Rāma’s villainous foe Rāvaṇa, and later recounts Rāma’s grateful discharge of hi…

  • Rāmāyaṇa of Vālmīki: An Epic of Ancient India, Volume VII

    Robert P Goldman, Sally J Sutherland Goldman•BOOK•Rāmāyaṇa of Vālmīki : an Epic of…•2016

  • Against their Will: Sexual Assault and the Uttarakāṇḍa

    Open Access•Sally J Sutherland Goldman•ARTICLE•Studies in History•2018

    A close reading of the Uttarakāṇḍa of Vālmīki’s Rāmāyaṇa demonstrates that its author has composed a carefully and logically structured work, one that is haunted by themes of sexual transgression. Not only is the first half of the kāṇḍa occupied with the history and genealogy of Rāvaṇa, who is no less than the sexual predator par excellence, but its latter half tells of Rāma’s seemingly heart-wrenching decision to banish Sītā based on rumours of …

  • Chapter Four Bodies That Don’t Matter: Gender, Body, and Discourse in the Narrative of Sulabhā

    Sally J Sutherland Goldman•CHAPTER•Many Mahābhāratas•2021

  • Women at the Margins: Gender and Religious Anxieties in Vālmīki’s Rāmāyaṇa

    Sally J Sutherland Goldman•ARTICLE•Journal of the American Oriental…•2021

    This paper looks at Vālmīki's use and placement of his female characters as significant markers of religious identity. It argues that Vālmīki conceptualizes and creates specific types of female figures and carefully locates the episodes in which they appear to mark specific narrative transitions and real or imagined anxiety-inducing threats to the author's idealized world. Moreover, Vālmīki provides his audience with potential resolutions to thos…

Art (5 works) · History (5 works) · Literature (5 works) · Indian and Buddhist Studies (4 works) · Philosophy (4 works) · Ancient history (3 works) · EPIC (3 works) · Eurasian Exchange Networks (3 works) · History (3 works) · Philosophy (3 works)

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