Daniel S P Yang
Biographic Data
| ID | 1257185 |
|---|---|
| NAME | Daniel S P Yang |
| GIVEN NAMES | Daniel S P |
| FAMILY NAME | Yang |
| SIGNATURE | YANG D S P |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 1994 |
| H-INDEX | 1 |
Tradition, Innovation, and Politics
Theatre in Post Cultural Revolution China
In the fall and winter of 1981, I conducted theatre research in six Chinese cities, including Beijing and Shanghai. This trip was supported by the CSCPRC, the Committee on Scholarly Communication with the People's Republic of China. During this three-month trip, I visited five leading actor-training institutes,l and attended a total of forty-three performances of spoken drama2 (huajua), ballet, Beijing opera (ingjub), kunquc opera, and the region…
Eight Chinese Plays
Censorship
Communist China now exercises probably the most rigid form of theatre censorship in the world. Today, five years after the start of the Cultural Revolution, the traditional Chinese drama is still forbidden on the stage, as are all Western works in dance, drama, and music. Since 1966 not a single nonrevolutionary play or song has been published, and the main Chinese theatre journal, Hsi chu pao, was discontinued after the February 1966 issue. At t…
Peking Drama with Contemporary Themes
“Peking drama with contemporary themes” is an English translation of Ching-ch hsien-tai bsi—a new phenomenon in Communist Chinese theatre which began in 1958 and was fully developed by 1964. In the Western world it has also been called “modern Peking opera” or “new-style Peking drama.” It is difficult to place this form in any of the theatrical genres of China, for it combines the qualities of a number of Chinese dramatic styles, most notably tho…
Censorship
Communist China now exercises probably the most rigid form of theatre censorship in the world. Today, five years after the start of the Cultural Revolution, the traditional Chinese drama is still forbidden on the stage, as are all Western works in dance, drama, and music. Since 1966 not a single nonrevolutionary play or song has been published, and the main Chinese theatre journal, Hsi chu pao, was discontinued after the February 1966 issue. At t…
Peking Drama with Contemporary Themes
“Peking drama with contemporary themes” is an English translation of Ching-ch hsien-tai bsi—a new phenomenon in Communist Chinese theatre which began in 1958 and was fully developed by 1964. In the Western world it has also been called “modern Peking opera” or “new-style Peking drama.” It is difficult to place this form in any of the theatrical genres of China, for it combines the qualities of a number of Chinese dramatic styles, most notably tho…
Censorship
Communist China now exercises probably the most rigid form of theatre censorship in the world. Today, five years after the start of the Cultural Revolution, the traditional Chinese drama is still forbidden on the stage, as are all Western works in dance, drama, and music. Since 1966 not a single nonrevolutionary play or song has been published, and the main Chinese theatre journal, Hsi chu pao, was discontinued after the February 1966 issue. At t…
Eight Chinese Plays
Theatre in Post Cultural Revolution China
In the fall and winter of 1981, I conducted theatre research in six Chinese cities, including Beijing and Shanghai. This trip was supported by the CSCPRC, the Committee on Scholarly Communication with the People's Republic of China. During this three-month trip, I visited five leading actor-training institutes,l and attended a total of forty-three performances of spoken drama2 (huajua), ballet, Beijing opera (ingjub), kunquc opera, and the region…
Tradition, Innovation, and Politics
History (5 works) · Art (4 works) · Chinese history and philosophy (4 works) · History (4 works) · China (3 works) · Hong Kong and Taiwan Politics (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Asian Culture and Media Studies (2 works)