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Neil V Rosenberg

Biographic Data

ID125918
NAMENeil V Rosenberg
GIVEN NAMESNeil V
FAMILY NAMERosenberg
SIGNATUREROSENBERG N V
AFFILIATIONSMemorial University of Newfoundland
VERIFIEDNo
TOTAL WORKS54
TOTAL CITATIONS9
AUTHOR COUNT53
EDITOR COUNT1
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Judith Binkele McCulloh (1935-2014)

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•2016

    Obituary| January 01 2016 Judith Binkele McCulloh (1935–2014) Neil V. Rosenberg Neil V. Rosenberg Search for other works by this author on: This Site Google Journal of American Folklore (2016) 129 (511): 97–98. https://doi.org/10.5406/jamerfolk.129.511.0097 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Neil V. Rosenberg; Judith Binkele McCulloh (1935–2014). Journal of American Folklore 1 January …

  • Stanley Brothers

    Dave Marsh, Neil V Rosenberg et al.•CHAPTER•The new Grove dictionary of music…•2015

  • Bluegrass music

    Neil V Rosenberg, Joti Rockwell•CHAPTER•The new Grove dictionary of music…•2013

  • Michael Seeger (1933-2009)

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•2010

    Research Article| July 01 2010 Michael Seeger (1933–2009) Neil V. Rosenberg Neil V. Rosenberg Memorial University Search for other works by this author on: This Site Google Journal of American Folklore (2010) 123 (489): 329–330. https://doi.org/10.5406/jamerfolk.123.489.0329 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Ci…

  • Lead Belly Reissues as Sound Documentary: From Item to Event

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•2003

    We are fortunate to have Lead Belly's Last Sessions available. It is not only a document of an important figure in American music, it is also a document of an important moment in the history of sound recordings. Originally published in 1954 by Folkways Records, it consisted of ninety-four separate items, mainly songs, on four twelve-inch LP records in two double-sleeved albums that were replaced after the first printing by boxes. In 1994 Smithson…

  • Lead Belly Reissues as Sound Documentary: From Item to EventLead Belly's Last SessionsLead Belly: Where Did You Sleep Last NightLead Belly: Bourgeois BluesLead Belly: Shout On

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•2003

    Book Review| April 01 2003 Lead Belly Reissues as Sound Documentary: From Item to EventLead Belly’s Last SessionsLead Belly: Where Did You Sleep Last NightLead Belly: Bourgeois BluesLead Belly: Shout On Lead Belly’s Last Sessions, Frederic Ramsey Jr..Lead Belly: Where Did You Sleep Last Night, Jeff Place, Anthony Seeger, Matt Walters and Pete Reiniger.Lead Belly: Bourgeois Blues, Jeff Place and Peter Seitel.Lead Belly: Shout On, Jeff Place. Neil …

  • Repetition, Innovation, and Representation in Don Messer's Media Repertoire

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•2002•References: 4

    Canadian fiddler Don Messer saved a massive collection of personal documents that enable researchers to examine questions of repertoire, including definition, use, and meaning. The contrast between his relatively well-documented "old-time" media repertoire and the less-documented "modern" dance repertoire underscores the selective nature of the process of canon formation

  • Music and Social Movements

    Open Access•Neil V Rosenberg, Ron Eyerman et al.•ARTICLE•Anthropologica•2000

  • "The Anthology of American Folk Music" and Working-Class Music

    Neil V Rosenberg•ARTICLE•Labour / Le Travail•1998

  • Transforming Tradition: Folk Music Revivals Examined

    Bill C Malone, Neil V Rosenberg et al.•ARTICLE•The Journal of Southern History•1996

  • Transforming Tradition: Folk Music Revivals Examined

    James S Griffith, Neil V Rosenberg et al.•ARTICLE•Western Folklore•1996

  • Kenneth S. Goldstein, Producer of Folk Revival and Country Recordings

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1996

  • Transforming Tradition: Folk Music Revivals Examined

    John S Patterson, Neil V Rosenberg et al.•ARTICLE•American Music•1995

    Transforming Tradition offers the first serious look at folksong revivals, vibrant meldings of popular and folk culture that captured public awareness in the 1950s and 1960s. Best remembered for such songs as Tom Dooley and for performers like the Kingston Trio and Joan Baez, the revival of that era gave rise to hootenannies, coffeehouses, and blues and bluegrass festivals, sowing a legacy of popular interest that lives today. Many of the contrib…

  • From the Sound Recordings Review Editor: The Classification of Traditional Instrumental Music

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1995

    ists over the years. Perhaps this is because, beyond the simple fact that in-depth study requires discourse in languages of music that many folklorists are not conversant with, it combines questions of both popular and material culture. Other complications arise because of the ways in which instrumental music-the abstract product of interaction between human body and material artifact-can be so easily deand recontextualized; ways that remove it f…

  • Picking Myself Apart: A Hoosier Memoir

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1995

    L'A. raconte son itineraire en tant que musicien, joueur de banjo dans des groupes de musique country, bluegrass puis rock en Indiana, et en tant qu'anthropologue. Il explique comment ces deux parcours ont fini par se rejoindre

  • The Canadianization of Newfoundland Folksong; or the Newfoundlandization of Canadian Folksong

    Neil V Rosenberg•ARTICLE•Journal of Canadian Studies•1994•Cited by: 1

    The idea that folksong is an important source of national identity has been a tenant of cultural politics in Newfoundland for a century. During the years prior to Confederation this idea led to the creation of a national folksong canon by Gerald S. Doyle and others. Following Confederation, central Canadian researchers, educators, and entertainers drew upon this canon in celebrating Newfoundland folksong as Canadian folksong. Subsequently, Newfou…

  • From the Sound Recordings Review Editor: Representations

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1993

  • From the Sound Recordings Review Editor: Reissues

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1993

  • From the Sound Recordings Review Editor: Bluegrass Today

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1992

  • From the Sound Recordings Review Editor: Documentary Sound Recordings

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1992

  • The Gerald S. Doyle Songsters and the Politics of Newfoundland Folksong

    Neil V Rosenberg•ARTICLE•Ethnologies•1991

    The textual contents of the first two editions of St.John’s businessman Doyle’s widely distributed booklets are examined. The focus is upon their relation to political and social ideas and events. In each edition, Doyle printed songs from Newfoundland’s past as a commentary on its present, choosing those which best represented his own perspective. Today a significant number of these songs are still recognized as central to the canon of Newfoundla…

  • Bluegrass: A History

    Thomas A Adler, Thomas Adler et al.•ARTICLE•Journal of American Folklore•1989

  • Bluegrass: A History

    Louis Martins, Louis Martin et al.•ARTICLE•Ethnomusicology•1989

  • Work's Many Voices 2 Discs, Jemf 110-111

    Neil V Rosenberg, Archie Green•ARTICLE•Labour / Le Travail•1988

  • Bluegrass: A History

    Richard Blaustein, Richard J Blaustein et al.•ARTICLE•The Journal of Southern History•1987

Next
  • Nobody: The Story of Bert Williams

    Open Access•Neil V Rosenberg, Ann Charters et al.•ARTICLE•Western Folklore•1971•Cited by: 3

  • Repertoire Categorization and Performer-Audience Relationships: Some Newfoundland Folksong Examples

    George J Casey, Neil V Rosenberg et al.•ARTICLE•Ethnomusicology•1972•Cited by: 2

    In 1951, Herbert Halpert pointed out that ... the song is much more significant for understanding the function of folk song in a community than is an infrequently sung or little known older ballad, no matter how much more satisfying the rare ballad may be to our aesthetic sensibilities, or our egos (Halpert 1951:40). Halpert's conclusions suggest that the folksong collections aptly described by D. K. Wilgus as Child and (Wilgus 1959:145ff.) tend …

  • From sound to Style: The Emergence of Bluegrass

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1967•Cited by: 2

    IN RECENT YEARS, folklorists have noted the frequency of traditional song in phonograph recordings by Bluegrass bands. with its close ties to traditional performance styles, is an important commercial genre for the student of folk music.' In addition to the usual body of publicity and fan literature, good popular articles have appeared on Bluegrass musicians Bill Monroe and Earl Scruggs.2 L. Mayne Smith's master's thesis and subsequent articles i…

  • The Canadianization of Newfoundland Folksong; or the Newfoundlandization of Canadian Folksong

    Neil V Rosenberg•ARTICLE•Journal of Canadian Studies•1994•Cited by: 1

    The idea that folksong is an important source of national identity has been a tenant of cultural politics in Newfoundland for a century. During the years prior to Confederation this idea led to the creation of a national folksong canon by Gerald S. Doyle and others. Following Confederation, central Canadian researchers, educators, and entertainers drew upon this canon in celebrating Newfoundland folksong as Canadian folksong. Subsequently, Newfou…

  • The Tape-Recorded Interview

    Neil V Rosenberg, Edward D Ives et al.•ARTICLE•Western Folklore•1982•Cited by: 1

  • From sound to Style: The Emergence of Bluegrass

    Neil V Rosenberg•ARTICLE•Journal of American Folklore•1967•Cited by: 2

    IN RECENT YEARS, folklorists have noted the frequency of traditional song in phonograph recordings by Bluegrass bands. with its close ties to traditional performance styles, is an important commercial genre for the student of folk music.' In addition to the usual body of publicity and fan literature, good popular articles have appeared on Bluegrass musicians Bill Monroe and Earl Scruggs.2 L. Mayne Smith's master's thesis and subsequent articles i…

  • Billy Cox: The Dixie Songbird

    Neil V Rosenberg, Billy Cox et al.•ARTICLE•Ethnomusicology•1969

  • Taking Popular Culture Seriously: The Beatles

    Open Access•Neil V Rosenberg•ARTICLE•The Journal of Popular Culture•1970

  • Bluegrass from the Blue Ridge: Country Band Music of Virginia

    Neil V Rosenberg, Eric H Davidson et al.•ARTICLE•Ethnomusicology•1970

  • Nobody: The Story of Bert Williams

    Open Access•Neil V Rosenberg, Ann Charters et al.•ARTICLE•Western Folklore•1971•Cited by: 3

  • Songs from the Out-Ports of Newfoundland

    Neil V Rosenberg, Macedward Leach•ARTICLE•Ethnomusicology•1971

  • American Folklore and the Historian

    Neil V Rosenberg, Richard M Dorson•ARTICLE•Western Historical Quarterly•1972

    Journal Article American Folklore and the Historian Get access American Folklore and the Historian. By Dorson Richard M.. (Chicago: University of Chicago Press, 1971. xii, 239 p. References, index. $7.95.) Neil V. Rosenberg Neil V. Rosenberg Memorial University of Newfoundland Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volume 3, Issue 2, April 1972, Pages 210–211, https://doi.org/10.2307…

  • Repertoire Categorization and Performer-Audience Relationships: Some Newfoundland Folksong Examples

    George J Casey, Neil V Rosenberg et al.•ARTICLE•Ethnomusicology•1972•Cited by: 2

    In 1951, Herbert Halpert pointed out that ... the song is much more significant for understanding the function of folk song in a community than is an infrequently sung or little known older ballad, no matter how much more satisfying the rare ballad may be to our aesthetic sensibilities, or our egos (Halpert 1951:40). Halpert's conclusions suggest that the folksong collections aptly described by D. K. Wilgus as Child and (Wilgus 1959:145ff.) tend …

  • Folksongs and Their Makers

    Neil V Rosenberg, Ray B Browne•ARTICLE•Journal of American Folklore•1973

  • Annual Index to Popular Record Music Reviews, 1972

    Neil V Rosenberg, Andrew D Armitage et al.•ARTICLE•Ethnomusicology•1974

  • Bill Monroe and His Bluegrass Boys: An Illustrated Discography

    Dennis Coelho, Neil V Rosenberg•ARTICLE•Journal of American Folklore•1977

  • Folklore and Oral History

    Bárbara Allen, Neil V Rosenberg•ARTICLE•Western Folklore•1979

  • Literature and Folk Culture: Ireland and Newfoundland

    Richard S Tallman, Alison Feder et al.•ARTICLE•Journal of American Folklore•1980

  • John Mitchel Hickman

    Neil V Rosenberg, Carl Fleischhauer•ARTICLE•Journal of American Folklore•1980

  • The British Traditional Ballad in North America

    Neil V Rosenberg, Tristram Potter Coffin•ARTICLE•Ethnomusicology•1980

  • Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years

    Neil V Rosenberg, Eric Von Schmidt et al.•ARTICLE•Ethnomusicology•1980

    This book presents a lively account of the Cambridge folk music scene in the late 1950s and early 1960s. Long out of print, Baby, Let Me Follow You Down is a classic in the history of American popular culture. The book tells the story of the folk music community in Cambridge, Massachusetts, from its beginnings in living rooms and Harvard Square coffeehouses in the late 1950s to the heyday of the folk music revival in the early 1960s. Hundreds of …

  • The Folklorist and the Phonograph Record: An Introduction to Analytic Discography

    Neil V Rosenberg•ARTICLE•Ethnologies•1981

    Ce texte traite à la fois de ce qui s'est fait jusqu'à maintenant et de ce qui serait souhaitable de faire dorénavant dans le domaine de la discographie. L’accent est mis sur les procédés d’analyses au moyen desquels un enregistrement peut être documenté. Les principaux problèmes et les questions fondamentales concernant ces questions sont abordés

  • Folklore Studies in Honour of Herbert Halpert, A Festschrift

    W Michael Kelsey, Kenneth S Goldstein et al.•ARTICLE•Asian Folklore Studies•1981

  • Folklore Studies in Honour of Herbert Halpert

    Caoimhin O Danachair, Kenneth S Goldstein et al.•ARTICLE•Béaloideas•1982

  • The Tape-Recorded Interview

    Neil V Rosenberg, Edward D Ives et al.•ARTICLE•Western Folklore•1982•Cited by: 1

  • Image and Stereotype: Bluegrass Sound Tracks

    Neil V Rosenberg•ARTICLE•American Music•1983

    sound of bluegrass music, especially the five-string banjo, is heard frequently in contemporary audio-visual media. On television it ripples along behind advertisements or in situation comedies. In movies it accompanies chases, slapstick comedy routines, country themes, or some combination of these. use of a certain kind of music to accompany a certain range of visual images indicates that it is one of the sound track conventions of the film and …

  • Folklore Studies in Honour of Herbert Halpert: A Festschrift

    I Sheldon Posen, Kenneth S Goldstein et al.•ARTICLE•Journal of American Folklore•1983

  • Folk Music and Modern Sound

    Neil V Rosenberg, William Ferris et al.•ARTICLE•Journal of American Folklore•1984

  • Mountaineer Jamboree: Country Music in West Virginia

    Neil V Rosenberg, Ivan M Tribe•ARTICLE•The Journal of Southern History•1985

  • Folklore Studies in Honour of Herbert Halpert: A Festschrift

    Open Access•Robert D Bethke, Kenneth S Goldstein et al.•ARTICLE•Western Folklore•1985

History (40 works) · Art (27 works) · Music History and Culture (22 works) · Folklore, Mythology, and Literature Studies (17 works) · History (17 works) · Literature (17 works) · Computer Science (16 works) · Folklore (11 works) · American Sports and Literature (10 works) · Archaeology (9 works)

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