Alexis Celeste Bunten
Biographic Data
| ID | 125955 |
|---|---|
| NAME | Alexis Celeste Bunten |
| GIVEN NAMES | Alexis Celeste |
| FAMILY NAME | Bunten |
| SIGNATURE | BUNTEN A C |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 99 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Tourism Imaginaries
It is hard to imagine tourism without the creative use of seductive, as well as restrictive, imaginaries about peoples and places. These socially shared assemblages are collaboratively produced and consumed by a diverse range of actors around the globe. As a nexus of social practices through which individuals and groups establish places and peoples as credible objects of tourism, “tourism imaginaries” have yet to be fully explored. Presenting inn…
Indigenous Tourism Movements
Indigenous Tourism Movements explores Indigenous identity using “movement” as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.
More like Ourselves
Alaska Native Art
Sharing culture or selling out? Developing the commodified persona in the heritage industry
Native American professionals in the heritage industry often describe their work as "sharing culture" when they are involved in processes of transforming features of their cultures into alienable products for consumption. Participation in the heritage industry can be a powerful catalyst for local cultural reproduction, but it also poses a danger to those aspects of culture that Natives consciously protect from commodification. Drawing from a case…
Playing Ourselves
Sharing culture or selling out? Developing the commodified persona in the heritage industry
Native American professionals in the heritage industry often describe their work as "sharing culture" when they are involved in processes of transforming features of their cultures into alienable products for consumption. Participation in the heritage industry can be a powerful catalyst for local cultural reproduction, but it also poses a danger to those aspects of culture that Natives consciously protect from commodification. Drawing from a case…
More like Ourselves
Sharing culture or selling out? Developing the commodified persona in the heritage industry
Native American professionals in the heritage industry often describe their work as "sharing culture" when they are involved in processes of transforming features of their cultures into alienable products for consumption. Participation in the heritage industry can be a powerful catalyst for local cultural reproduction, but it also poses a danger to those aspects of culture that Natives consciously protect from commodification. Drawing from a case…
Playing Ourselves
Alaska Native Art
More like Ourselves
Indigenous Tourism Movements
Indigenous Tourism Movements explores Indigenous identity using “movement” as a metaphor, drawing on case studies from throughout the world including Botswana, Canada, Chile, Panama, Tanzania, and the United States.
Tourism Imaginaries
It is hard to imagine tourism without the creative use of seductive, as well as restrictive, imaginaries about peoples and places. These socially shared assemblages are collaboratively produced and consumed by a diverse range of actors around the globe. As a nexus of social practices through which individuals and groups establish places and peoples as credible objects of tourism, “tourism imaginaries” have yet to be fully explored. Presenting inn…
Political science (4 works) · Sociology (4 works) · Tourism (4 works) · Diverse Aspects of Tourism Research (3 works) · Biology (2 works) · Culinary Culture and Tourism (2 works) · Ecology (2 works) · Ecology (2 works) · Environmental ethics (2 works) · Geography (2 works)