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David N Coury

Biographic Data

ID1260046
NAMEDavid N Coury
GIVEN NAMESDavid N
FAMILY NAMECoury
SIGNATURECOURY D N
AFFILIATIONSUniversity of Wisconsin–Green Bay
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS4
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Giving immigrants a voice

    Open Access•David N Coury, David Coury•ARTICLE•Papeles del CEIC•2022

    In 2016, the German production company funk began a new weekly series of short documentary videos, Germania, designed to explore German identity and the reality of those living with a migration background. Although one in five people in Germany today have a migratory background, the focus of the series, according to promotional materials, was not the immigration debate (which has consumed much of public policy since 2015) but rather the fact that…

  • Do Not Disturb My Circles

    David N Coury, David Coury•ARTICLE•The European Legacy•2021•References: 8

    The 2015 immigration wave brought profound changes to European society in the form of a welcoming culture (Willkommenskultur) on the one hand, and in the rise of xenophobia and of right-wing populism on the other. Over the past few years, much attention has rightly been paid to literary and essayistic works by immigrant writers dealing with the challenges they have encountered in “Fortress Europe.” At the same time, there has been a reckoning wit…

  • Poland, Germany and the EU

    Ekaterina Levintova, Екатерина Левинтова et al.•ARTICLE•Europe Asia Studies•2020•References: 5

    In this article, we look at the fissures in United Europe from both sides of the region where a post-Cold War ‘Middle/Central Europe’ should have been forged. How do leading German and Polish newspapers treat the categories of ‘Central’ or ‘Middle’ Europe relative to the concept of the Eastern–Western European divide and what are the discourses associated with these perspectives? At the time of a looming redefinition of the entire European projec…

  • A Clash of Civilizations

    David N Coury•ARTICLE•German Politics & Society•2016•Cited by: 3

    Since its founding in 2014, Pegida has positioned itself as a populist movement striving to limit immigration and to preserve Germany's cultural heritage. It has also aligned itself with other right-wing European political groups whose exclusionary views are rooted in theories of a civilizational clash between the West and the Islamic world. Pegida's pushback against immigration also includes appeals to resist globalization and the growth of mult…

  • Becoming Europeans

    David N Coury•ARTICLE•The European Legacy•2014

  • Intertextualitat als ethische Dimension

    David N Coury, David Coury et al.•ARTICLE•German Studies Review•2000

  • From Aesthetics to Commercialism

    David N Coury•ARTICLE•Seminar A Journal of Germanic…•1997•Cited by: 1

    German cinema of the 1990s has been characterised by a wave of domestic comedies unparalleled since the 1950s. These films, dubbed by critics the Neue deutsche Komodie (New German Comedy; cf. Kilb), have not only drawn Germans back into the cinema and in doing so, revitalized the German film industry, but they have also given rise to the question of whether these films are the successors to the Autorenfilm (auteur cinema/art film) and the New Ger…

  • A Clash of Civilizations

    David N Coury•ARTICLE•German Politics & Society•2016•Cited by: 3

    Since its founding in 2014, Pegida has positioned itself as a populist movement striving to limit immigration and to preserve Germany's cultural heritage. It has also aligned itself with other right-wing European political groups whose exclusionary views are rooted in theories of a civilizational clash between the West and the Islamic world. Pegida's pushback against immigration also includes appeals to resist globalization and the growth of mult…

  • From Aesthetics to Commercialism

    David N Coury•ARTICLE•Seminar A Journal of Germanic…•1997•Cited by: 1

    German cinema of the 1990s has been characterised by a wave of domestic comedies unparalleled since the 1950s. These films, dubbed by critics the Neue deutsche Komodie (New German Comedy; cf. Kilb), have not only drawn Germans back into the cinema and in doing so, revitalized the German film industry, but they have also given rise to the question of whether these films are the successors to the Autorenfilm (auteur cinema/art film) and the New Ger…

  • From Aesthetics to Commercialism

    David N Coury•ARTICLE•Seminar A Journal of Germanic…•1997•Cited by: 1

    German cinema of the 1990s has been characterised by a wave of domestic comedies unparalleled since the 1950s. These films, dubbed by critics the Neue deutsche Komodie (New German Comedy; cf. Kilb), have not only drawn Germans back into the cinema and in doing so, revitalized the German film industry, but they have also given rise to the question of whether these films are the successors to the Autorenfilm (auteur cinema/art film) and the New Ger…

  • Intertextualitat als ethische Dimension

    David N Coury, David Coury et al.•ARTICLE•German Studies Review•2000

  • Becoming Europeans

    David N Coury•ARTICLE•The European Legacy•2014

  • A Clash of Civilizations

    David N Coury•ARTICLE•German Politics & Society•2016•Cited by: 3

    Since its founding in 2014, Pegida has positioned itself as a populist movement striving to limit immigration and to preserve Germany's cultural heritage. It has also aligned itself with other right-wing European political groups whose exclusionary views are rooted in theories of a civilizational clash between the West and the Islamic world. Pegida's pushback against immigration also includes appeals to resist globalization and the growth of mult…

  • Poland, Germany and the EU

    Ekaterina Levintova, Екатерина Левинтова et al.•ARTICLE•Europe Asia Studies•2020•References: 5

    In this article, we look at the fissures in United Europe from both sides of the region where a post-Cold War ‘Middle/Central Europe’ should have been forged. How do leading German and Polish newspapers treat the categories of ‘Central’ or ‘Middle’ Europe relative to the concept of the Eastern–Western European divide and what are the discourses associated with these perspectives? At the time of a looming redefinition of the entire European projec…

  • Do Not Disturb My Circles

    David N Coury, David Coury•ARTICLE•The European Legacy•2021•References: 8

    The 2015 immigration wave brought profound changes to European society in the form of a welcoming culture (Willkommenskultur) on the one hand, and in the rise of xenophobia and of right-wing populism on the other. Over the past few years, much attention has rightly been paid to literary and essayistic works by immigrant writers dealing with the challenges they have encountered in “Fortress Europe.” At the same time, there has been a reckoning wit…

  • Giving immigrants a voice

    Open Access•David N Coury, David Coury•ARTICLE•Papeles del CEIC•2022

    In 2016, the German production company funk began a new weekly series of short documentary videos, Germania, designed to explore German identity and the reality of those living with a migration background. Although one in five people in Germany today have a migratory background, the focus of the series, according to promotional materials, was not the immigration debate (which has consumed much of public policy since 2015) but rather the fact that…

Political science (5 works) · Sociology (4 works) · Aesthetics (3 works) · Art (3 works) · Gender Studies (3 works) · German (3 works) · German legal, social, and political studies (3 works) · Law (3 works) · Philosophy (3 works) · Politics (3 works)

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