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Lorraine Mortimer

Biographic Data

ID126065
NAMELorraine Mortimer
GIVEN NAMESLorraine
FAMILY NAMEMortimer
SIGNATUREMORTIMER L
AFFILIATIONSLa Trobe University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2007
H-INDEX2
  • The Texture of Events and the Stuff of Dreams: Jean Rouch at the Heart of Film and Anthropology

    Open Access•Lorraine Mortimer•ARTICLE•The Australian Journal of…•2007

    Too little known in the English‐speaking world, Jean Rouch died in 2004, leaving a prolific body of work. Influenced by the surrealists, by dance, cinema and music, his ‘shared anthropology’ and filmmaking began when he was an engineer in colonial West Africa during World War II—through friendship with African public works employees and revolt over the working and living conditions of the people forced to labour. Rouch saw his engineering, anthro…

  • We are the Dance: Cinema, Death and the Imaginary in the Thought of Edgar Morin

    Open Access•Lorraine Mortimer•ARTICLE•Thesis Eleven•2001•Cited by: 3•References: 2

    A colleague of Roland Barthes at the CNRS in the 1950s and cowriter and friend of Cornelius Castoriadis until the latter's death, Edgar Morin has until recently been too little known in the English-speaking world. In an oeuvre that spans half a century, attempting to combine in ongoing dialogue the `humanities' and `sciences', Morin has written on scientific method, fundamental anthropology, politics, contemporary life and popular culture. He is …

  • Les aventures de l'esprit et la chaleur vivante: A new encounter with Simone de Beauvoir

    Open Access•Lorraine Mortimer•ARTICLE•French Cultural Studies•1999

  • Sweet finitude: Relative Utopias with live inhabitants

    Open Access•Lorraine Mortimer•ARTICLE•French Cultural Studies•1997•Cited by: 2

  • The charm of morality: Frank Capra and his cinema

    Lorraine Mortimer•ARTICLE•Continuum•1994•References: 3

  • We are the Dance: Cinema, Death and the Imaginary in the Thought of Edgar Morin

    Open Access•Lorraine Mortimer•ARTICLE•Thesis Eleven•2001•Cited by: 3•References: 2

    A colleague of Roland Barthes at the CNRS in the 1950s and cowriter and friend of Cornelius Castoriadis until the latter's death, Edgar Morin has until recently been too little known in the English-speaking world. In an oeuvre that spans half a century, attempting to combine in ongoing dialogue the `humanities' and `sciences', Morin has written on scientific method, fundamental anthropology, politics, contemporary life and popular culture. He is …

  • Sweet finitude: Relative Utopias with live inhabitants

    Open Access•Lorraine Mortimer•ARTICLE•French Cultural Studies•1997•Cited by: 2

  • The charm of morality: Frank Capra and his cinema

    Lorraine Mortimer•ARTICLE•Continuum•1994•References: 3

  • Sweet finitude: Relative Utopias with live inhabitants

    Open Access•Lorraine Mortimer•ARTICLE•French Cultural Studies•1997•Cited by: 2

  • Les aventures de l'esprit et la chaleur vivante: A new encounter with Simone de Beauvoir

    Open Access•Lorraine Mortimer•ARTICLE•French Cultural Studies•1999

  • We are the Dance: Cinema, Death and the Imaginary in the Thought of Edgar Morin

    Open Access•Lorraine Mortimer•ARTICLE•Thesis Eleven•2001•Cited by: 3•References: 2

    A colleague of Roland Barthes at the CNRS in the 1950s and cowriter and friend of Cornelius Castoriadis until the latter's death, Edgar Morin has until recently been too little known in the English-speaking world. In an oeuvre that spans half a century, attempting to combine in ongoing dialogue the `humanities' and `sciences', Morin has written on scientific method, fundamental anthropology, politics, contemporary life and popular culture. He is …

  • The Texture of Events and the Stuff of Dreams: Jean Rouch at the Heart of Film and Anthropology

    Open Access•Lorraine Mortimer•ARTICLE•The Australian Journal of…•2007

    Too little known in the English‐speaking world, Jean Rouch died in 2004, leaving a prolific body of work. Influenced by the surrealists, by dance, cinema and music, his ‘shared anthropology’ and filmmaking began when he was an engineer in colonial West Africa during World War II—through friendship with African public works employees and revolt over the working and living conditions of the people forced to labour. Rouch saw his engineering, anthro…

Art (5 works) · Art history (3 works) · Movie theater (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Cinema and Media Studies (2 works) · History (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works)

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