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Jonathan Cane

Biographic Data

ID126160
NAMEJonathan Cane
GIVEN NAMESJonathan
FAMILY NAMECane
SIGNATURECANE J
AFFILIATIONSUniversity of the Witwatersrand
ORCID0000-0002-8735-5917
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Queer Notes and Forest Fragments

    Open Access•Jonathan Cane, André Prado Fernandes•ARTICLE•diacritics•2024

    In this essay, the authors—two queer ecology researchers, ex-partners and collaborators from the Global South—reflect on their 2023 fieldwork in the long-running Forest Fragments Project set up in 1979 north of Manaus, in the Brazilian Amazon. This essay experiments with fragments as a form to foreground the formal nature of knowledge production, advancing form as a shape from which one may find directions as opposed to a secondary or merely aest…

  • Monsoon as method

    Open Access•Lindsay Bremner, B Cullen et al.•ARTICLE•Cultural Geographies•2024•Cited by: 2•References: 17

    This paper is a reflective discussion of the research method developed by a small research team over a 5-year period as it intra-acted with the south Asian monsoon in three south/southeast Asian cities. It reflects on how the team's practice was transformed from being research on or about the monsoon as a discrete unit of analysis, to research in the monsoon and with its agential materiality. The paper first outlines the theoretical resources fro…

  • Concrete Oceans

    Jonathan Cane•ARTICLE•GeoHumanities•2021•References: 28

    This article is concerned with an object called the “dolos,” a concrete coastal structure developed by the South African state at the height of apartheid, in 1963. A twisted H-shape with attenuating limbs, it is formally rather beautiful, exhibiting a kind of brutal elegance, and it has been successfully used in hydraulic engineering projects around the globe. It is, nevertheless, a relatively unremarkable invention. Even in its category of “coas…

  • The promises, poetics and politics of verticality in the really high African city

    Jonathan Cane•ARTICLE•Critical African Studies•2021•Cited by: 2•References: 19

    This article is an attempt to foreground considerations in African cities of three-dimensional urbanism, or what Eyal Weizman has called the ‘politics of verticality’. Through analysis of the work of three builder/artists the article resists a strain of persistent horizontality in African urban studies. The focus of this article is on three specific urban forms which are contested in interesting and provocative ways. The first, the Tower, in Lime…

  • Civilising Grass

    Jonathan Cane•BOOK•Civilising Grass•2019

  • Cruising queer, old Joburg

    Jonathan Cane•ARTICLE•Anthropology Southern Africa•2019•References: 9

    The article presents a queer reflection on the method of Walter Benjamin in Johannesburg, South Africa. Using a critical method of ephemera collection and collage, it offers a layered and provocative map of the city before the end of apartheid and at the beginning of the AIDS epidemic. The notion of "cruising," an anachronistic theoretical mode, is applied to one iconic club, the Dungeon. Through archival research, oral histories with elder gay a…

  • Monsoon as method

    Open Access•Lindsay Bremner, B Cullen et al.•ARTICLE•Cultural Geographies•2024•Cited by: 2•References: 17

    This paper is a reflective discussion of the research method developed by a small research team over a 5-year period as it intra-acted with the south Asian monsoon in three south/southeast Asian cities. It reflects on how the team's practice was transformed from being research on or about the monsoon as a discrete unit of analysis, to research in the monsoon and with its agential materiality. The paper first outlines the theoretical resources fro…

  • The promises, poetics and politics of verticality in the really high African city

    Jonathan Cane•ARTICLE•Critical African Studies•2021•Cited by: 2•References: 19

    This article is an attempt to foreground considerations in African cities of three-dimensional urbanism, or what Eyal Weizman has called the ‘politics of verticality’. Through analysis of the work of three builder/artists the article resists a strain of persistent horizontality in African urban studies. The focus of this article is on three specific urban forms which are contested in interesting and provocative ways. The first, the Tower, in Lime…

  • Civilising Grass

    Jonathan Cane•BOOK•Civilising Grass•2019

  • Cruising queer, old Joburg

    Jonathan Cane•ARTICLE•Anthropology Southern Africa•2019•References: 9

    The article presents a queer reflection on the method of Walter Benjamin in Johannesburg, South Africa. Using a critical method of ephemera collection and collage, it offers a layered and provocative map of the city before the end of apartheid and at the beginning of the AIDS epidemic. The notion of "cruising," an anachronistic theoretical mode, is applied to one iconic club, the Dungeon. Through archival research, oral histories with elder gay a…

  • Concrete Oceans

    Jonathan Cane•ARTICLE•GeoHumanities•2021•References: 28

    This article is concerned with an object called the “dolos,” a concrete coastal structure developed by the South African state at the height of apartheid, in 1963. A twisted H-shape with attenuating limbs, it is formally rather beautiful, exhibiting a kind of brutal elegance, and it has been successfully used in hydraulic engineering projects around the globe. It is, nevertheless, a relatively unremarkable invention. Even in its category of “coas…

  • The promises, poetics and politics of verticality in the really high African city

    Jonathan Cane•ARTICLE•Critical African Studies•2021•Cited by: 2•References: 19

    This article is an attempt to foreground considerations in African cities of three-dimensional urbanism, or what Eyal Weizman has called the ‘politics of verticality’. Through analysis of the work of three builder/artists the article resists a strain of persistent horizontality in African urban studies. The focus of this article is on three specific urban forms which are contested in interesting and provocative ways. The first, the Tower, in Lime…

  • Queer Notes and Forest Fragments

    Open Access•Jonathan Cane, André Prado Fernandes•ARTICLE•diacritics•2024

    In this essay, the authors—two queer ecology researchers, ex-partners and collaborators from the Global South—reflect on their 2023 fieldwork in the long-running Forest Fragments Project set up in 1979 north of Manaus, in the Brazilian Amazon. This essay experiments with fragments as a form to foreground the formal nature of knowledge production, advancing form as a shape from which one may find directions as opposed to a secondary or merely aest…

  • Monsoon as method

    Open Access•Lindsay Bremner, B Cullen et al.•ARTICLE•Cultural Geographies•2024•Cited by: 2•References: 17

    This paper is a reflective discussion of the research method developed by a small research team over a 5-year period as it intra-acted with the south Asian monsoon in three south/southeast Asian cities. It reflects on how the team's practice was transformed from being research on or about the monsoon as a discrete unit of analysis, to research in the monsoon and with its agential materiality. The paper first outlines the theoretical resources fro…

Sociology (5 works) · Art (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Water Governance and Infrastructure (3 works) · Affordance (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works) · Law (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae