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K Anis Ahmed

Biographic Data

ID1261870
NAMEK Anis Ahmed
GIVEN NAMESK Anis
FAMILY NAMEAhmed
SIGNATUREAHMED K A
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS4
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2018
H-INDEX1
  • In Bangladesh

    Open Access•K Anis Ahmed, Khaled Ahmed•ARTICLE•The Journal of Asian Studies•2018•Cited by: 2•References: 3

    Mainstream media faces challenges in developed democracies like never before. On one hand, seemingly "free" digital (including social media) options are eroding the market for print drastically. Ads are not so much shifting from print to digital, but apparently simply disappearing. In the face of the pressures stemming from changing economics of the news business-which still has to be gathered at great expense, even if it can be distributed or sh…

  • Fiction

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed•ARTICLE•World Literature Today•2016

    42 WLT JANUARY / FEBRUARY 2016 Limits of the unknown self The feeling that “life is elsewhere” is not unique to future writers; it is what turns so many of us into travelers , itinerants, or expats–and so many others into readers, books serving as an access to heightened realities . But the problem for the young artist growing up in late 1970s and ’80s Dhaka was of another kind: looking back, I now realize, to a large extent my readings were an e…

  • Opening Bangladesh to the World

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed et al.•ARTICLE•World Literature Today•2013•Cited by: 1

    Following the 2012 Dhaka Hay Festival, I had the opportunity to sit down with five prominent English-language Bangladeshi writers, editors, and boosters: Tahmima Anam, Farah Ghuznavi, Mahmud Rahman, and K. Anis Ahmed. Our conversation took place at Red Shift, a coffee shop and cultural center that has done much to support contemporary Bangladeshi art and literature. We planned to talk for just under an hour, but our excitement extended our conver…

  • The World in My Hands

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed•ARTICLE•World Literature Today•2013•Cited by: 1

    The World in My Hands is an excerpt from a novel-in-progress by K. Anis Ahmed. The novel is set in a fictional South Asian nation called Pandua in a time of political crisis. In this early chapter, the protagonist, a journalist, negotiates risks and opportunities presented to him by the director of a mysterious bureau that has become even more powerful during the prevailing state of emergency

  • In Bangladesh

    Open Access•K Anis Ahmed, Khaled Ahmed•ARTICLE•The Journal of Asian Studies•2018•Cited by: 2•References: 3

    Mainstream media faces challenges in developed democracies like never before. On one hand, seemingly "free" digital (including social media) options are eroding the market for print drastically. Ads are not so much shifting from print to digital, but apparently simply disappearing. In the face of the pressures stemming from changing economics of the news business-which still has to be gathered at great expense, even if it can be distributed or sh…

  • Opening Bangladesh to the World

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed et al.•ARTICLE•World Literature Today•2013•Cited by: 1

    Following the 2012 Dhaka Hay Festival, I had the opportunity to sit down with five prominent English-language Bangladeshi writers, editors, and boosters: Tahmima Anam, Farah Ghuznavi, Mahmud Rahman, and K. Anis Ahmed. Our conversation took place at Red Shift, a coffee shop and cultural center that has done much to support contemporary Bangladeshi art and literature. We planned to talk for just under an hour, but our excitement extended our conver…

  • The World in My Hands

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed•ARTICLE•World Literature Today•2013•Cited by: 1

    The World in My Hands is an excerpt from a novel-in-progress by K. Anis Ahmed. The novel is set in a fictional South Asian nation called Pandua in a time of political crisis. In this early chapter, the protagonist, a journalist, negotiates risks and opportunities presented to him by the director of a mysterious bureau that has become even more powerful during the prevailing state of emergency

  • Opening Bangladesh to the World

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed et al.•ARTICLE•World Literature Today•2013•Cited by: 1

    Following the 2012 Dhaka Hay Festival, I had the opportunity to sit down with five prominent English-language Bangladeshi writers, editors, and boosters: Tahmima Anam, Farah Ghuznavi, Mahmud Rahman, and K. Anis Ahmed. Our conversation took place at Red Shift, a coffee shop and cultural center that has done much to support contemporary Bangladeshi art and literature. We planned to talk for just under an hour, but our excitement extended our conver…

  • The World in My Hands

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed•ARTICLE•World Literature Today•2013•Cited by: 1

    The World in My Hands is an excerpt from a novel-in-progress by K. Anis Ahmed. The novel is set in a fictional South Asian nation called Pandua in a time of political crisis. In this early chapter, the protagonist, a journalist, negotiates risks and opportunities presented to him by the director of a mysterious bureau that has become even more powerful during the prevailing state of emergency

  • Fiction

    K Anis Ahmed, K Anis Ahmed K Anis Ahmed•ARTICLE•World Literature Today•2016

    42 WLT JANUARY / FEBRUARY 2016 Limits of the unknown self The feeling that “life is elsewhere” is not unique to future writers; it is what turns so many of us into travelers , itinerants, or expats–and so many others into readers, books serving as an access to heightened realities . But the problem for the young artist growing up in late 1970s and ’80s Dhaka was of another kind: looking back, I now realize, to a large extent my readings were an e…

  • In Bangladesh

    Open Access•K Anis Ahmed, Khaled Ahmed•ARTICLE•The Journal of Asian Studies•2018•Cited by: 2•References: 3

    Mainstream media faces challenges in developed democracies like never before. On one hand, seemingly "free" digital (including social media) options are eroding the market for print drastically. Ads are not so much shifting from print to digital, but apparently simply disappearing. In the face of the pressures stemming from changing economics of the news business-which still has to be gathered at great expense, even if it can be distributed or sh…

Media studies (4 works) · Sociology (4 works) · History (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Art (2 works) · Computer Science (2 works) · Literature (2 works) · Political economy (2 works)

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