Daniel Heartz

Biographic Data

ID126191
NAMEDaniel Heartz
GIVEN NAMESDaniel
FAMILY NAMEHeartz
SIGNATUREHEARTZ D
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS37
TOTAL CITATIONS5
AUTHOR COUNT37
EDITOR COUNT0
FIRST PUBLICATION YEAR1959
LATEST PUBLICATION YEAR2002
H-INDEX1

  • Aria (opera)

    Jack Westrup, J A Westrup et al.CHAPTERThe new Grove dictionary of music…2002

  • Diderot, Denis (opera)

    Daniel Heartz, Elisabeth CookCHAPTERThe new Grove dictionary of music…2002

  • Algarotti, Francesco (opera)

    Daniel HeartzCHAPTERThe new Grove dictionary of music…2002

  • Enlightenment

    Daniel HeartzCHAPTERThe new Grove dictionary of music…2001

  • Grimm, Friedrich Melchior,Baron von

    Daniel HeartzCHAPTERThe new Grove dictionary of music…2001

  • Paris

    Elisabeth Cook, GORDON A ANDERSON et al.CHAPTERThe new Grove dictionary of music…2001

  • Aria

    Jack Westrup, J A Westrup et al.CHAPTERThe new Grove dictionary of music…2001

  • Branle

    Daniel Heartz, Patricia RaderCHAPTERThe new Grove dictionary of music…2001

  • Hoftanz

    Daniel Heartz, Patricia RaderCHAPTERThe new Grove dictionary of music…2001

  • Traetta [Trajetta], Tommaso

    Daniel Heartz, Marita P McClymonds et al.CHAPTERThe new Grove dictionary of music…2001

  • Diderot, Denis

    Daniel Heartz, Elisabeth CookCHAPTERThe new Grove dictionary of music…2001

  • Sturm und Drang

    Daniel Heartz, Bruce Alan BrownCHAPTERThe new Grove dictionary of music…2001

  • Paris, 1450–1600

    Daniel Heartz, Richard FreedmanCHAPTERThe new Grove dictionary of music…2001

  • Empfindsamkeit

    Daniel Heartz, Bruce Alan BrownCHAPTERThe new Grove dictionary of music…2001

  • Algarotti, Francesco

    Daniel HeartzCHAPTERThe new Grove dictionary of music…2001

  • Galant

    Daniel Heartz, Bruce Alan BrownCHAPTERThe new Grove dictionary of music…2001

  • Raaff [Raff], Anton

    Daniel Heartz, Paul CorneilsonCHAPTERThe new Grove dictionary of music…2001

  • Classical

    Daniel Heartz, Bruce Alan BrownCHAPTERThe new Grove dictionary of music…2001

  • Rococo

    Daniel Heartz, Bruce Alan BrownCHAPTERThe new Grove dictionary of music…2001

  • Mozart's Operas

    JESSICA WALDOFF, Daniel HeartzARTICLEEighteenth-Century Studies1994

  • Mozart's Operas

    Robert W Oldani, Daniel Heartz et al.ARTICLEGerman Studies Review1993

  • Watteau's Italian Comedians

    Daniel HeartzARTICLEEighteenth-Century Studies1988

    FRENCH ARTISTS DEVELOPED A PENCHANT for depicting the visiting troupes of commedia dell' arte players from Italy as early as the midsixteenth century, with the results that the earliest and most copious visual documentation of their improvised skits is French rather than Italian.' Subsequent to this early phase two major artists devoted their skills to capturing such theatrical representations: Jacques Callot (1592-1635) and Antoine Watteau (1684…

  • Constructing Le nozze di Figaro

    Open AccessDaniel HeartzARTICLEJournal of the Royal Musical…1987Cited by: 1References: 3

    Lorenzo Da Ponte is our main witness as to how he and Mozart put together their three operas. His memoirs, first published in 1823, mystify the topic more than they illuminate it. Some additional light is shed by an earlier publication entitled An Extract from the Life of Lorenzo Da Ponte, with the history of several dramas written by him, and among others, II Figaro, II Don Giovanni e La Scuola degh Amanti set to music by Mozart. Whoever transla…

  • International Musicological Society. Report of the Twelfth Congress

    James Porter, Daniel Heartz et al.ARTICLEEthnomusicology1985Cited by: 3

  • The Beginnings of the Operatic Romance

    Daniel HeartzARTICLEEighteenth-Century Studies1981

    PARIS IN THE EIGHTEENTH CENTURY boasted three theaters supported by the Crown: The Opera (officially titled Academie Royale de Musique); the Comedie-Fran9aise; the Theatre-Italien (also called the Comedie-Italienne). The royal palaces nearby at Versailles and Fontainebleau regularly received the visits of these three troupes, and on a few occasions saw original productions that were independent of them. Besides the royal theaters in Paris there w…