Erin Schoneveld
Biographic Data
| ID | 1264913 |
|---|---|
| NAME | Erin Schoneveld |
| GIVEN NAMES | Erin |
| FAMILY NAME | Schoneveld |
| SIGNATURE | SCHONEVELD E |
| AFFILIATIONS | Haverford College |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Parallel Modernism
The burden of “originality” has long plagued modernism in Japan. The portrayal of East Asia as less than in terms of artistic skill was a prejudice that was already evident in the eighteenth century when European scholars had begun characterizing the Japanese as slavish imitators.1Indeed, as art historian Michael Lucken observes, “A French artist in 1900 cannot come too close to copying the work of another French artist . . . but he can take a co…
The Cinema of Ozu Yasujiro
Reviewed by: The Cinema of Ozu Yasujiro: Histories of the Everyday by Woojeong Joo Erin Schoneveld (bio) The Cinema of Ozu Yasujiro: Histories of the Everyday. By Woojeong Joo. Edinburgh University Press, Edinburgh, 2017. xii, 276 pages. £75.00, cloth; £24.99, paper; £75.00, E-book. In response to criticism that condemned his films for being fundamentally alike, Japanese director Ozu Yasujirō famously stated, "I only know how to make tofu [and no…
Naomi Kawase’s “Cinema of Place”
This article evaluates contemporary filmmaker Naomi Kawase’s (b. 1969–) status within Japan’s film industry as well as her place among women directors. Using Kawase’s three award winning features Suzaku (Moe no suzaku, 1997), Shara (Sharasōju, 2003), and Mogari (Mogari no mori, 2007) as the basis of my analysis, I examine the way in which these films illuminate the construction of Kawase’s female authorship in relation to a specific location. Whi…
Representation, Adaptation, and Preservation at the Frontiers in East Asian Art
44 Portfolio Curated by Erin Schoneveld and Sarah Laursen Representation, Adaptation, and Preservation at the Frontiers in East Asian Art In October 2016, BBC News published an article in which Li Xiuzhen, senior archeologist at the Mausoleum Site Museum of Emperor Qin Shihuang in China, was quoted as saying, “We now think the terracotta army, the acrobats and the bronze sculptures found on site have been inspired by ancient Greek sculptures and …
No prominent works on this page.
Representation, Adaptation, and Preservation at the Frontiers in East Asian Art
44 Portfolio Curated by Erin Schoneveld and Sarah Laursen Representation, Adaptation, and Preservation at the Frontiers in East Asian Art In October 2016, BBC News published an article in which Li Xiuzhen, senior archeologist at the Mausoleum Site Museum of Emperor Qin Shihuang in China, was quoted as saying, “We now think the terracotta army, the acrobats and the bronze sculptures found on site have been inspired by ancient Greek sculptures and …
Naomi Kawase’s “Cinema of Place”
This article evaluates contemporary filmmaker Naomi Kawase’s (b. 1969–) status within Japan’s film industry as well as her place among women directors. Using Kawase’s three award winning features Suzaku (Moe no suzaku, 1997), Shara (Sharasōju, 2003), and Mogari (Mogari no mori, 2007) as the basis of my analysis, I examine the way in which these films illuminate the construction of Kawase’s female authorship in relation to a specific location. Whi…
The Cinema of Ozu Yasujiro
Reviewed by: The Cinema of Ozu Yasujiro: Histories of the Everyday by Woojeong Joo Erin Schoneveld (bio) The Cinema of Ozu Yasujiro: Histories of the Everyday. By Woojeong Joo. Edinburgh University Press, Edinburgh, 2017. xii, 276 pages. £75.00, cloth; £24.99, paper; £75.00, E-book. In response to criticism that condemned his films for being fundamentally alike, Japanese director Ozu Yasujirō famously stated, "I only know how to make tofu [and no…
Parallel Modernism
The burden of “originality” has long plagued modernism in Japan. The portrayal of East Asia as less than in terms of artistic skill was a prejudice that was already evident in the eighteenth century when European scholars had begun characterizing the Japanese as slavish imitators.1Indeed, as art historian Michael Lucken observes, “A French artist in 1900 cannot come too close to copying the work of another French artist . . . but he can take a co…
Art (4 works) · History (3 works) · Art history (2 works) · Asian Culture and Media Studies (2 works) · Cinema and Media Studies (2 works) · Film director (2 works) · Japanese History and Culture (2 works) · Literature (2 works) · Movie theater (2 works) · Philosophy (2 works)