Will Scheibel
Biographic Data
| ID | 1265869 |
|---|---|
| NAME | Will Scheibel |
| GIVEN NAMES | Will |
| FAMILY NAME | Scheibel |
| SIGNATURE | SCHEIBEL W |
| AFFILIATIONS | Indiana University Bloomington |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Penny Dreadful and Adaptation
Working It
Famously touted as “the most beautiful woman in movie history” by Darryl F. Zanuck, the chief executive of Twentieth Century Fox, actress Gene Tierney achieved major stardom with Fox’s classic Laura (dir. Otto Preminger, US, 1944) following years of being typecast as an Orientalist “exotic.” The production insisted on her embodiment of the Hollywood beauty ideal during World War II and defined feminine beauty in terms that would not offend soldie…
Rebel masculinities of star/director/text
Director Nicholas Ray is arguably most familiar to cinema culture as the American test case for la politique des auteurs, the influential mode of film criticism formulated at the French magazine Cahiers du Cinéma after World War II. Ray was elevated to the status of film ‘author’ for a consistency of vision and style associated with rebellion. Yet, he was known in the film industry as an ‘actor's director,’ both for his background in theater and …
Marilyn Monroe, 'sex symbol
Publicised, promoted and received as an erotic female object, Marilyn Monroe's celebrity image represented both ‘pure’ femininity and ‘immoral’ female sexuality for post-war American culture. However, her film performances reveal an embodied female subject, and the self-awareness, irony and contradiction in her roles often elicit sympathetic female identification. Focusing on the first years of her career as a star between 1952 and 1954, while sh…
Marilyn Monroe, 'sex symbol
Publicised, promoted and received as an erotic female object, Marilyn Monroe's celebrity image represented both ‘pure’ femininity and ‘immoral’ female sexuality for post-war American culture. However, her film performances reveal an embodied female subject, and the self-awareness, irony and contradiction in her roles often elicit sympathetic female identification. Focusing on the first years of her career as a star between 1952 and 1954, while sh…
Marilyn Monroe, 'sex symbol
Publicised, promoted and received as an erotic female object, Marilyn Monroe's celebrity image represented both ‘pure’ femininity and ‘immoral’ female sexuality for post-war American culture. However, her film performances reveal an embodied female subject, and the self-awareness, irony and contradiction in her roles often elicit sympathetic female identification. Focusing on the first years of her career as a star between 1952 and 1954, while sh…
Rebel masculinities of star/director/text
Director Nicholas Ray is arguably most familiar to cinema culture as the American test case for la politique des auteurs, the influential mode of film criticism formulated at the French magazine Cahiers du Cinéma after World War II. Ray was elevated to the status of film ‘author’ for a consistency of vision and style associated with rebellion. Yet, he was known in the film industry as an ‘actor's director,’ both for his background in theater and …
Working It
Famously touted as “the most beautiful woman in movie history” by Darryl F. Zanuck, the chief executive of Twentieth Century Fox, actress Gene Tierney achieved major stardom with Fox’s classic Laura (dir. Otto Preminger, US, 1944) following years of being typecast as an Orientalist “exotic.” The production insisted on her embodiment of the Hollywood beauty ideal during World War II and defined feminine beauty in terms that would not offend soldie…
Penny Dreadful and Adaptation
Art (3 works) · Art history (3 works) · Hollywood (3 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work)