Malcolm Corrigall
Biographic Data
| ID | 1265978 |
|---|---|
| NAME | Malcolm Corrigall |
| GIVEN NAMES | Malcolm |
| FAMILY NAME | Corrigall |
| SIGNATURE | CORRIGALL M |
| AFFILIATIONS | University of Johannesburg |
| ORCID | 0000-0001-5412-7072 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
District Six Is Really My Gay Vicinity: The Kewpie Photographic Collection
all photos from the Kewpie Collection, courtesy the GALA Queer Archives, Johannesburg, SAIn recent years, the representation of queer identities in South Africa has become associated among international audiences with the work of the visual activist Zanele Muholi, whose photographs celebrate the diversity and resilience of LGBTQI+ individuals in the face of homophobia and violence (Salley 2012). South Africa's constitution, adopted in 1996, guara…
A Spirit of Cosmopolitanism Happily Prevailing in Art: The Chinese Camera Club of South Africa and Transnational Networks of Photography
The Chinese Camera Club of South Africa was formed in 1952 by members of Johannesburg’s small Chinese community who found themselves excluded from local circuits of photography on the grounds of race. The membership of the Chinese Camera Club sought international recognition as well as local visibility by engaging with transnational networks of photography. In so doing, they became agents in the global dissemination of photographic practices and …
Reframing Johannesburg's urban politics through the lens of the Chinese Camera Club of South Africa
The Chinese Camera Club of South Africa was formed in 1952 in Johannesburg and was active throughout the 1950s and 1960s. Chinese South Africans were adversely affected by the consolidation of urban racial segregation during apartheid. The Club and its members used the spatial tactic of the photographic outing to disrupt the racialisation of space within Johannesburg, as well as to produce photographs that expressed aspirations that were curtaile…
Battleground: Charles Bell's Drawings of the War of the Axe, 1846, in Historical Context and in Relation to Recent Representations of the Frontier/Wars of Dispossession
Photography in and out of Africa: Iterations with a Difference
Invisible Communities and Their Visible Cameras: The Landscape Photography of the Chinese Camera Club of South Africa
The Chinese Camera Club of South Africa (CCCSA), sometimes known as the Chinese Camera Club of Johannesburg, was a group of Chinese South African photographers who were at their most active during the 1950s and 1960s. Despite their small numbers and the discrimination and exclusion they suffered as Chinese South Africans, this group of tenacious and dedicated photographers achieved success and recognition in photographic networks at home and abro…
Beyond Trauma: Landscape, Memory, and Agency in Photographs by Cedric Nunn and Sabelo Mlangeni
This article looks at recent series of landscape photographs by Sabelo Mlangeni and Cedric Nunn to argue that they constitute visual memory archives, which celebrate the agency and diversity of black South African life in past, present, and future moments. It is also argued that these visual memory archives challenge the status of victimhood often conferred upon black South Africans by discourses of trauma. The article focusses on Mlangeni’s At H…
Invisible Communities and Their Visible Cameras: The Landscape Photography of the Chinese Camera Club of South Africa
The Chinese Camera Club of South Africa (CCCSA), sometimes known as the Chinese Camera Club of Johannesburg, was a group of Chinese South African photographers who were at their most active during the 1950s and 1960s. Despite their small numbers and the discrimination and exclusion they suffered as Chinese South Africans, this group of tenacious and dedicated photographers achieved success and recognition in photographic networks at home and abro…
District Six Is Really My Gay Vicinity: The Kewpie Photographic Collection
all photos from the Kewpie Collection, courtesy the GALA Queer Archives, Johannesburg, SAIn recent years, the representation of queer identities in South Africa has become associated among international audiences with the work of the visual activist Zanele Muholi, whose photographs celebrate the diversity and resilience of LGBTQI+ individuals in the face of homophobia and violence (Salley 2012). South Africa's constitution, adopted in 1996, guara…
A Spirit of Cosmopolitanism Happily Prevailing in Art: The Chinese Camera Club of South Africa and Transnational Networks of Photography
The Chinese Camera Club of South Africa was formed in 1952 by members of Johannesburg’s small Chinese community who found themselves excluded from local circuits of photography on the grounds of race. The membership of the Chinese Camera Club sought international recognition as well as local visibility by engaging with transnational networks of photography. In so doing, they became agents in the global dissemination of photographic practices and …
Beyond Trauma: Landscape, Memory, and Agency in Photographs by Cedric Nunn and Sabelo Mlangeni
This article looks at recent series of landscape photographs by Sabelo Mlangeni and Cedric Nunn to argue that they constitute visual memory archives, which celebrate the agency and diversity of black South African life in past, present, and future moments. It is also argued that these visual memory archives challenge the status of victimhood often conferred upon black South Africans by discourses of trauma. The article focusses on Mlangeni’s At H…
Beyond Trauma: Landscape, Memory, and Agency in Photographs by Cedric Nunn and Sabelo Mlangeni
This article looks at recent series of landscape photographs by Sabelo Mlangeni and Cedric Nunn to argue that they constitute visual memory archives, which celebrate the agency and diversity of black South African life in past, present, and future moments. It is also argued that these visual memory archives challenge the status of victimhood often conferred upon black South Africans by discourses of trauma. The article focusses on Mlangeni’s At H…
Invisible Communities and Their Visible Cameras: The Landscape Photography of the Chinese Camera Club of South Africa
The Chinese Camera Club of South Africa (CCCSA), sometimes known as the Chinese Camera Club of Johannesburg, was a group of Chinese South African photographers who were at their most active during the 1950s and 1960s. Despite their small numbers and the discrimination and exclusion they suffered as Chinese South Africans, this group of tenacious and dedicated photographers achieved success and recognition in photographic networks at home and abro…
Battleground: Charles Bell's Drawings of the War of the Axe, 1846, in Historical Context and in Relation to Recent Representations of the Frontier/Wars of Dispossession
Photography in and out of Africa: Iterations with a Difference
A Spirit of Cosmopolitanism Happily Prevailing in Art: The Chinese Camera Club of South Africa and Transnational Networks of Photography
The Chinese Camera Club of South Africa was formed in 1952 by members of Johannesburg’s small Chinese community who found themselves excluded from local circuits of photography on the grounds of race. The membership of the Chinese Camera Club sought international recognition as well as local visibility by engaging with transnational networks of photography. In so doing, they became agents in the global dissemination of photographic practices and …
Reframing Johannesburg's urban politics through the lens of the Chinese Camera Club of South Africa
The Chinese Camera Club of South Africa was formed in 1952 in Johannesburg and was active throughout the 1950s and 1960s. Chinese South Africans were adversely affected by the consolidation of urban racial segregation during apartheid. The Club and its members used the spatial tactic of the photographic outing to disrupt the racialisation of space within Johannesburg, as well as to produce photographs that expressed aspirations that were curtaile…
District Six Is Really My Gay Vicinity: The Kewpie Photographic Collection
all photos from the Kewpie Collection, courtesy the GALA Queer Archives, Johannesburg, SAIn recent years, the representation of queer identities in South Africa has become associated among international audiences with the work of the visual activist Zanele Muholi, whose photographs celebrate the diversity and resilience of LGBTQI+ individuals in the face of homophobia and violence (Salley 2012). South Africa's constitution, adopted in 1996, guara…
Art (6 works) · African history and culture studies (5 works) · Visual arts (5 works) · Photography (4 works) · Sociology (4 works) · Club (3 works) · Gender Studies (3 works) · Law (3 works) · Photography and Visual Culture (3 works) · Political science (3 works)