Sevinc Elaman-Garner
Biographic Data
| ID | 1266627 |
|---|---|
| NAME | Sevinc Elaman-Garner |
| GIVEN NAMES | Sevinc |
| FAMILY NAME | Elaman-Garner |
| SIGNATURE | ELAMAN-GARNER S |
| AFFILIATIONS | University of Manchester |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
The image of 'ideal' Turkish womanhood? a Bakhtinian approach to Halide Edib Adıvar's Raik'in Annesi (Raik's Mother) (1909)
Critics often read Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother, 1909) as an affirmation of the author’s vision of ‘ideal’ womanhood, one which is aligned with the visions of reformers involved in the projects of Turkish nationalism and modernisation. This article presents an analysis of the novel that both incorporates and goes beyond such accounts. Instead of focusing on depictions of the heroine (Refika) as signs of female objectificatio…
Contradictory Depictions of the New Woman
Critical debate pertaining to the themes of gender and marriage in Edith Wharton’s The Age of Innocence (1920) has often focused on May and Ellen as the representation of two contrasting images of female identity: “angelic” and “monstrous” respectively. Drawing on Mikhail Bakhtin’s concept of dialogic novel, this article offers an alternative reading. In particular, it aims to examine the previously overlooked complexities in the novel’s decenter…
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Contradictory Depictions of the New Woman
Critical debate pertaining to the themes of gender and marriage in Edith Wharton’s The Age of Innocence (1920) has often focused on May and Ellen as the representation of two contrasting images of female identity: “angelic” and “monstrous” respectively. Drawing on Mikhail Bakhtin’s concept of dialogic novel, this article offers an alternative reading. In particular, it aims to examine the previously overlooked complexities in the novel’s decenter…
The image of 'ideal' Turkish womanhood? a Bakhtinian approach to Halide Edib Adıvar's Raik'in Annesi (Raik's Mother) (1909)
Critics often read Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother, 1909) as an affirmation of the author’s vision of ‘ideal’ womanhood, one which is aligned with the visions of reformers involved in the projects of Turkish nationalism and modernisation. This article presents an analysis of the novel that both incorporates and goes beyond such accounts. Instead of focusing on depictions of the heroine (Refika) as signs of female objectificatio…
Aesthetics (2 works) · Art (2 works) · Dialogic (2 works) · Gender Studies (2 works) · Law (2 works) · Literature (2 works) · Sociology (2 works) · American and British Literature Analysis (1 work) · Close reading (1 work) · Depiction (1 work)