János Fügedi
Biographic Data
| ID | 1267353 |
|---|---|
| NAME | János Fügedi |
| GIVEN NAMES | János |
| FAMILY NAME | Fügedi |
| SIGNATURE | FÜGEDI J |
| AFFILIATIONS | The Hungarian Academy of Sciences, Research Centre for the Humanities, Institute for Musicology Táncsics M. u. 7, H-1014 Budapest, Hungary E-mail: [email protected] |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Simultaneous Events, Parallel Themes, Spatial Oppositions
This paper focuses on the smallest units and micro-structures of traditional dance. I propose a new approach that ventures beyond the identification of simple syntagmatic relations derived from the temporal succession of movements: a former practice of dance analyses that relied on theories borrowed from linguistics and music. The following discussion, based on the analysis of movement content as spatial change, demonstrates the existence of inde…
Unheard but visible - defining dance and music synchrony in silent films
The authors of this paper introduce a method of establishing the dance and music synchrony of silent films by observing the play of musical instruments in case of the early dance films before the 1960s. They claim that applying the method needs the joint recording of the dancer(s) and the musician(s), as well as a thorough knowledge of instrument use, that of the ways of instrumental decorations and the movement analytical skill, which supported …
Dance Notation and Computers
No prominent works on this page.
Dance Notation and Computers
Unheard but visible - defining dance and music synchrony in silent films
The authors of this paper introduce a method of establishing the dance and music synchrony of silent films by observing the play of musical instruments in case of the early dance films before the 1960s. They claim that applying the method needs the joint recording of the dancer(s) and the musician(s), as well as a thorough knowledge of instrument use, that of the ways of instrumental decorations and the movement analytical skill, which supported …
Simultaneous Events, Parallel Themes, Spatial Oppositions
This paper focuses on the smallest units and micro-structures of traditional dance. I propose a new approach that ventures beyond the identification of simple syntagmatic relations derived from the temporal succession of movements: a former practice of dance analyses that relied on theories borrowed from linguistics and music. The following discussion, based on the analysis of movement content as spatial change, demonstrates the existence of inde…
Art (3 works) · Computer Science (3 works) · Dance (3 works) · Diversity and Impact of Dance (3 works) · Aesthetics (2 works) · History (2 works) · Linguistics (2 works) · Philosophy (2 works) · Visual arts (2 works) · Cinema and Media Studies (1 work)