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Martti Lahti

Biographic Data

ID1267467
NAMEMartti Lahti
GIVEN NAMESMartti
FAMILY NAMELahti
SIGNATURELAHTI M
AFFILIATIONSUniversity of Iowa
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS11
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Immigrant Cinema: National cinema — the case of beur film

    Veijo Hietala, Ari Honka-Hallila et al.•CHAPTER•Popular European Cinema•2013

    The popularity of the phenomenon called 'Uuno Turhapuro' is unique in Finland. The statistics speak for themselves: six out of the seven most successful Finnish films of the last six years (1984-90) were Uuno films. The largest audience for a single Finnish film in the 1970s and 1980s was for Uuno Turhapuro armeijan leivissä (Uuno Goes Military, 1984, 750.000 spectators), only narrowly beaten by two foreign films, One Flew Over the Cuckoo's Nest …

  • Dressing Up in Power: Tom of Finland and Gay Male Body Politics

    Martti Lahti•ARTICLE•Journal of Homosexuality•1998•Cited by: 11•References: 10

    On one hand, the article examines ways in which Tom of Finland's drawings participated in discursive formations that created and disseminated the gay macho look. "Tom's men" appropriated these pictures to make gay identities visible in their bodies, and created potentially resisting meanings. On the other hand, the author explores the meanings of Tom's drawings, particularly in relation to discourses of sexuality, gender, and race. He argues for …

  • Annette Wernblad's 'Brooklyn Is Not Expanding: Woody Allen's Comic Universe

    Open Access•Pirjo Ahokas, Martti Lahti•ARTICLE•American Studies in Scandinavia•1994

  • Dressing Up in Power: Tom of Finland and Gay Male Body Politics

    Martti Lahti•ARTICLE•Journal of Homosexuality•1998•Cited by: 11•References: 10

    On one hand, the article examines ways in which Tom of Finland's drawings participated in discursive formations that created and disseminated the gay macho look. "Tom's men" appropriated these pictures to make gay identities visible in their bodies, and created potentially resisting meanings. On the other hand, the author explores the meanings of Tom's drawings, particularly in relation to discourses of sexuality, gender, and race. He argues for …

  • Annette Wernblad's 'Brooklyn Is Not Expanding: Woody Allen's Comic Universe

    Open Access•Pirjo Ahokas, Martti Lahti•ARTICLE•American Studies in Scandinavia•1994

  • Dressing Up in Power: Tom of Finland and Gay Male Body Politics

    Martti Lahti•ARTICLE•Journal of Homosexuality•1998•Cited by: 11•References: 10

    On one hand, the article examines ways in which Tom of Finland's drawings participated in discursive formations that created and disseminated the gay macho look. "Tom's men" appropriated these pictures to make gay identities visible in their bodies, and created potentially resisting meanings. On the other hand, the author explores the meanings of Tom's drawings, particularly in relation to discourses of sexuality, gender, and race. He argues for …

  • Immigrant Cinema: National cinema — the case of beur film

    Veijo Hietala, Ari Honka-Hallila et al.•CHAPTER•Popular European Cinema•2013

    The popularity of the phenomenon called 'Uuno Turhapuro' is unique in Finland. The statistics speak for themselves: six out of the seven most successful Finnish films of the last six years (1984-90) were Uuno films. The largest audience for a single Finnish film in the 1970s and 1980s was for Uuno Turhapuro armeijan leivissä (Uuno Goes Military, 1984, 750.000 spectators), only narrowly beaten by two foreign films, One Flew Over the Cuckoo's Nest …

Art (2 works) · Art history (2 works) · History (2 works) · Physics (2 works) · African history and culture studies (1 works) · American and British Literature Analysis (1 works) · Archaeology (1 works) · Astronomy (1 works) · Comics (1 works) · Diaspora, migration, transnational identity (1 works)

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