Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Ernest Patrick Monte

Biographic Data

ID1267476
NAMEErnest Patrick Monte
GIVEN NAMESErnest Patrick
FAMILY NAMEMonte
SIGNATUREMONTE E P
AFFILIATIONSKabarak University
ORCID0009-0007-8191-2464
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • The Kenya Music Festival and the revival of Kenyan indigenous music

    Ernest Patrick Monte•ARTICLE•Critical African Studies•2025•References: 5

  • Reading Praise, Protest, and Subversion in Thomas Wasonga's Tawala Kenya Tawala

    Ernest Patrick Monte•ARTICLE•Muziki•2023

    Throughout Kenya's history, patriotic music has created and fostered community, and continues to sensitise people's needs, hopes, aspirations, and fears. Patriotic music is often evident and popular, especially during national day celebrations. The Permanent Presidential Music Commission (PPMC), established in 1988 under the then government of President Daniel arap Moi, is the body responsible for selecting and presenting music for entertaining t…

  • Representations of land in Kenyan song

    Ernest Patrick Monte•ARTICLE•Critical African Studies•2018•References: 17

    Historically, land has been central in political debate and identity formation in Kenya. From the different communities’ myths of origin to the colonial occupation and especially in the liberation struggle and beyond, land has been central to the writing of Kenya’s histories. This article explores two key perspectives on land as presented in music performance: the pre-independence claim to the idea of land as ‘a God-given right’ and as synonymous…

  • Romancing the nation, effacing history: Reading Kenya through patriotic choral music

    Ernest Patrick Monte•ARTICLE•Social Dynamics•2017•Cited by: 2•References: 11

    This article looks at music as one of the channels used by oppressive regimes to persuade the public to pledge loyalty to the nation and government of the day while at the same time blinding citizens from acknowledging the social, economic and political realities on the ground. Music composed, performed and accompanied by dance and visual images, and subsequently broadcast through different media channels, can be effective in achieving this missi…

  • Romancing the nation, effacing history: Reading Kenya through patriotic choral music

    Ernest Patrick Monte•ARTICLE•Social Dynamics•2017•Cited by: 2•References: 11

    This article looks at music as one of the channels used by oppressive regimes to persuade the public to pledge loyalty to the nation and government of the day while at the same time blinding citizens from acknowledging the social, economic and political realities on the ground. Music composed, performed and accompanied by dance and visual images, and subsequently broadcast through different media channels, can be effective in achieving this missi…

  • Romancing the nation, effacing history: Reading Kenya through patriotic choral music

    Ernest Patrick Monte•ARTICLE•Social Dynamics•2017•Cited by: 2•References: 11

    This article looks at music as one of the channels used by oppressive regimes to persuade the public to pledge loyalty to the nation and government of the day while at the same time blinding citizens from acknowledging the social, economic and political realities on the ground. Music composed, performed and accompanied by dance and visual images, and subsequently broadcast through different media channels, can be effective in achieving this missi…

  • Representations of land in Kenyan song

    Ernest Patrick Monte•ARTICLE•Critical African Studies•2018•References: 17

    Historically, land has been central in political debate and identity formation in Kenya. From the different communities’ myths of origin to the colonial occupation and especially in the liberation struggle and beyond, land has been central to the writing of Kenya’s histories. This article explores two key perspectives on land as presented in music performance: the pre-independence claim to the idea of land as ‘a God-given right’ and as synonymous…

  • Reading Praise, Protest, and Subversion in Thomas Wasonga's Tawala Kenya Tawala

    Ernest Patrick Monte•ARTICLE•Muziki•2023

    Throughout Kenya's history, patriotic music has created and fostered community, and continues to sensitise people's needs, hopes, aspirations, and fears. Patriotic music is often evident and popular, especially during national day celebrations. The Permanent Presidential Music Commission (PPMC), established in 1988 under the then government of President Daniel arap Moi, is the body responsible for selecting and presenting music for entertaining t…

  • The Kenya Music Festival and the revival of Kenyan indigenous music

    Ernest Patrick Monte•ARTICLE•Critical African Studies•2025•References: 5

Music History and Culture (4 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Art (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Kenya (2 works) · Literature (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae