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Francesco Screti

Biographic Data

ID1268489
NAMEFrancesco Screti
GIVEN NAMESFrancesco
FAMILY NAMEScreti
SIGNATURESCRETI F
AFFILIATIONSUniversity of Fribourg
ORCID0000-0002-2680-5291
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS19
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2024
H-INDEX3
  • Contested languages in the contemporary Italian press: An analysis of language ideology

    Open Access•Francesco Screti•ARTICLE•Journal of Multilingual and…•2024•Cited by: 1•References: 41

    Based on a critical discursive perspective, this work analyses the ideology around the languages spoken in Italy, namely Italian and contested languages such as Lombard, Neapolitan or Sicilian, which are commonly referred to as 'dialects'. The aim is to study how journalists construct, spread and justify a monolingual ideology that favours central nationalism (or macronationalism). Seventy-one articles have been examined, which were published onl…

  • Populism in mediated anti-tourism discourse: A critical analysis of the documentary tourist go home

    Francesco Screti•ARTICLE•Journal of Tourism and Cultural…•2021•Cited by: 1•References: 16

    From a critical discursive perspective, this paper analyses the documentary Tourist go home! which produces a populist anti-tourism discourse, in which tourism is framed in terms of cultural and economic anxiety. Cultural anxiety is based on the construction of danger for people and places threatened by the arrival of many mobile Others and echoes anti-immigration discourse, typical of Right-wing populism; similarities can be seen also in terms o…

  • Re-writing Galicia: Spelling and the construction of social space

    Open Access•Francesco Screti•ARTICLE•Journal of Sociolinguistics•2018•Cited by: 6•References: 30

    This paper addresses societal power relations and the way they are reflected in the public space of Galicia (Spain). It reflects on the struggles concerning the presence, contestation, and erasure of language(s) within the city of A Coruña, one of the main Galician cities. The three different spellings for the city name symbolize the struggle between social agents with different backgrounds, ideologies, and aims: linguistic conflict is thus homol…

  • Counter-revolutionary art: Obey and the manufacturing of dissent

    Francesco Screti•ARTICLE•Critical Discourse Studies•2017•References: 21

    In this paper I critically analyze the work of Shepard Fairey, the street artist better known as OBEY, as a multimodal discourse. After introducing the notion of street art, I analyze Fairey’s aesthetics, inspired in Pop Art and Soviet Constructivism, as well as his accounts on his own art, in order to unveil his ideology. I then discuss a particular case, concerning the pastiche of the Che Guevara’s image. I will show that the seemingly subversi…

  • The ideological appropriation of the letter in the Spanish linguistic landscape

    Francesco Screti•ARTICLE•Social Semiotics•2015•Cited by: 4•References: 5

    This research note deals with the so-called “political ,” i.e. the use of instead of the or prescribed by standard orthography in the Spanish linguistic landscape. This feature can be linked to the “politics of protest,” indexing writers' anarchist stance or membership in radical, left-wing groups. In 2011, the Spanish bank Bankia used in the tagline of one of its advertisements: hazte bankero (“become a banker”). This re-semiotization of by Bank…

  • Defending Joy against the Popular Revolution: Legitimation and delegitimation through songs

    Francesco Screti•ARTICLE•Critical Discourse Studies•2013•Cited by: 7•References: 24

    In this paper, I will analyze, as an example of political discourse, the songs used by Spain's two main political parties in the 2008 general elections. Just like other texts used in political electoral discourse (such as speeches, interviews, meetings, posters, advertisements or videos), these songs form a part of a public and ideological discourse aimed at the election of a candidate. The whole of the candidate's discourse is aimed at convincin…

  • Defending Joy against the Popular Revolution: Legitimation and delegitimation through songs

    Francesco Screti•ARTICLE•Critical Discourse Studies•2013•Cited by: 7•References: 24

    In this paper, I will analyze, as an example of political discourse, the songs used by Spain's two main political parties in the 2008 general elections. Just like other texts used in political electoral discourse (such as speeches, interviews, meetings, posters, advertisements or videos), these songs form a part of a public and ideological discourse aimed at the election of a candidate. The whole of the candidate's discourse is aimed at convincin…

  • Re-writing Galicia: Spelling and the construction of social space

    Open Access•Francesco Screti•ARTICLE•Journal of Sociolinguistics•2018•Cited by: 6•References: 30

    This paper addresses societal power relations and the way they are reflected in the public space of Galicia (Spain). It reflects on the struggles concerning the presence, contestation, and erasure of language(s) within the city of A Coruña, one of the main Galician cities. The three different spellings for the city name symbolize the struggle between social agents with different backgrounds, ideologies, and aims: linguistic conflict is thus homol…

  • The ideological appropriation of the letter in the Spanish linguistic landscape

    Francesco Screti•ARTICLE•Social Semiotics•2015•Cited by: 4•References: 5

    This research note deals with the so-called “political ,” i.e. the use of instead of the or prescribed by standard orthography in the Spanish linguistic landscape. This feature can be linked to the “politics of protest,” indexing writers' anarchist stance or membership in radical, left-wing groups. In 2011, the Spanish bank Bankia used in the tagline of one of its advertisements: hazte bankero (“become a banker”). This re-semiotization of by Bank…

  • Contested languages in the contemporary Italian press: An analysis of language ideology

    Open Access•Francesco Screti•ARTICLE•Journal of Multilingual and…•2024•Cited by: 1•References: 41

    Based on a critical discursive perspective, this work analyses the ideology around the languages spoken in Italy, namely Italian and contested languages such as Lombard, Neapolitan or Sicilian, which are commonly referred to as 'dialects'. The aim is to study how journalists construct, spread and justify a monolingual ideology that favours central nationalism (or macronationalism). Seventy-one articles have been examined, which were published onl…

  • Populism in mediated anti-tourism discourse: A critical analysis of the documentary tourist go home

    Francesco Screti•ARTICLE•Journal of Tourism and Cultural…•2021•Cited by: 1•References: 16

    From a critical discursive perspective, this paper analyses the documentary Tourist go home! which produces a populist anti-tourism discourse, in which tourism is framed in terms of cultural and economic anxiety. Cultural anxiety is based on the construction of danger for people and places threatened by the arrival of many mobile Others and echoes anti-immigration discourse, typical of Right-wing populism; similarities can be seen also in terms o…

  • Defending Joy against the Popular Revolution: Legitimation and delegitimation through songs

    Francesco Screti•ARTICLE•Critical Discourse Studies•2013•Cited by: 7•References: 24

    In this paper, I will analyze, as an example of political discourse, the songs used by Spain's two main political parties in the 2008 general elections. Just like other texts used in political electoral discourse (such as speeches, interviews, meetings, posters, advertisements or videos), these songs form a part of a public and ideological discourse aimed at the election of a candidate. The whole of the candidate's discourse is aimed at convincin…

  • The ideological appropriation of the letter in the Spanish linguistic landscape

    Francesco Screti•ARTICLE•Social Semiotics•2015•Cited by: 4•References: 5

    This research note deals with the so-called “political ,” i.e. the use of instead of the or prescribed by standard orthography in the Spanish linguistic landscape. This feature can be linked to the “politics of protest,” indexing writers' anarchist stance or membership in radical, left-wing groups. In 2011, the Spanish bank Bankia used in the tagline of one of its advertisements: hazte bankero (“become a banker”). This re-semiotization of by Bank…

  • Counter-revolutionary art: Obey and the manufacturing of dissent

    Francesco Screti•ARTICLE•Critical Discourse Studies•2017•References: 21

    In this paper I critically analyze the work of Shepard Fairey, the street artist better known as OBEY, as a multimodal discourse. After introducing the notion of street art, I analyze Fairey’s aesthetics, inspired in Pop Art and Soviet Constructivism, as well as his accounts on his own art, in order to unveil his ideology. I then discuss a particular case, concerning the pastiche of the Che Guevara’s image. I will show that the seemingly subversi…

  • Re-writing Galicia: Spelling and the construction of social space

    Open Access•Francesco Screti•ARTICLE•Journal of Sociolinguistics•2018•Cited by: 6•References: 30

    This paper addresses societal power relations and the way they are reflected in the public space of Galicia (Spain). It reflects on the struggles concerning the presence, contestation, and erasure of language(s) within the city of A Coruña, one of the main Galician cities. The three different spellings for the city name symbolize the struggle between social agents with different backgrounds, ideologies, and aims: linguistic conflict is thus homol…

  • Populism in mediated anti-tourism discourse: A critical analysis of the documentary tourist go home

    Francesco Screti•ARTICLE•Journal of Tourism and Cultural…•2021•Cited by: 1•References: 16

    From a critical discursive perspective, this paper analyses the documentary Tourist go home! which produces a populist anti-tourism discourse, in which tourism is framed in terms of cultural and economic anxiety. Cultural anxiety is based on the construction of danger for people and places threatened by the arrival of many mobile Others and echoes anti-immigration discourse, typical of Right-wing populism; similarities can be seen also in terms o…

  • Contested languages in the contemporary Italian press: An analysis of language ideology

    Open Access•Francesco Screti•ARTICLE•Journal of Multilingual and…•2024•Cited by: 1•References: 41

    Based on a critical discursive perspective, this work analyses the ideology around the languages spoken in Italy, namely Italian and contested languages such as Lombard, Neapolitan or Sicilian, which are commonly referred to as 'dialects'. The aim is to study how journalists construct, spread and justify a monolingual ideology that favours central nationalism (or macronationalism). Seventy-one articles have been examined, which were published onl…

Ideology (6 works) · Law (6 works) · Law (6 works) · Political science (6 works) · Politics (6 works) · Sociology (6 works) · Linguistics (4 works) · Philosophy (4 works) · Philosophy (4 works) · Multilingual Education and Policy (3 works)

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