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Jack Kugelma

Biographic Data

ID126850
NAMEJack Kugelma
GIVEN NAMESJack
FAMILY NAMEKugelma
SIGNATUREKUGELMA J
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS21
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2000
H-INDEX3
  • Society for Urban, National and Transnational/Global Anthropology

    Open Access•Susan Greenbaum, Jack Kugelma et al.•ARTICLE•Anthropology News•2000

  • City & Society Becomes Semi-Annual

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•Anthropology News•1999

  • If You Build it They Will Come

    Open Access•Jack Kugelma, Jack Kugelmass et al.•ARTICLE•City & Society•1998•Cited by: 10•References: 3

    AS POLAND COMPLETES the privatization of its economy and attracts increasing foreign investment, a district such as the Kazimierz section of Krakow faces a new dilemma-how best to regulate new construction and renovations in order to preserve its historic character. The largest intact and unrestored former-Jewish quarter in Europe, the area has considerable international significance, and particularly now as foreign Jews visit Poland in increasin…

  • Making Monsters

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•City & Society•1996•References: 7

    THE GREENWICH VILLAGE Halloween Parade evolved since 1974 from intimate street theater into a major New York City event. Despite such apparent success, some veteran participants have become highly critical of the event, seeing it as an appropriation of a community celebration. In his book on the parade, the author gave voice to such criticisms. In doing so, the author found himself on a collision course with the current organizer of the parade wh…

  • Bloody Memories

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•Cultural Anthropology•1995•Cited by: 7•References: 1

    Perhaps because so many Jews can trace their ancestry to Poland, and to East European Jewish immigrants who were quite determined to put the Old World behind them long before the trauma of genocide left no other choice, few Jews can accept the fact that life, and even Jewish life, continued in Poland after World War II.' To them, Poland is nothing more than a vast and shamefully neglected mass graveyard. Poles, of course, are troubled by this per…

  • Tradition in a Rootless World

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Ethnologist•1994

  • Ethnography in a Steam Bath

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Anthropologist•1994

    The Shvitz. 1993. 47 minutes, color. A film by Jonathan Berman. For information contact All-Weather Films, Atten: Jonathan Berman, 396 Third Avenue #2-S, New York, NY 10016

  • The Fun Is in Dressing up

    Jack Kugelma, Jack Kugelmass•ARTICLE•Social Text•1993•Cited by: 3

    It was a representation of New York and what New Yorkers are familiar witha parody of what's good and bad about New York. The subway was the H line-the Hell line-with destinations instead of going from, like, Dyre Ave. we spelled it Dire Ave. Instead of going to Bedford Stuyvesant, we went to Deadford Stuyvesant. Slurs and slants on all the stuff. It was kind of cynical and we wanted to throw a kind of gruesome or grotesque thing in a very Hallow…

  • The imaging of self and other

    Jack Kugelma, Jack Kugelmass•ARTICLE•Visual Anthropology•1993•References: 8

  • Between Two Worlds

    Walter P Zenner, Jack Kugelma et al.•ARTICLE•Journal of American Folklore•1992

  • Wishes Come True

    Jack Kugelma, Jack Kugelmass•ARTICLE•Journal of American Folklore•1991•Cited by: 1

    Depuis sa creation en 1973, la Parade d'Halloween de Greenwich Village est devenue un evenement vital dans la vie festive de la ville de New York. Son succes tient a sa capacite a exprimer une multiplicite d'expressions et d'opinions : divers groupes de participants et de spectateurs ont souvent des perceptions contradictoires du sens de l'evenement. Ces vues refletent la transformation recente des voisinnages, de l'economies de la cite, ainsi qu…

  • Beyond the Text

    Jack Kugelma, Jack Kugelmass et al.•ARTICLE•Anthropological Quarterly•1990

  • Between Two Worlds

    Charles Selengut, Jack Kugelma et al.•ARTICLE•Journal for the Scientific Study…•1990

  • Prayer & Community

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Ethnologist•1990

  • If You Build it They Will Come

    Open Access•Jack Kugelma, Jack Kugelmass et al.•ARTICLE•City & Society•1998•Cited by: 10•References: 3

    AS POLAND COMPLETES the privatization of its economy and attracts increasing foreign investment, a district such as the Kazimierz section of Krakow faces a new dilemma-how best to regulate new construction and renovations in order to preserve its historic character. The largest intact and unrestored former-Jewish quarter in Europe, the area has considerable international significance, and particularly now as foreign Jews visit Poland in increasin…

  • Bloody Memories

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•Cultural Anthropology•1995•Cited by: 7•References: 1

    Perhaps because so many Jews can trace their ancestry to Poland, and to East European Jewish immigrants who were quite determined to put the Old World behind them long before the trauma of genocide left no other choice, few Jews can accept the fact that life, and even Jewish life, continued in Poland after World War II.' To them, Poland is nothing more than a vast and shamefully neglected mass graveyard. Poles, of course, are troubled by this per…

  • The Fun Is in Dressing up

    Jack Kugelma, Jack Kugelmass•ARTICLE•Social Text•1993•Cited by: 3

    It was a representation of New York and what New Yorkers are familiar witha parody of what's good and bad about New York. The subway was the H line-the Hell line-with destinations instead of going from, like, Dyre Ave. we spelled it Dire Ave. Instead of going to Bedford Stuyvesant, we went to Deadford Stuyvesant. Slurs and slants on all the stuff. It was kind of cynical and we wanted to throw a kind of gruesome or grotesque thing in a very Hallow…

  • Wishes Come True

    Jack Kugelma, Jack Kugelmass•ARTICLE•Journal of American Folklore•1991•Cited by: 1

    Depuis sa creation en 1973, la Parade d'Halloween de Greenwich Village est devenue un evenement vital dans la vie festive de la ville de New York. Son succes tient a sa capacite a exprimer une multiplicite d'expressions et d'opinions : divers groupes de participants et de spectateurs ont souvent des perceptions contradictoires du sens de l'evenement. Ces vues refletent la transformation recente des voisinnages, de l'economies de la cite, ainsi qu…

  • Beyond the Text

    Jack Kugelma, Jack Kugelmass et al.•ARTICLE•Anthropological Quarterly•1990

  • Between Two Worlds

    Charles Selengut, Jack Kugelma et al.•ARTICLE•Journal for the Scientific Study…•1990

  • Prayer & Community

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Ethnologist•1990

  • Wishes Come True

    Jack Kugelma, Jack Kugelmass•ARTICLE•Journal of American Folklore•1991•Cited by: 1

    Depuis sa creation en 1973, la Parade d'Halloween de Greenwich Village est devenue un evenement vital dans la vie festive de la ville de New York. Son succes tient a sa capacite a exprimer une multiplicite d'expressions et d'opinions : divers groupes de participants et de spectateurs ont souvent des perceptions contradictoires du sens de l'evenement. Ces vues refletent la transformation recente des voisinnages, de l'economies de la cite, ainsi qu…

  • Between Two Worlds

    Walter P Zenner, Jack Kugelma et al.•ARTICLE•Journal of American Folklore•1992

  • The Fun Is in Dressing up

    Jack Kugelma, Jack Kugelmass•ARTICLE•Social Text•1993•Cited by: 3

    It was a representation of New York and what New Yorkers are familiar witha parody of what's good and bad about New York. The subway was the H line-the Hell line-with destinations instead of going from, like, Dyre Ave. we spelled it Dire Ave. Instead of going to Bedford Stuyvesant, we went to Deadford Stuyvesant. Slurs and slants on all the stuff. It was kind of cynical and we wanted to throw a kind of gruesome or grotesque thing in a very Hallow…

  • The imaging of self and other

    Jack Kugelma, Jack Kugelmass•ARTICLE•Visual Anthropology•1993•References: 8

  • Tradition in a Rootless World

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Ethnologist•1994

  • Ethnography in a Steam Bath

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•American Anthropologist•1994

    The Shvitz. 1993. 47 minutes, color. A film by Jonathan Berman. For information contact All-Weather Films, Atten: Jonathan Berman, 396 Third Avenue #2-S, New York, NY 10016

  • Bloody Memories

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•Cultural Anthropology•1995•Cited by: 7•References: 1

    Perhaps because so many Jews can trace their ancestry to Poland, and to East European Jewish immigrants who were quite determined to put the Old World behind them long before the trauma of genocide left no other choice, few Jews can accept the fact that life, and even Jewish life, continued in Poland after World War II.' To them, Poland is nothing more than a vast and shamefully neglected mass graveyard. Poles, of course, are troubled by this per…

  • Making Monsters

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•City & Society•1996•References: 7

    THE GREENWICH VILLAGE Halloween Parade evolved since 1974 from intimate street theater into a major New York City event. Despite such apparent success, some veteran participants have become highly critical of the event, seeing it as an appropriation of a community celebration. In his book on the parade, the author gave voice to such criticisms. In doing so, the author found himself on a collision course with the current organizer of the parade wh…

  • If You Build it They Will Come

    Open Access•Jack Kugelma, Jack Kugelmass et al.•ARTICLE•City & Society•1998•Cited by: 10•References: 3

    AS POLAND COMPLETES the privatization of its economy and attracts increasing foreign investment, a district such as the Kazimierz section of Krakow faces a new dilemma-how best to regulate new construction and renovations in order to preserve its historic character. The largest intact and unrestored former-Jewish quarter in Europe, the area has considerable international significance, and particularly now as foreign Jews visit Poland in increasin…

  • City & Society Becomes Semi-Annual

    Open Access•Jack Kugelma, Jack Kugelmass•ARTICLE•Anthropology News•1999

  • Society for Urban, National and Transnational/Global Anthropology

    Open Access•Susan Greenbaum, Jack Kugelma et al.•ARTICLE•Anthropology News•2000

Sociology (8 works) · History (7 works) · Art (4 works) · History (4 works) · Jewish and Middle Eastern Studies (4 works) · Anthropology (3 works) · Citation (3 works) · Computer Science (3 works) · Ethnography (3 works) · Jewish Identity and Society (3 works)

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