Ulrich Morgenstern
Biographic Data
| ID | 1273175 |
|---|---|
| NAME | Ulrich Morgenstern |
| GIVEN NAMES | Ulrich |
| FAMILY NAME | Morgenstern |
| SIGNATURE | MORGENSTERN U |
| AFFILIATIONS | Trabzon University |
| ORCID | 0000-0003-0190-7475 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Lars-Christian Kock
In Defence of the Term and Concept of Traditional Music
Regardless of Eric Hobsbawm's negativistic understanding, 'tradition' is a powerful and dynamic (and in no way traditionalist) concept in academic folkloristics. The widespread scepticism against 'traditional music', both as a recognizable field of research and a matter of theoretical thought, is based on an insufficient and sometimes stereotypic understanding of a term and concept with a fascinating history. I argue that there is good reason to …
The Kolbergs of Eastern Europe. Hrsg. von Bozena Muszkalska
Towards the History of Ideas in Ethnomusicology
The history of ethnomusicology is the history of ideas and concepts of why and how to deal with expressive practices in social formations which are usually located outside the researcher’s primary cultural experience. Ideas in ethnomusicology (comparative musicology, anthropology of music, folk music research, folkloristics) are interlinked with other scholarly disciplines and academic fields. The history of the field is sometimes described as a …
Music without Social Life
Against the background of generally low music activity in rural Russia, the button accordion (garmon’) player Mikhail Sorochinsky from the Smolensk province (Smolenskaja oblast) lives an intensive yet solitary musical life. The paper presents Sorochinsky’s artistic development and his not always easy relation to his social and musical environment. Further, the historical background of solitary music-making is discussed as well as socially and mus…
Tradicionnaja muzyka russkogo poozer'ja (po materialam ėkspedicij 1971-1992 godov) (Traditionelle Musik des russischen "poozer'e" (nach Feldforschungen der Jahre 1971-1992))
Historical Studies on Folk and Traditional Music. ICTM Study Group on Historical Sources of Folk Music
Volksmusikinstrumente und instrumentale Volksmusik in Russland
No prominent works on this page.
Volksmusikinstrumente und instrumentale Volksmusik in Russland
Tradicionnaja muzyka russkogo poozer'ja (po materialam ėkspedicij 1971-1992 godov) (Traditionelle Musik des russischen "poozer'e" (nach Feldforschungen der Jahre 1971-1992))
Historical Studies on Folk and Traditional Music. ICTM Study Group on Historical Sources of Folk Music
Towards the History of Ideas in Ethnomusicology
The history of ethnomusicology is the history of ideas and concepts of why and how to deal with expressive practices in social formations which are usually located outside the researcher’s primary cultural experience. Ideas in ethnomusicology (comparative musicology, anthropology of music, folk music research, folkloristics) are interlinked with other scholarly disciplines and academic fields. The history of the field is sometimes described as a …
Music without Social Life
Against the background of generally low music activity in rural Russia, the button accordion (garmon’) player Mikhail Sorochinsky from the Smolensk province (Smolenskaja oblast) lives an intensive yet solitary musical life. The paper presents Sorochinsky’s artistic development and his not always easy relation to his social and musical environment. Further, the historical background of solitary music-making is discussed as well as socially and mus…
The Kolbergs of Eastern Europe. Hrsg. von Bozena Muszkalska
Lars-Christian Kock
In Defence of the Term and Concept of Traditional Music
Regardless of Eric Hobsbawm's negativistic understanding, 'tradition' is a powerful and dynamic (and in no way traditionalist) concept in academic folkloristics. The widespread scepticism against 'traditional music', both as a recognizable field of research and a matter of theoretical thought, is based on an insufficient and sometimes stereotypic understanding of a term and concept with a fascinating history. I argue that there is good reason to …
Art (5 works) · Diverse Musicological Studies (4 works) · Literature (4 works) · Musical (4 works) · Musicology and Musical Analysis (4 works) · History (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Epistemology (2 works)