Edward Larkey
Biographic Data
| ID | 127848 |
|---|---|
| NAME | Edward Larkey |
| GIVEN NAMES | Edward |
| FAMILY NAME | Larkey |
| SIGNATURE | LARKEY E |
| AFFILIATIONS | University of Maryland, Baltimore County |
| ORCID | 0000-0001-8241-2217 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
German Narratives in International Television Format Adaptations
This article cross-culturally compares the German remake of the Quebec sketch comedy/sitcom series Un Gars, Une Fille ("A Guy and a Girl") the the original version by correlating quantitative data derived from the Adobe Premiere Pro annotation function on the duration of narrative segments and incorporating these data into a an interpretation of family conflict management strategies, gender roles and conflicts between the mother-in-law and the th…
Narratological Approaches to Multimodal Cross-Cultural Comparisons of Global TV Formats
This article cross-culturally compares different versions of the Quebec sitcom/sketch comedy television series Un Gars, Une Fille (1997-2002) by examining the various gender roles and family conflict management strategies in a scene in which the heterosexual couple visits the male character’s mother-in-law. The article summarizes similarities and differences in the narrative structure, sequencing and content of several format adaptations by compi…
Measuring Transnationalism
This article elucidates a typology for cross-culturally comparing different versions of television formats. Digital tools are used to derive quantitative data based on temporal parameters of episode or genre of the narrative structure, content, and sequencing. Type one, which we also call “transposed narratives,” retains the narrative structure and sequencing while extending and expanding the narrative structure to readjust to longer broadcast ti…
GDR Rock goes West
Culture in the German Democratic Republic (GDR) is often characterized as isolated from that of the West, with artists locked behind the Iron Curtain, having no opportunities to interact directly with global trends. While this may be true to a great extent for the general population, we should not close our eyes to the actual cross-border movements of artists and art forms that did take place in that regime. Many producers of artistic texts inter…
Just for fun? Language choice in German popular music
(2000). Just for fun? Language choice in German popular music. Popular Music and Society: Vol. 24, Global Popular Music: The Politics and Aesthetics of Language Choice, pp. 1-20
The Shocking Ballad Picture Show. German Popular Literature and Cultural History
Edward Larkey; The Shocking Ballad Picture Show. German Popular Literature and Cultural History, German History, Volume 14, Issue 2, 1 April 1996, Pages 244–246
Pungent Sounds
This book applies a flexible and fluid concept of tradition, conceived as an aesthetic alliance, to the historical analysis and description of diffusion of Anglo-American forms of popular music into Austria. The book covers the period from the mid-1950's to 1990, including forms such as rock and roll, beat music, folk, punk and new wave. It also discusses changes to the volkstuemliche and Schlager genres. In addition, the book details the evoluti…
Austropop
The diffusion of rock and popular music from the US and British mass entertainment industries since the 1950s has had a profound impact on the music traditions world-wide. Several generations of youth have been socialised to the musical accompaniment of rock and roll music of the 1950s, the 'beat music' of the 1960s, the so-called 'psychedelic' or 'underground' rock music of the 1970s, disco, punk and new wave music in the 1970s and 1980s. It has…
Austropop
The diffusion of rock and popular music from the US and British mass entertainment industries since the 1950s has had a profound impact on the music traditions world-wide. Several generations of youth have been socialised to the musical accompaniment of rock and roll music of the 1950s, the 'beat music' of the 1960s, the so-called 'psychedelic' or 'underground' rock music of the 1970s, disco, punk and new wave music in the 1970s and 1980s. It has…
Just for fun? Language choice in German popular music
(2000). Just for fun? Language choice in German popular music. Popular Music and Society: Vol. 24, Global Popular Music: The Politics and Aesthetics of Language Choice, pp. 1-20
Austropop
The diffusion of rock and popular music from the US and British mass entertainment industries since the 1950s has had a profound impact on the music traditions world-wide. Several generations of youth have been socialised to the musical accompaniment of rock and roll music of the 1950s, the 'beat music' of the 1960s, the so-called 'psychedelic' or 'underground' rock music of the 1970s, disco, punk and new wave music in the 1970s and 1980s. It has…
Pungent Sounds
This book applies a flexible and fluid concept of tradition, conceived as an aesthetic alliance, to the historical analysis and description of diffusion of Anglo-American forms of popular music into Austria. The book covers the period from the mid-1950's to 1990, including forms such as rock and roll, beat music, folk, punk and new wave. It also discusses changes to the volkstuemliche and Schlager genres. In addition, the book details the evoluti…
The Shocking Ballad Picture Show. German Popular Literature and Cultural History
Edward Larkey; The Shocking Ballad Picture Show. German Popular Literature and Cultural History, German History, Volume 14, Issue 2, 1 April 1996, Pages 244–246
Just for fun? Language choice in German popular music
(2000). Just for fun? Language choice in German popular music. Popular Music and Society: Vol. 24, Global Popular Music: The Politics and Aesthetics of Language Choice, pp. 1-20
GDR Rock goes West
Culture in the German Democratic Republic (GDR) is often characterized as isolated from that of the West, with artists locked behind the Iron Curtain, having no opportunities to interact directly with global trends. While this may be true to a great extent for the general population, we should not close our eyes to the actual cross-border movements of artists and art forms that did take place in that regime. Many producers of artistic texts inter…
Measuring Transnationalism
This article elucidates a typology for cross-culturally comparing different versions of television formats. Digital tools are used to derive quantitative data based on temporal parameters of episode or genre of the narrative structure, content, and sequencing. Type one, which we also call “transposed narratives,” retains the narrative structure and sequencing while extending and expanding the narrative structure to readjust to longer broadcast ti…
Narratological Approaches to Multimodal Cross-Cultural Comparisons of Global TV Formats
This article cross-culturally compares different versions of the Quebec sitcom/sketch comedy television series Un Gars, Une Fille (1997-2002) by examining the various gender roles and family conflict management strategies in a scene in which the heterosexual couple visits the male character’s mother-in-law. The article summarizes similarities and differences in the narrative structure, sequencing and content of several format adaptations by compi…
German Narratives in International Television Format Adaptations
This article cross-culturally compares the German remake of the Quebec sketch comedy/sitcom series Un Gars, Une Fille ("A Guy and a Girl") the the original version by correlating quantitative data derived from the Adobe Premiere Pro annotation function on the duration of narrative segments and incorporating these data into a an interpretation of family conflict management strategies, gender roles and conflicts between the mother-in-law and the th…
Sociology (6 works) · Art (5 works) · German (4 works) · Visual arts (4 works) · Aesthetics (3 works) · Arts, Culture, and Music Studies (3 works) · German History and Society (3 works) · Linguistics (3 works) · Literature (3 works) · Narrative (3 works)