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Alan Trachtenberg

Biographic Data

ID127850
NAMEAlan Trachtenberg
GIVEN NAMESAlan
FAMILY NAMETrachtenberg
SIGNATURETRACHTENBERG A
AFFILIATIONSYale University
VERIFIEDNo
TOTAL WORKS40
TOTAL CITATIONS66
AUTHOR COUNT39
EDITOR COUNT1
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR2018
H-INDEX6
  • The Politics of Labor and the Poet’s Work: A Reading of “A Song for Occupations”

    Alan Trachtenberg•CHAPTER•Walt Whitman•2018

  • Photography and Social Knowledge

    Alan Trachtenberg•ARTICLE•American Art•2015

  • How the Other Half Lives: Studies among the Tenements of New York

    Jacob A Riis, Isabel Nuñez et al.•BOOK•How the Other Half Lives•2010

  • History

    Alan Trachtenberg•ARTICLE•American Art•2009

  • Mental Health Disparities

    Marc A Safran, Robert A Mays et al.•ARTICLE•American Journal of Public Health•2009•Cited by: 13•References: 28

    Mental health disparities have received increased attention in the literature in recent years. After considering 165 different health disparity conditions, the Federal Collaborative for Health Disparities Research chose mental health disparity as one of four topics warranting its immediate national research attention. In this essay, we describe the challenges and opportunities encountered in developing a research agenda to address mental health d…

  • Through a Glass, Darkly: Photography and Cultural Memory

    Alan Trachtenberg•ARTICLE•Social research•2008•Cited by: 1

    Alan Trachtenberg Through a Glass, Darkly: Photography and Cultural Memory " I D O N 'T K NO W W H Y a REPLICANT W O ULD COLLECT PHOTOS— MAYBE they were like Rachel—they needed m em ories." In the role of the bounty hunter Rick Deckard in Ridley Scott's 1982 cult classic, Blade Runner, Harrison Ford utters these words w ith a bitter edge. Assigned to "term inate" the beautiful Rachel, an "android" especially menacing because she's almost (almost!…

  • Singing Hiawatha: Longfellow’s Hybrid Myth of America

    Open Access•Alan Trachtenberg•ARTICLE•The Yale Review•2002

  • Reading lessons: Stories of a daguerreotype

    Alan Trachtenberg•ARTICLE•Nineteenth Century Contexts•2001•References: 1

  • Imaginary Nation: Photographic Constructions of “America

    Alan Trachtenberg•ARTICLE•Revue française d’études…•2001•Cited by: 2

    En disant que l’Amérique est « image » on la définit aussi comme « copie » ou « imitation ». Les voyageurs européens de Tocqueville à Baudrillard ont noté ce phénomène de secondarité ou de retard dans les formes culturelles américaines. On trouve une observation similaire, quoique d’un point de vue différent, dans le travail de plusieurs photographes américains. Dans les images de Walker Evans et de Lee Friedlander, des visions plus ironiques ou …

  • The Birth of the American Century

    Alan Trachtenberg, David Traxel•ARTICLE•Journal of American History•1999

    Journal Article 1898: The Birth of the American Century. By David Traxel. (New York: Knopf, 1998. xiv, 365 pp. $28.95, ISBN 0-679-45467-5.) Get access Alan Trachtenberg Alan Trachtenberg Yale University, New Haven, Connecticut Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 86, Issue 1, June 1999, Pages 197–198, https://doi.org/10.2307/2567420 Published: 01 June 1999

  • The World of Francis Cooper: Nineteenth Century Pennsylvania Photographer

    Open Access•Alan Trachtenberg•ARTICLE•Visual Anthropology Review•1998

    The World of Francis Cooper: Nineteenth Century Pennsylvania Photographer. Jay Ruby. State Park: Penn State University Press. 304 pp, illus

  • Wild West Shows and the Images of American Indians, 1883-1933

    Alan Trachtenberg, L G Moses et al.•ARTICLE•Journal of American History•1997

    Journal Article Wild West Shows and the Images of American Indians, 1883–1933. By L. G. Moses., Dressing in Feathers: The Construction of the Indian in American Popular Culture. Ed. by S. Elizabeth Bird. and The Lasting of the Mohicans: History o f an American Myth. By Martin Barker and Roger Sabin Get access Alan Trachtenberg Alan Trachtenberg Yale University, New Haven, Connecticut Search for other works by this author on: Oxford Academic Googl…

  • "Wright Morris's "Photo-Texts

    Alan Trachtenberg•ARTICLE•Yale journal of criticism/ The…•1996

    Wright Morris’s “Photo-texts” Alan Trachtenberg (bio) Wright Morris’s inspiration in the 1940s to combine words and photographs resulted in several unique works of fiction, “photo-texts,” he called them, in which image and text stand to each other in quite unexpected ways.1 In The Inhabitants (1946), The Home Place (1948), and God’s Country and My People, (1968) picture and word cohabitate in a manner of mutual and complex exchange.2 At a casual …

  • Traces of War: Poetry, Photography, and the Crisis of the Union

    Alan Trachtenberg, Timothy Sweet•ARTICLE•American Literature•1992

  • Old Wine in New Bottles: Photography and the American Myth

    Lary May, Alan Trachtenberg•ARTICLE•Reviews in American History•1991

  • Reading American Photographs: Images as History, Mathew Brady to Walker Evans

    Peter Bacon Hales, Alan Trachtenberg•ARTICLE•Journal of American History•1990•Cited by: 12

    Journal Article Reading American Photographs: Images as History, Mathew Brady to Walker Evans. By Alan Trachtenberg. (New York: Hill and Wang, 1989. xxiv + 326 pp. $25.00.) Get access Peter Bacon Hales Peter Bacon Hales University of Illinois, Chicago Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 1, June 1990, Pages 268–270, https://doi.org/10.2307/2078663 Published: 01 June…

  • Deconstructing American Photographs

    Open Access•David P Peeler, Maren Stange et al.•ARTICLE•American Quarterly•1990

  • The Morality of Spending: Attitudes toward the Consumer Society in America, 1875-1940

    Alan Trachtenberg, Daniel Horowitz•ARTICLE•The Journal of Interdisciplinary…•1988

  • All the World's a Fair: Visions of Empire at American Internation Expositions, 1876-1916

    Alan Trachtenberg, Robert W Rydell•ARTICLE•Journal of American History•1986

    Journal Article All the World's a Fair: Visions of Empire at American International Expositions, 1876–1916. By Robert W. Rydell. (Chicago: University of Chicago Press, 1984. x + 328 pp. Illustrations, notes, bibliography, and index. $27.50.) Get access Alan Trachtenberg Alan Trachtenberg Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 73, Issue 1, June 1986, Page 214, ht…

  • At Work and Play in Worcester

    Alan Trachtenberg, Roy Rosenzweig•ARTICLE•Reviews in American History•1985

  • The American West Comes Out of the Closet-Partially

    Open Access•Alan Trachtenberg, Peter E Palmquist et al.•ARTICLE•American Quarterly•1985

  • Albums of War: On Reading Civil War Photographs

    Alan Trachtenberg•ARTICLE•Representations•1985•Cited by: 7

    Research Article| January 01 1985 Albums of War: On Reading Civil War Photographs Alan Trachtenberg Alan Trachtenberg Search for other works by this author on: This Site PubMed Google Scholar Representations (1985) 9: 1–32. https://doi.org/10.2307/3043765 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Sea…

  • Half a Truth Is Better Than None: Some Unsystematic Conjectures about Art, Disorder, and American Experience

    Alan Trachtenberg, John A Kouwenhoven•ARTICLE•Technology and Culture•1985

  • America, Inc

    Benjamin Mcarthur, Alan Trachtenberg•ARTICLE•Reviews in American History•1983

  • The incorporation of America: Culture and Society in the Gilded Age

    Alan Trachtenberg•BOOK•The incorporation of America•1982•Cited by: 12

    Alan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. T…

Next
  • Mental Health Disparities

    Marc A Safran, Robert A Mays et al.•ARTICLE•American Journal of Public Health•2009•Cited by: 13•References: 28

    Mental health disparities have received increased attention in the literature in recent years. After considering 165 different health disparity conditions, the Federal Collaborative for Health Disparities Research chose mental health disparity as one of four topics warranting its immediate national research attention. In this essay, we describe the challenges and opportunities encountered in developing a research agenda to address mental health d…

  • Reading American Photographs: Images as History, Mathew Brady to Walker Evans

    Peter Bacon Hales, Alan Trachtenberg•ARTICLE•Journal of American History•1990•Cited by: 12

    Journal Article Reading American Photographs: Images as History, Mathew Brady to Walker Evans. By Alan Trachtenberg. (New York: Hill and Wang, 1989. xxiv + 326 pp. $25.00.) Get access Peter Bacon Hales Peter Bacon Hales University of Illinois, Chicago Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 1, June 1990, Pages 268–270, https://doi.org/10.2307/2078663 Published: 01 June…

  • The incorporation of America: Culture and Society in the Gilded Age

    Alan Trachtenberg•BOOK•The incorporation of America•1982•Cited by: 12

    Alan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. T…

  • Brooklyn Bridge: Fact and Symbol

    Open Access•Irving Malin, Alan Trachtenberg•ARTICLE•American Quarterly•1965•Cited by: 10

    Fourteen of Walker Evans's evocative photographs of most of which have never been published, appear in this edition of Trachenberg's Brooklyn Bridge: Fact and Symbol. In the new afterword Trachenberg explores the history of Hart Crane's The Bridge, especially the poem's integral relationship with the powerful photography of Evans. [Brooklyn Bridge] is familiar in so many movies, in so many stage sets and, as Mr. Trachtenberg shows in this brillia…

  • Albums of War: On Reading Civil War Photographs

    Alan Trachtenberg•ARTICLE•Representations•1985•Cited by: 7

    Research Article| January 01 1985 Albums of War: On Reading Civil War Photographs Alan Trachtenberg Alan Trachtenberg Search for other works by this author on: This Site PubMed Google Scholar Representations (1985) 9: 1–32. https://doi.org/10.2307/3043765 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Sea…

  • God's Own Junkyard: The Planned Deterioration of America's Landscape

    Open Access•Alan Trachtenberg, Peter Blake•ARTICLE•American Quarterly•1964•Cited by: 7

  • Imaginary Nation: Photographic Constructions of “America

    Alan Trachtenberg•ARTICLE•Revue française d’études…•2001•Cited by: 2

    En disant que l’Amérique est « image » on la définit aussi comme « copie » ou « imitation ». Les voyageurs européens de Tocqueville à Baudrillard ont noté ce phénomène de secondarité ou de retard dans les formes culturelles américaines. On trouve une observation similaire, quoique d’un point de vue différent, dans le travail de plusieurs photographes américains. Dans les images de Walker Evans et de Lee Friedlander, des visions plus ironiques ou …

  • Through a Glass, Darkly: Photography and Cultural Memory

    Alan Trachtenberg•ARTICLE•Social research•2008•Cited by: 1

    Alan Trachtenberg Through a Glass, Darkly: Photography and Cultural Memory " I D O N 'T K NO W W H Y a REPLICANT W O ULD COLLECT PHOTOS— MAYBE they were like Rachel—they needed m em ories." In the role of the bounty hunter Rick Deckard in Ridley Scott's 1982 cult classic, Blade Runner, Harrison Ford utters these words w ith a bitter edge. Assigned to "term inate" the beautiful Rachel, an "android" especially menacing because she's almost (almost!…

  • Myth, History, and Literature in Virgin Land

    Open Access•Alan Trachtenberg•ARTICLE•Prospects•1978•Cited by: 1

    Professional historians will surely agree that the writing of history is itself an act of historical consequence. If history is, as Carl Becker argues, “the artificial extension of the social memory,” and if social identity and behavior depend in part on memory, then created versions of the past are a serious matter. They can have decisive effects on the present. Henry Nash Smith's Virgin Land is an exemplary form of a creative history which exte…

  • The Rainbow and the Grid

    Open Access•Alan Trachtenberg•ARTICLE•American Quarterly•1964•Cited by: 1

  • Technology and Human Values: The Penn State CCLE Conference

    Alan Trachtenberg•ARTICLE•Technology and Culture•1964

  • The Rainbow and the Grid

    Open Access•Alan Trachtenberg•ARTICLE•American Quarterly•1964•Cited by: 1

  • God's Own Junkyard: The Planned Deterioration of America's Landscape

    Open Access•Alan Trachtenberg, Peter Blake•ARTICLE•American Quarterly•1964•Cited by: 7

  • Mark Twain's Fable of Progress: "Political and Economic Ideas in "A Connecticut Yankee

    Alan Trachtenberg, Henry Nash Smith•ARTICLE•Technology and Culture•1965

  • Brooklyn Bridge: Fact and Symbol

    Open Access•Irving Malin, Alan Trachtenberg•ARTICLE•American Quarterly•1965•Cited by: 10

    Fourteen of Walker Evans's evocative photographs of most of which have never been published, appear in this edition of Trachenberg's Brooklyn Bridge: Fact and Symbol. In the new afterword Trachenberg explores the history of Hart Crane's The Bridge, especially the poem's integral relationship with the powerful photography of Evans. [Brooklyn Bridge] is familiar in so many movies, in so many stage sets and, as Mr. Trachtenberg shows in this brillia…

  • Brooklyn Bridge: Fact and Symbol

    John A Kouwenhoven, Alan Trachtenberg•ARTICLE•Technology and Culture•1966

  • A New Record of American Civilization

    Laurence Veysey, Neil Harris et al.•ARTICLE•Reviews in American History•1973

  • Memoirs of Waldo Frank

    Chester E Eisinger, Alan Trachtenberg•ARTICLE•American Literature•1974

  • The Artist of the Real

    Alan Trachtenberg•ARTICLE•Afterimage•1978

    Other| December 01 1978 The Artist of the Real Alan Trachtenberg Alan Trachtenberg Alan Trachtenberg is a member of the American Studies Department at Yale University. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1978) 6 (5): 10–13. https://doi.org/10.1525/aft.1978.6.5.10 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Ic…

  • Portraits portrayed

    Alan Trachtenberg•ARTICLE•History of Photography•1978

    The coffee-table is where Faces looks as if it belongs. A weighty package of 540 expensively produced pages, with 380 duo-tone reproductions, the book exudes a familiar slickness. But, as often with photographs themselves, the surface impression misleads. Ben Maddow's text is no mere accompaniment to the pictures. Winding among the landmarks of photographic history, the text vies in interest with the images; the text too is an artful performance.…

  • Myth, History, and Literature in Virgin Land

    Open Access•Alan Trachtenberg•ARTICLE•Prospects•1978•Cited by: 1

    Professional historians will surely agree that the writing of history is itself an act of historical consequence. If history is, as Carl Becker argues, “the artificial extension of the social memory,” and if social identity and behavior depend in part on memory, then created versions of the past are a serious matter. They can have decisive effects on the present. Henry Nash Smith's Virgin Land is an exemplary form of a creative history which exte…

  • "Walker Evan's "Message from the Interior: A Reading

    Alan Trachtenberg•ARTICLE•October•1979

    Neither photographs nor the experience of them are innocent acts. A photographer never confronts an empty canvas, an abstract pictorial potentiality, but always a world already shaped, already understood. Reshaping, understanding anew in light of previously undetected concepts, is the most strenuous, most originating work of serious photography. How it performs this work, how photography achieves meaning: criticism stakes out its own domain in po…

  • Reflections on Art in Photography

    Alan Trachtenberg•ARTICLE•Afterimage•1980

    Photo Essay| April 01 1980 Reflections on Art in Photography Alan Trachtenberg Alan Trachtenberg Alan Trachtenberg is a professor of American Studies and English at Yale. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1980) 7 (9): 10–11. https://doi.org/10.1525/aft.1980.7.9.10 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools…

  • Court House: A Photographic Document . Richard Pare

    Alan Trachtenberg•ARTICLE•Winterthur Portfolio•1980

  • The incorporation of America: Culture and Society in the Gilded Age

    Alan Trachtenberg•BOOK•The incorporation of America•1982•Cited by: 12

    Alan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. T…

  • Building the Dream: A Social History of Housing in America

    Alan Trachtenberg, Gwendolyn Wright•ARTICLE•Journal of American History•1982

    Journal Article Building the Dream: A Social History of Housing in America. By Gwendolyn Wright. (New York: Pantheon, 1981. xix + 329 pp. Illustrations, notes, further reading, and index. $18.50.) Get access Alan Trachtenberg Alan Trachtenberg Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 69, Issue 3, December 1982, Pages 669–670, https://doi.org/10.2307/1903143 Publis…

  • America, Inc

    Benjamin Mcarthur, Alan Trachtenberg•ARTICLE•Reviews in American History•1983

  • At Work and Play in Worcester

    Alan Trachtenberg, Roy Rosenzweig•ARTICLE•Reviews in American History•1985

  • The American West Comes Out of the Closet-Partially

    Open Access•Alan Trachtenberg, Peter E Palmquist et al.•ARTICLE•American Quarterly•1985

  • Albums of War: On Reading Civil War Photographs

    Alan Trachtenberg•ARTICLE•Representations•1985•Cited by: 7

    Research Article| January 01 1985 Albums of War: On Reading Civil War Photographs Alan Trachtenberg Alan Trachtenberg Search for other works by this author on: This Site PubMed Google Scholar Representations (1985) 9: 1–32. https://doi.org/10.2307/3043765 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Sea…

  • Half a Truth Is Better Than None: Some Unsystematic Conjectures about Art, Disorder, and American Experience

    Alan Trachtenberg, John A Kouwenhoven•ARTICLE•Technology and Culture•1985

  • All the World's a Fair: Visions of Empire at American Internation Expositions, 1876-1916

    Alan Trachtenberg, Robert W Rydell•ARTICLE•Journal of American History•1986

    Journal Article All the World's a Fair: Visions of Empire at American International Expositions, 1876–1916. By Robert W. Rydell. (Chicago: University of Chicago Press, 1984. x + 328 pp. Illustrations, notes, bibliography, and index. $27.50.) Get access Alan Trachtenberg Alan Trachtenberg Yale University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 73, Issue 1, June 1986, Page 214, ht…

  • The Morality of Spending: Attitudes toward the Consumer Society in America, 1875-1940

    Alan Trachtenberg, Daniel Horowitz•ARTICLE•The Journal of Interdisciplinary…•1988

  • Reading American Photographs: Images as History, Mathew Brady to Walker Evans

    Peter Bacon Hales, Alan Trachtenberg•ARTICLE•Journal of American History•1990•Cited by: 12

    Journal Article Reading American Photographs: Images as History, Mathew Brady to Walker Evans. By Alan Trachtenberg. (New York: Hill and Wang, 1989. xxiv + 326 pp. $25.00.) Get access Peter Bacon Hales Peter Bacon Hales University of Illinois, Chicago Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 1, June 1990, Pages 268–270, https://doi.org/10.2307/2078663 Published: 01 June…

  • Deconstructing American Photographs

    Open Access•David P Peeler, Maren Stange et al.•ARTICLE•American Quarterly•1990

Art (22 works) · History (22 works) · Art history (14 works) · Political science (14 works) · Computer Science (13 works) · Philosophy (13 works) · History (12 works) · Photography and Visual Culture (12 works) · Law (9 works) · Visual Culture and Art Theory (9 works)

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