Andreas Gebesmair
Biographic Data
| ID | 1282341 |
|---|---|
| NAME | Andreas Gebesmair |
| GIVEN NAMES | Andreas |
| FAMILY NAME | Gebesmair |
| SIGNATURE | GEBESMAIR A |
| AFFILIATIONS | University of Applied Sciences St Pölten |
| ORCID | 0000-0002-0531-7811 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Interaction Rituals at Content Trade Fairs: A Microfoundation of Cultural Markets
In this article, we show how ritualized periodic encounters of business partners help to reproduce business relations and a shared understanding of doing business based on ethnographic fieldwork at six international trade fairs in three different cultural industries. We draw on Randall Collins’ theory of interaction rituals (IRs), which highlights the relevance of emotional contacts in social life. Although Collins’ theory and his conceptional in…
Symbolic representations of cultural industries at content trade fairs: Bourdieu's "economic world reversed" revisited
From business events such as content trade fairs, we can learn about the institutional logics of contemporary cultural industries. In our ethnographic fieldwork at six different trade fairs in three industries (book, music and TV), we identified five ways of legitimating the commercial production and distribution of cultural goods: cultural industries are represented as an idealized form of business, as art for art's sake, as innovation and techn…
Global Repertoires: Popular music within and beyond the transnational music industry
Contents: Preface Introduction, Andreas Gebesmair Structures and strategies of the transnational music and media industry: Global strategies and local markets: explaining Swedish music export success, Robert Burnett The corporate strategies of the major record labels and the international imperative, Keith Negus One planet - one music? MTV and globalization, Keith Roe and Gust de Meyer Beyond the transnational music industry - the global use and …
Die Fabrikation globaler Vielfalt: Struktur und Logik der transnationalen Popmusikindustrie
Der Band bietet einen spannenden Einblick in das globale Geschäft mit Musik. An zahlreichen Beispielen wird illustriert, welchen Zwängen die Vermarktung von Popmusik unterworfen ist und welcher Logik die Akteure in der Industrie folgen. Im Zentrum steht dabei die Frage, wie sich die musikalische Vielfalt mit den Strukturen der Produktion und Distribution verändert hat. Haben lokale Innovationen in der Popmusikindustrie noch eine Chance gegenüber …
Gunnar Otte: Sozialstrukturanalysen mit Lebensstilen. Eine Studie zur theoretischen und methodischen Neuorientierung der Lebensstilforschung
Renditen der Grenzüberschreitung. Zur Relevanz der Bourdieuschen Kapitaltheorie für die Analyse sozialer Ungleichheiten
SozW Soziale Welt , Seite 181 - 203
Urte Helduser und Thomas Schwietring (Hg.): Kultur und ihre Wissenschaft. Beiträge zu einem reflexiven Verhältnis
Grundzüge einer Soziologie des Musikgeschmacks
Symbolic representations of cultural industries at content trade fairs: Bourdieu's "economic world reversed" revisited
From business events such as content trade fairs, we can learn about the institutional logics of contemporary cultural industries. In our ethnographic fieldwork at six different trade fairs in three industries (book, music and TV), we identified five ways of legitimating the commercial production and distribution of cultural goods: cultural industries are represented as an idealized form of business, as art for art's sake, as innovation and techn…
Renditen der Grenzüberschreitung. Zur Relevanz der Bourdieuschen Kapitaltheorie für die Analyse sozialer Ungleichheiten
SozW Soziale Welt , Seite 181 - 203
Grundzüge einer Soziologie des Musikgeschmacks
Urte Helduser und Thomas Schwietring (Hg.): Kultur und ihre Wissenschaft. Beiträge zu einem reflexiven Verhältnis
Renditen der Grenzüberschreitung. Zur Relevanz der Bourdieuschen Kapitaltheorie für die Analyse sozialer Ungleichheiten
SozW Soziale Welt , Seite 181 - 203
Gunnar Otte: Sozialstrukturanalysen mit Lebensstilen. Eine Studie zur theoretischen und methodischen Neuorientierung der Lebensstilforschung
Die Fabrikation globaler Vielfalt: Struktur und Logik der transnationalen Popmusikindustrie
Der Band bietet einen spannenden Einblick in das globale Geschäft mit Musik. An zahlreichen Beispielen wird illustriert, welchen Zwängen die Vermarktung von Popmusik unterworfen ist und welcher Logik die Akteure in der Industrie folgen. Im Zentrum steht dabei die Frage, wie sich die musikalische Vielfalt mit den Strukturen der Produktion und Distribution verändert hat. Haben lokale Innovationen in der Popmusikindustrie noch eine Chance gegenüber …
Global Repertoires: Popular music within and beyond the transnational music industry
Contents: Preface Introduction, Andreas Gebesmair Structures and strategies of the transnational music and media industry: Global strategies and local markets: explaining Swedish music export success, Robert Burnett The corporate strategies of the major record labels and the international imperative, Keith Negus One planet - one music? MTV and globalization, Keith Roe and Gust de Meyer Beyond the transnational music industry - the global use and …
Interaction Rituals at Content Trade Fairs: A Microfoundation of Cultural Markets
In this article, we show how ritualized periodic encounters of business partners help to reproduce business relations and a shared understanding of doing business based on ethnographic fieldwork at six international trade fairs in three different cultural industries. We draw on Randall Collins’ theory of interaction rituals (IRs), which highlights the relevance of emotional contacts in social life. Although Collins’ theory and his conceptional in…
Symbolic representations of cultural industries at content trade fairs: Bourdieu's "economic world reversed" revisited
From business events such as content trade fairs, we can learn about the institutional logics of contemporary cultural industries. In our ethnographic fieldwork at six different trade fairs in three industries (book, music and TV), we identified five ways of legitimating the commercial production and distribution of cultural goods: cultural industries are represented as an idealized form of business, as art for art's sake, as innovation and techn…
Political science (6 works) · Sociology (4 works) · Cultural Industries and Urban Development (3 works) · Social and Cultural Dynamics (3 works) · Anthropology (2 works) · Arts, Culture, and Music Studies (2 works) · Ethnography (2 works) · History and criticism (2 works) · History and criticism (2 works) · Music and globalization (2 works)