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Alan C Braddock

Biographic Data

ID1283810
NAMEAlan C Braddock
GIVEN NAMESAlan C
FAMILY NAMEBraddock
SIGNATUREBRADDOCK A C
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS7
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Ecology > Landscape

    Alan C Braddock•ARTICLE•American Art•2017

  • Art in the Anthropocene

    Alan C Braddock, Renée Ater•ARTICLE•American Art•2014

  • Armory Shows

    Alan C Braddock•ARTICLE•American Art•2013

    Today we generally associate the term “Armory Show” with a famous exhibition of modern art that debuted in New York in 1913 (or subsequent events paying homage to it). Art history’s reification of that singular meaning for the term, however, elides an older, more diverse history of armory shows going back to the antebellum era, when tourism, militarism, and commerce conspired to make military armories across the U.S. into lively sites of popular …

  • The Indian Craze

    Alan C Braddock•ARTICLE•Journal of American Ethnic History•2012

    Book Review| April 01 2012 The Indian Craze: Primitivism, Modernism, and Transculturation in American Art 1890–1915 The Indian Craze: Primitivism, Modernism, and Transculturation in American Art 1890–1915. By Elizabeth Hutchinson. Durham, NC: Duke University Press, 2009. xii + 277 pp. Photos, notes, index, and bibliography. $89.95 (cloth); $24.95 (paper). Alan C. Braddock Alan C. Braddock Search for other works by this author on: This Site Google…

  • Poaching Pictures

    Alan C Braddock•ARTICLE•American Art•2009

  • Ecocritical Art History

    Alan C Braddock•ARTICLE•American Art•2009•Cited by: 6•References: 1

  • Shooting the Beholder

    Alan C Braddock•ARTICLE•American Art•2006

    Charles Schreyvogel (1861–1912) produced some of the most visually striking paintings of the American West at the turn of the twentieth century. This essay explores the importance of guns and shooting in structuring Schreyvogel’s art, within and beneath manifest narrative content or iconography. Often pointed directly at the beholder or placed in striking angles and directions, guns in his paintings do more than reconstruct the mythic history of …

  • Jeff College Boys

    Open Access•Alan C Braddock•ARTICLE•American Quarterly•2005•Cited by: 1•References: 2

    Recent sensational news reports about the illegal sale of cadavers and human body parts from the UCLA Medical School provide a stark reminder of the formidable socioeconomic, juridical, and psychological forces invested in anatomical material.1 Inanimate though they are, dead bodies donated for scientific research make powerful claims upon the living, not just legally or ethically regarding specific conditions of use and modes of conduct in their…

  • Eakins, Race, and Ethnographic Ambivalence

    Alan C Braddock•ARTICLE•Winterthur Portfolio•1998

  • Ecocritical Art History

    Alan C Braddock•ARTICLE•American Art•2009•Cited by: 6•References: 1

  • Jeff College Boys

    Open Access•Alan C Braddock•ARTICLE•American Quarterly•2005•Cited by: 1•References: 2

    Recent sensational news reports about the illegal sale of cadavers and human body parts from the UCLA Medical School provide a stark reminder of the formidable socioeconomic, juridical, and psychological forces invested in anatomical material.1 Inanimate though they are, dead bodies donated for scientific research make powerful claims upon the living, not just legally or ethically regarding specific conditions of use and modes of conduct in their…

  • Eakins, Race, and Ethnographic Ambivalence

    Alan C Braddock•ARTICLE•Winterthur Portfolio•1998

  • Jeff College Boys

    Open Access•Alan C Braddock•ARTICLE•American Quarterly•2005•Cited by: 1•References: 2

    Recent sensational news reports about the illegal sale of cadavers and human body parts from the UCLA Medical School provide a stark reminder of the formidable socioeconomic, juridical, and psychological forces invested in anatomical material.1 Inanimate though they are, dead bodies donated for scientific research make powerful claims upon the living, not just legally or ethically regarding specific conditions of use and modes of conduct in their…

  • Shooting the Beholder

    Alan C Braddock•ARTICLE•American Art•2006

    Charles Schreyvogel (1861–1912) produced some of the most visually striking paintings of the American West at the turn of the twentieth century. This essay explores the importance of guns and shooting in structuring Schreyvogel’s art, within and beneath manifest narrative content or iconography. Often pointed directly at the beholder or placed in striking angles and directions, guns in his paintings do more than reconstruct the mythic history of …

  • Poaching Pictures

    Alan C Braddock•ARTICLE•American Art•2009

  • Ecocritical Art History

    Alan C Braddock•ARTICLE•American Art•2009•Cited by: 6•References: 1

  • The Indian Craze

    Alan C Braddock•ARTICLE•Journal of American Ethnic History•2012

    Book Review| April 01 2012 The Indian Craze: Primitivism, Modernism, and Transculturation in American Art 1890–1915 The Indian Craze: Primitivism, Modernism, and Transculturation in American Art 1890–1915. By Elizabeth Hutchinson. Durham, NC: Duke University Press, 2009. xii + 277 pp. Photos, notes, index, and bibliography. $89.95 (cloth); $24.95 (paper). Alan C. Braddock Alan C. Braddock Search for other works by this author on: This Site Google…

  • Armory Shows

    Alan C Braddock•ARTICLE•American Art•2013

    Today we generally associate the term “Armory Show” with a famous exhibition of modern art that debuted in New York in 1913 (or subsequent events paying homage to it). Art history’s reification of that singular meaning for the term, however, elides an older, more diverse history of armory shows going back to the antebellum era, when tourism, militarism, and commerce conspired to make military armories across the U.S. into lively sites of popular …

  • Art in the Anthropocene

    Alan C Braddock, Renée Ater•ARTICLE•American Art•2014

  • Ecology > Landscape

    Alan C Braddock•ARTICLE•American Art•2017

Art (7 works) · Art history (6 works) · History (6 works) · Sociology (4 works) · Computer Science (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Aesthetics (2 works) · Anthropology (2 works)

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