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Michela Summa

Biographic Data

ID1285592
NAMEMichela Summa
GIVEN NAMESMichela
FAMILY NAMESumma
SIGNATURESUMMA M
AFFILIATIONSUniversity of Würzburg
ORCID0000-0001-9179-0228
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS6
AUTHOR COUNT13
EDITOR COUNT1
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2024
H-INDEX1
  • An Affect “That Shudders Me”: An Approach to Husserl’s Phenomenology of Joy

    Open Access•Michela Summa•ARTICLE•Husserl Studies•2024

    In the texts collected in the second volume of the Studien zur Struktur des Bewusstseins , Husserl extensively discusses experiences of joy ( Freude ). By considering Husserl’s examples related to joy not as mere illustrations, but as a guiding thread for the identification of experiential structures, this article shows how these examples are not only significant for the general theory of intentionality of affective and emotional non-objectifying…

  • Desiring to Know: Curiosity as a Tendency toward Discovery

    Open Access•Michela Summa•ARTICLE•Human Studies•2024•References: 10

    Both the commonsensical and the philosophical understanding of curiosity as the desire to know display similar ambiguities. In philosophy, such ambiguities have further repercussions, inasmuch as inquiries into curiosity, in addition to being a field of philosophical research in itself, also have meta-theoretical implications concerning the idea of philosophy one embraces. This holds true for Edmund Husserl’s discussion of curiosity: his phenomen…

  • Introduction: Affect, Tendency, Drive—Perspectives on the Basic Structures of Intentionality

    Open Access•Michela Summa, Nicola Spano et al.•ARTICLE•Human Studies•2024•Cited by: 1•References: 27

    No abstract available

  • Phenomenological explanation: Towards a methodological integration in phenomenological psychopathology

    Open Access•Michela Summa•ARTICLE•Phenomenology and the Cognitive…•2023

    Whether, and in what sense, research in phenomenology and phenomenological psychopathology has—in addition to its descriptive and hermeneutic value—explanatory power is somewhat controversial. This paper shows why it is legitimate to recognize such explanatory power. To this end, the paper analyzes two central concerns underlying the debate about explanation in phenomenology: (a) the warning against reductionism, which is implicit in a conception…

  • How are fictions given? Conjoining the ‘artifactual theory’ and the ‘imaginary-object theory’

    Open Access•Michela Summa•ARTICLE•Synthese•2021•References: 18

    According to the so-called ‘artifactual theory’ of fiction, fictional objects are to be considered as abstract artifacts. Within this framework, fictional objects are defined on the basis of their complex dependence on literary works, authors, and readership. This theory is explicitly distinguished from other approaches to fictions, notably from the imaginary-object theory. In this article, I argue that the two approaches are not mutually exclusi…

  • Phenomenology of imagining and the pragmatics of fictional language

    Open Access•Michela Summa•ARTICLE•Man and World•2020

    This paper focuses on the performative character of fictional language. While assuming that all speaking is a form of acting, it aims to shed light on the nature of fictional, and particularly literary, speech acts. To this aim, relevant input can be found in (a) the discussion of the ontological status of fictional entities and of their constitution and in (b) the inquiry into the interaction between author and receiver of a fictional work. Base…

  • Is Make-Believe Only Reproduction: Remarks on the Role of Fiction in Shaping Our Sense of Reality

    Michela Summa, Zeta Books•ARTICLE•International Journal of Social…•2019•Cited by: 1

    This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-beli…

  • Introduction: Modes of Intentionality

    Jörn Müller, Michela Summa•ARTICLE•Phänomenologische Forschungen•2018•Cited by: 1

  • Toward a transcendental account of creativity. Kant and Merleau-Ponty on the creative power of judgment and creativity as institution

    Open Access•Michela Summa•ARTICLE•Man and World•2017

  • Enacting perception: The relevance of phenomenology

    Michela Summa•ARTICLE•PARADIGMI•2014

    In questo saggio intendo comparare le descrizioni della percezione date da E. Husserl e Alva Noe. Focalizzando l’attenzione sulla descrizione dell’apparizione prospettica, intendo argomentare che per entrambi gli autori la percezione viene compresa in termini di attivita dinamica esperta e di processo di scoperta. Intendo sostenere che l’indagine fenomenologica delle strutture intenzionali della coscienza percettiva possa completare la visione di…

  • Body memory and kinesthetic body feedback: The impact of light versus strong movement qualities on affect and cognition

    Open Access•Sabine C Koch, Theobald Fuchs et al.•ARTICLE•Memory Studies•2014•Cited by: 2•References: 1

    What influence does body memory from light vs strong movement qualities have on affect and cognition? This article relates the phenomenological theory of body memory, movement observation theory from dance, and psychological conceptual and empirical work on body feedback. Kinesthetic body feedback means efferent feedback from the body’s peripheral movements to the higher cortical functions, such as the systematic effects of the adoption of certai…

  • The disoriented self. Layers and dynamics of self-experience in dementia and schizophrenia

    Open Access•Michela Summa•ARTICLE•Phenomenology and the Cognitive…•2013•Cited by: 1•References: 2

  • Body memory, metaphor and movement

    Theobald Fuchs, F Max Muller et al.•BOOK•Body memory, metaphor and movement•2012

  • Ein Philosoph der Endlichkeit: Neue Literatur zu Hans-Georg Gadamer

    Michela Summa•ARTICLE•Philosophische Rundschau•2011

    »Vielmehr bietet [der Kommentar] auf höchstem Niveau eine substantielle Auseinandersetzung mit den Hintergründen, den Zusammenhängen, der Theorie und der Praxis des Grundgesetzes. Besseres lässt sich von einem Verfassungskommentar nicht sagen.“ Herbert Günther Staaatsanzeiger für das Land Hessen 2018 (50), 1494–1495

  • Body memory and kinesthetic body feedback: The impact of light versus strong movement qualities on affect and cognition

    Open Access•Sabine C Koch, Theobald Fuchs et al.•ARTICLE•Memory Studies•2014•Cited by: 2•References: 1

    What influence does body memory from light vs strong movement qualities have on affect and cognition? This article relates the phenomenological theory of body memory, movement observation theory from dance, and psychological conceptual and empirical work on body feedback. Kinesthetic body feedback means efferent feedback from the body’s peripheral movements to the higher cortical functions, such as the systematic effects of the adoption of certai…

  • Introduction: Affect, Tendency, Drive—Perspectives on the Basic Structures of Intentionality

    Open Access•Michela Summa, Nicola Spano et al.•ARTICLE•Human Studies•2024•Cited by: 1•References: 27

    No abstract available

  • Is Make-Believe Only Reproduction: Remarks on the Role of Fiction in Shaping Our Sense of Reality

    Michela Summa, Zeta Books•ARTICLE•International Journal of Social…•2019•Cited by: 1

    This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-beli…

  • Introduction: Modes of Intentionality

    Jörn Müller, Michela Summa•ARTICLE•Phänomenologische Forschungen•2018•Cited by: 1

  • The disoriented self. Layers and dynamics of self-experience in dementia and schizophrenia

    Open Access•Michela Summa•ARTICLE•Phenomenology and the Cognitive…•2013•Cited by: 1•References: 2

  • Ein Philosoph der Endlichkeit: Neue Literatur zu Hans-Georg Gadamer

    Michela Summa•ARTICLE•Philosophische Rundschau•2011

    »Vielmehr bietet [der Kommentar] auf höchstem Niveau eine substantielle Auseinandersetzung mit den Hintergründen, den Zusammenhängen, der Theorie und der Praxis des Grundgesetzes. Besseres lässt sich von einem Verfassungskommentar nicht sagen.“ Herbert Günther Staaatsanzeiger für das Land Hessen 2018 (50), 1494–1495

  • Body memory, metaphor and movement

    Theobald Fuchs, F Max Muller et al.•BOOK•Body memory, metaphor and movement•2012

  • The disoriented self. Layers and dynamics of self-experience in dementia and schizophrenia

    Open Access•Michela Summa•ARTICLE•Phenomenology and the Cognitive…•2013•Cited by: 1•References: 2

  • Enacting perception: The relevance of phenomenology

    Michela Summa•ARTICLE•PARADIGMI•2014

    In questo saggio intendo comparare le descrizioni della percezione date da E. Husserl e Alva Noe. Focalizzando l’attenzione sulla descrizione dell’apparizione prospettica, intendo argomentare che per entrambi gli autori la percezione viene compresa in termini di attivita dinamica esperta e di processo di scoperta. Intendo sostenere che l’indagine fenomenologica delle strutture intenzionali della coscienza percettiva possa completare la visione di…

  • Body memory and kinesthetic body feedback: The impact of light versus strong movement qualities on affect and cognition

    Open Access•Sabine C Koch, Theobald Fuchs et al.•ARTICLE•Memory Studies•2014•Cited by: 2•References: 1

    What influence does body memory from light vs strong movement qualities have on affect and cognition? This article relates the phenomenological theory of body memory, movement observation theory from dance, and psychological conceptual and empirical work on body feedback. Kinesthetic body feedback means efferent feedback from the body’s peripheral movements to the higher cortical functions, such as the systematic effects of the adoption of certai…

  • Toward a transcendental account of creativity. Kant and Merleau-Ponty on the creative power of judgment and creativity as institution

    Open Access•Michela Summa•ARTICLE•Man and World•2017

  • Introduction: Modes of Intentionality

    Jörn Müller, Michela Summa•ARTICLE•Phänomenologische Forschungen•2018•Cited by: 1

  • Is Make-Believe Only Reproduction: Remarks on the Role of Fiction in Shaping Our Sense of Reality

    Michela Summa, Zeta Books•ARTICLE•International Journal of Social…•2019•Cited by: 1

    This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-beli…

  • Phenomenology of imagining and the pragmatics of fictional language

    Open Access•Michela Summa•ARTICLE•Man and World•2020

    This paper focuses on the performative character of fictional language. While assuming that all speaking is a form of acting, it aims to shed light on the nature of fictional, and particularly literary, speech acts. To this aim, relevant input can be found in (a) the discussion of the ontological status of fictional entities and of their constitution and in (b) the inquiry into the interaction between author and receiver of a fictional work. Base…

  • How are fictions given? Conjoining the ‘artifactual theory’ and the ‘imaginary-object theory’

    Open Access•Michela Summa•ARTICLE•Synthese•2021•References: 18

    According to the so-called ‘artifactual theory’ of fiction, fictional objects are to be considered as abstract artifacts. Within this framework, fictional objects are defined on the basis of their complex dependence on literary works, authors, and readership. This theory is explicitly distinguished from other approaches to fictions, notably from the imaginary-object theory. In this article, I argue that the two approaches are not mutually exclusi…

  • Phenomenological explanation: Towards a methodological integration in phenomenological psychopathology

    Open Access•Michela Summa•ARTICLE•Phenomenology and the Cognitive…•2023

    Whether, and in what sense, research in phenomenology and phenomenological psychopathology has—in addition to its descriptive and hermeneutic value—explanatory power is somewhat controversial. This paper shows why it is legitimate to recognize such explanatory power. To this end, the paper analyzes two central concerns underlying the debate about explanation in phenomenology: (a) the warning against reductionism, which is implicit in a conception…

  • An Affect “That Shudders Me”: An Approach to Husserl’s Phenomenology of Joy

    Open Access•Michela Summa•ARTICLE•Husserl Studies•2024

    In the texts collected in the second volume of the Studien zur Struktur des Bewusstseins , Husserl extensively discusses experiences of joy ( Freude ). By considering Husserl’s examples related to joy not as mere illustrations, but as a guiding thread for the identification of experiential structures, this article shows how these examples are not only significant for the general theory of intentionality of affective and emotional non-objectifying…

  • Desiring to Know: Curiosity as a Tendency toward Discovery

    Open Access•Michela Summa•ARTICLE•Human Studies•2024•References: 10

    Both the commonsensical and the philosophical understanding of curiosity as the desire to know display similar ambiguities. In philosophy, such ambiguities have further repercussions, inasmuch as inquiries into curiosity, in addition to being a field of philosophical research in itself, also have meta-theoretical implications concerning the idea of philosophy one embraces. This holds true for Edmund Husserl’s discussion of curiosity: his phenomen…

  • Introduction: Affect, Tendency, Drive—Perspectives on the Basic Structures of Intentionality

    Open Access•Michela Summa, Nicola Spano et al.•ARTICLE•Human Studies•2024•Cited by: 1•References: 27

    No abstract available

Philosophy (12 works) · Epistemology (10 works) · Psychology (10 works) · Linguistics (6 works) · Phenomenology and Existential Philosophy (6 works) · Computer Science (4 works) · Philosophy, Ethics, and Existentialism (4 works) · Sociology (4 works) · Language, Metaphor, and Cognition (3 works) · Metaphysics (3 works)

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