François Bayle
Biographic Data
| ID | 1285751 |
|---|---|
| NAME | François Bayle |
| GIVEN NAMES | François |
| FAMILY NAME | Bayle |
| SIGNATURE | BAYLE F |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1953 |
| LATEST PUBLICATION YEAR | 1997 |
| H-INDEX | 1 |
Acousmatic Morphology: An Interview with Francois Bayle
Desantos: Frangois Bayle, what is the story of your early experiences in the musical world? Bayle: My story begins with some difficult encounters. I was a music student in Bordeaux in the late 1950s, but the provincial conservatories were closed to contemporary music. So it was necessary to come to Paris. When I arrived I was behind with respect to the Parisians, because I did not know how things worked in this city, and it takes time to learn su…
Image-of-sound, or i-sound: Metaphor/metaform
Taking the case presented by the acousmatic situation (radio, records, and especially works of organized sound designed for concerts), the central question discussed is that of conditions or criteria of the listenability of organized sounds projected into a listening space by electroacoustic means. Based on their morphological “appearance” — raw material, transformation stages, composed sequences — effects of salience and pregnance, as well as di…
Croix gammée contre Caducée. Les expériences humaines en Allemagne pendant la deuxième guerre mondiale
Croix gammée contre Caducée. Les expériences humaines en Allemagne pendant la deuxième guerre mondiale
Image-of-sound, or i-sound: Metaphor/metaform
Taking the case presented by the acousmatic situation (radio, records, and especially works of organized sound designed for concerts), the central question discussed is that of conditions or criteria of the listenability of organized sounds projected into a listening space by electroacoustic means. Based on their morphological “appearance” — raw material, transformation stages, composed sequences — effects of salience and pregnance, as well as di…
Acousmatic Morphology: An Interview with Francois Bayle
Desantos: Frangois Bayle, what is the story of your early experiences in the musical world? Bayle: My story begins with some difficult encounters. I was a music student in Bordeaux in the late 1950s, but the provincial conservatories were closed to contemporary music. So it was necessary to come to Paris. When I arrived I was behind with respect to the Parisians, because I did not know how things worked in this city, and it takes time to learn su…
Computer Science (2 works) · Philosophy (2 works) · Psychology (2 works) · Acoustics (1 works) · Active listening (1 works) · Art (1 works) · Biology (1 works) · Communication (1 works) · Epistemology (1 works) · European history and politics (1 works)