Natalie Fullwood
Biographic Data
| ID | 1286385 |
|---|---|
| NAME | Natalie Fullwood |
| GIVEN NAMES | Natalie |
| FAMILY NAME | Fullwood |
| SIGNATURE | FULLWOOD N |
| AFFILIATIONS | University of Cambridge |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Cinema, Gender, and Everyday Space
Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of g
Winner of the 2011 Asmi PG essay prize
This article seeks to reposition the popular cinematic genre commedia all'italiana within the context of the rapid expansion of the media industries which accompanied Italy's postwar economic miracle. The article looks at three distinct aspects of the relationship between commedia all'italiana and other media. First, it outlines the important role played by the media during the boom in disseminating images of consumer lifestyles, and highlights t…
Commedie al femminile
The article uses three of Antonio Pietrangeli's films with female protagonists — La parmigiana (1963), La visita (1963), and Io la conoscevo bene (1965) — as case studies for a spatial approach to the analysis of gender in Italian cinema. Applying feminist theories of space to the Italian context, it addresses the way in which profilmic spaces, including the country, the city, and domestic space, are constructed as filmic space in these films thr…
No prominent works on this page.
Commedie al femminile
The article uses three of Antonio Pietrangeli's films with female protagonists — La parmigiana (1963), La visita (1963), and Io la conoscevo bene (1965) — as case studies for a spatial approach to the analysis of gender in Italian cinema. Applying feminist theories of space to the Italian context, it addresses the way in which profilmic spaces, including the country, the city, and domestic space, are constructed as filmic space in these films thr…
Winner of the 2011 Asmi PG essay prize
This article seeks to reposition the popular cinematic genre commedia all'italiana within the context of the rapid expansion of the media industries which accompanied Italy's postwar economic miracle. The article looks at three distinct aspects of the relationship between commedia all'italiana and other media. First, it outlines the important role played by the media during the boom in disseminating images of consumer lifestyles, and highlights t…
Cinema, Gender, and Everyday Space
Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of g
Art (3 works) · Movie theater (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Epistemology (2 works) · History (2 works) · Italian Fascism and Post-war Society (2 works)