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Judith Vander

Biographic Data

ID128639
NAMEJudith Vander
GIVEN NAMESJudith
FAMILY NAMEVander
SIGNATUREVANDER J
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS12
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR1999
H-INDEX2
  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Tara Browner, Judith Vander•ARTICLE•Western Folklore•1999•Cited by: 5

    The Ghost Dance, which led to the 1890 massacre at Wounded Knee, was a widespread Native American religious movement. Judith Vander's path-breaking Ghost Dance Religion demonstrates that it was not a single religion, but had two branches - the Great Basin branch, a nature religion typified by Shoshone Ghost Dance songs (Naraya), and the Plains branch documented by famed anthropologist James Mooney in 1896. Based on extensive fieldwork with two Sh…

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Thomas Vennum, Judith Vander•ARTICLE•Ethnomusicology•1998

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Howard L Harrod, Judith Vander•ARTICLE•Journal of American History•1997

    Journal Article Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context. By Judith Vander. (Urbana: University of Illinois Press, 1997. xxvi, 631 pp. $65.00, ISBN 0-252-02214-9.) Get access Howard L. Harrod Howard L. Harrod Vanderbilt University, Nashville, Tennessee Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 3, December 1997, Page 1100, https://doi.org/10.230…

  • Songprints: The Musical Experience of Five Shoshone Women

    William K Powers, Judith Vander•ARTICLE•Journal of American Folklore•1990•Cited by: 7

  • Songprints: The Musical Experience of Five Shoshone Women

    Judith A Gray, Judith Gray et al.•ARTICLE•Ethnomusicology•1990

  • Blackfoot Musical Thought: Comparative Perspectives

    Judith Vander, Bruno Nettl•ARTICLE•Ethnomusicology•1990

  • Ghost Dance Songs and Religion of a Wind River Shoshone Woman

    Charlotte J Frisbie, Judith Vander•ARTICLE•Ethnomusicology•1988

  • Hogans: Navajo Houses and House Songs

    Judith Vander, David P Mcallester et al.•ARTICLE•Ethnomusicology•1984

  • The Song Repertoire of Four Shoshone Women: A Reflection of Cultural Movements and Sex Roles

    Judith Vander•ARTICLE•Ethnomusicology•1982•References: 2

    Songs express a particular time, place, and culture. The song repertoires of four Wind River Shoshone women, ages 23, 43, 53, and 71, personally document the ebb and flow of religious and social movements as well as the changing musical role of women within these contexts. A comparison of each woman's background--her life experience, education, religious beliefs and values, traditional Shoshone beliefs and practices, and notions about music--eluc…

  • Songprints: The Musical Experience of Five Shoshone Women

    William K Powers, Judith Vander•ARTICLE•Journal of American Folklore•1990•Cited by: 7

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Tara Browner, Judith Vander•ARTICLE•Western Folklore•1999•Cited by: 5

    The Ghost Dance, which led to the 1890 massacre at Wounded Knee, was a widespread Native American religious movement. Judith Vander's path-breaking Ghost Dance Religion demonstrates that it was not a single religion, but had two branches - the Great Basin branch, a nature religion typified by Shoshone Ghost Dance songs (Naraya), and the Plains branch documented by famed anthropologist James Mooney in 1896. Based on extensive fieldwork with two Sh…

  • The Song Repertoire of Four Shoshone Women: A Reflection of Cultural Movements and Sex Roles

    Judith Vander•ARTICLE•Ethnomusicology•1982•References: 2

    Songs express a particular time, place, and culture. The song repertoires of four Wind River Shoshone women, ages 23, 43, 53, and 71, personally document the ebb and flow of religious and social movements as well as the changing musical role of women within these contexts. A comparison of each woman's background--her life experience, education, religious beliefs and values, traditional Shoshone beliefs and practices, and notions about music--eluc…

  • Hogans: Navajo Houses and House Songs

    Judith Vander, David P Mcallester et al.•ARTICLE•Ethnomusicology•1984

  • Ghost Dance Songs and Religion of a Wind River Shoshone Woman

    Charlotte J Frisbie, Judith Vander•ARTICLE•Ethnomusicology•1988

  • Songprints: The Musical Experience of Five Shoshone Women

    William K Powers, Judith Vander•ARTICLE•Journal of American Folklore•1990•Cited by: 7

  • Songprints: The Musical Experience of Five Shoshone Women

    Judith A Gray, Judith Gray et al.•ARTICLE•Ethnomusicology•1990

  • Blackfoot Musical Thought: Comparative Perspectives

    Judith Vander, Bruno Nettl•ARTICLE•Ethnomusicology•1990

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Howard L Harrod, Judith Vander•ARTICLE•Journal of American History•1997

    Journal Article Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context. By Judith Vander. (Urbana: University of Illinois Press, 1997. xxvi, 631 pp. $65.00, ISBN 0-252-02214-9.) Get access Howard L. Harrod Howard L. Harrod Vanderbilt University, Nashville, Tennessee Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 3, December 1997, Page 1100, https://doi.org/10.230…

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Thomas Vennum, Judith Vander•ARTICLE•Ethnomusicology•1998

  • Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Context

    Tara Browner, Judith Vander•ARTICLE•Western Folklore•1999•Cited by: 5

    The Ghost Dance, which led to the 1890 massacre at Wounded Knee, was a widespread Native American religious movement. Judith Vander's path-breaking Ghost Dance Religion demonstrates that it was not a single religion, but had two branches - the Great Basin branch, a nature religion typified by Shoshone Ghost Dance songs (Naraya), and the Plains branch documented by famed anthropologist James Mooney in 1896. Based on extensive fieldwork with two Sh…

Art (9 works) · History (7 works) · Archaeology (5 works) · History (5 works) · Visual arts (5 works) · Archaeology and Natural History (4 works) · Dance (4 works) · Literature (4 works) · Musical (4 works) · American Environmental and Regional History (3 works)

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