Burcu Yıldırım
Biographic Data
| ID | 1288978 |
|---|---|
| NAME | Burcu Yıldırım |
| GIVEN NAMES | Burcu |
| FAMILY NAME | Yıldırım |
| SIGNATURE | YILDIRIM B |
| AFFILIATIONS | Middle East Technical University |
| ORCID | 0000-0001-5242-812X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 13 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Spatial convergence of renewable energy consumption in the EU
Kurgusal Mekânlarda Renk Ve Duygu İli̇şki̇si̇ni̇n Renk Şemalari Üzeri̇nden İrdelenmesi̇
Dünya renkler aracılığıyla algılanır. Renk olgusu yaşamın ayrılmaz bir parçasını oluşturur. Tasarım ve sinemada renk çeşitli amaçla kullanılan bir öğedir. Bu kullanımlardan biri de duygulanım oluşturmaktır. Bu kapsamda yapılan araştırmada Auteur yönetmen Tim Burton filmi Beetlejuice (1988) aracılığıyla renk şemaları-duygu ilişkisi araştırılmıştır. “Sinemanın kurgusal mekânlarında hikâye örgüsü kapsamında ortaya konan renk-duygu bağıntısı renk şem…
A Cloud Computing Based Software in Ai-Powered Interior Architecture Design and Presentation Tools
İç mimarlık; tasarım, sunum, üretim ve uygulama süreç basamaklarını içeren çok yönlü bir disiplindir. Mesleki süreçte birçok araçtan faydalanılmaktadır. Böylece etkin bir biçimde nihai sonuca ulaşılmaktadır. Teknoloji etkisiyle iç mimarlık araçları zaman içerisinde değişim ve çeşitlilik göstermiştir. Günümüzde devam eden geleneksel sistemde tasarım-sunum süreci elle çizim aletleri kullanılarak yürütülürken teknolojinin ilerlemesiyle birlikte günü…
Not Seeing Is Believing
Chalcolithic religious practice at the site of Çadır Höyük (central Anatolia) included the insertion of ritual deposits into the architectural fabric of the settlement, "consecrating" spaces or imbuing them with symbolic properties. These deposits are recognizable in the archaeological record by their consistent use of ritually-charged material, such as ochre, copper, human and animal bone, and certain kinds of ceramics. During the 800-year perio…
Early Lives
Çadır Höyük, located in the Yozgat Province of the north-central Anatolian plateau, was continuously occupied from the late sixth millennium BCE until at least the thirteenth century CE. This article focuses on the fourth millennium BCE during which the Uruk System in southern Mesopotamia emerged, flourished and then retracted, and the Kura-Araxes culture from Transcaucasia ventured into Anatolia and the Levant. A close investigation of the Çadır…
Stability and change at Çadır Höyük in central Anatolia
Scholars have recently investigated the efficacy of applying globalisation models to ancient cultures such as the fourth-millennium BC Mesopotamian Uruk system. Embedded within globalisation models is the ‘complex connectivity‘ that brings disparate regions together into a singular world. In the fourth millennium BC, the site of Çadır Höyük on the north-central Anatolian plateau experienced dramatic changes in its material culture and architectur…
Sanctifying the House
The intramural burial of small children is culturally widespread, seen from prehistory until modern times n many places around the world. The practice was especially common in the prehistoric eastern Mediterranean, with many examples found in in Egypt, the Levant, and Anatolia. Burial of individuals within the house suggests kinship connections with the dead, the connection of the physical home to the life of the family, and perhaps the belief th…
Sanctifying the House
The intramural burial of small children is culturally widespread, seen from prehistory until modern times n many places around the world. The practice was especially common in the prehistoric eastern Mediterranean, with many examples found in in Egypt, the Levant, and Anatolia. Burial of individuals within the house suggests kinship connections with the dead, the connection of the physical home to the life of the family, and perhaps the belief th…
Not Seeing Is Believing
Chalcolithic religious practice at the site of Çadır Höyük (central Anatolia) included the insertion of ritual deposits into the architectural fabric of the settlement, "consecrating" spaces or imbuing them with symbolic properties. These deposits are recognizable in the archaeological record by their consistent use of ritually-charged material, such as ochre, copper, human and animal bone, and certain kinds of ceramics. During the 800-year perio…
Early Lives
Çadır Höyük, located in the Yozgat Province of the north-central Anatolian plateau, was continuously occupied from the late sixth millennium BCE until at least the thirteenth century CE. This article focuses on the fourth millennium BCE during which the Uruk System in southern Mesopotamia emerged, flourished and then retracted, and the Kura-Araxes culture from Transcaucasia ventured into Anatolia and the Levant. A close investigation of the Çadır…
Stability and change at Çadır Höyük in central Anatolia
Scholars have recently investigated the efficacy of applying globalisation models to ancient cultures such as the fourth-millennium BC Mesopotamian Uruk system. Embedded within globalisation models is the ‘complex connectivity‘ that brings disparate regions together into a singular world. In the fourth millennium BC, the site of Çadır Höyük on the north-central Anatolian plateau experienced dramatic changes in its material culture and architectur…
Sanctifying the House
The intramural burial of small children is culturally widespread, seen from prehistory until modern times n many places around the world. The practice was especially common in the prehistoric eastern Mediterranean, with many examples found in in Egypt, the Levant, and Anatolia. Burial of individuals within the house suggests kinship connections with the dead, the connection of the physical home to the life of the family, and perhaps the belief th…
Early Lives
Çadır Höyük, located in the Yozgat Province of the north-central Anatolian plateau, was continuously occupied from the late sixth millennium BCE until at least the thirteenth century CE. This article focuses on the fourth millennium BCE during which the Uruk System in southern Mesopotamia emerged, flourished and then retracted, and the Kura-Araxes culture from Transcaucasia ventured into Anatolia and the Levant. A close investigation of the Çadır…
Stability and change at Çadır Höyük in central Anatolia
Scholars have recently investigated the efficacy of applying globalisation models to ancient cultures such as the fourth-millennium BC Mesopotamian Uruk system. Embedded within globalisation models is the ‘complex connectivity‘ that brings disparate regions together into a singular world. In the fourth millennium BC, the site of Çadır Höyük on the north-central Anatolian plateau experienced dramatic changes in its material culture and architectur…
A Cloud Computing Based Software in Ai-Powered Interior Architecture Design and Presentation Tools
İç mimarlık; tasarım, sunum, üretim ve uygulama süreç basamaklarını içeren çok yönlü bir disiplindir. Mesleki süreçte birçok araçtan faydalanılmaktadır. Böylece etkin bir biçimde nihai sonuca ulaşılmaktadır. Teknoloji etkisiyle iç mimarlık araçları zaman içerisinde değişim ve çeşitlilik göstermiştir. Günümüzde devam eden geleneksel sistemde tasarım-sunum süreci elle çizim aletleri kullanılarak yürütülürken teknolojinin ilerlemesiyle birlikte günü…
Not Seeing Is Believing
Chalcolithic religious practice at the site of Çadır Höyük (central Anatolia) included the insertion of ritual deposits into the architectural fabric of the settlement, "consecrating" spaces or imbuing them with symbolic properties. These deposits are recognizable in the archaeological record by their consistent use of ritually-charged material, such as ochre, copper, human and animal bone, and certain kinds of ceramics. During the 800-year perio…
Kurgusal Mekânlarda Renk Ve Duygu İli̇şki̇si̇ni̇n Renk Şemalari Üzeri̇nden İrdelenmesi̇
Dünya renkler aracılığıyla algılanır. Renk olgusu yaşamın ayrılmaz bir parçasını oluşturur. Tasarım ve sinemada renk çeşitli amaçla kullanılan bir öğedir. Bu kullanımlardan biri de duygulanım oluşturmaktır. Bu kapsamda yapılan araştırmada Auteur yönetmen Tim Burton filmi Beetlejuice (1988) aracılığıyla renk şemaları-duygu ilişkisi araştırılmıştır. “Sinemanın kurgusal mekânlarında hikâye örgüsü kapsamında ortaya konan renk-duygu bağıntısı renk şem…
Spatial convergence of renewable energy consumption in the EU
Ancient history (4 works) · Archaeology (4 works) · Archaeology and ancient environmental studies (4 works) · Bronze Age (4 works) · Chalcolithic (4 works) · Geography (4 works) · History (4 works) · Ancient Near East History (3 works) · History (3 works) · Plateau (mathematics (3 works)