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Graham Pechey

Biographic Data

ID129485
NAMEGraham Pechey
GIVEN NAMESGraham
FAMILY NAMEPechey
SIGNATUREPECHEY G
AFFILIATIONSUniversity of Hertfordshire
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS4
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2007
H-INDEX1
  • ‘Empire laid up in heaven’

    Open Access•Graham Pechey•ARTICLE•Critical Quarterly•2007

  • Mikhail Bakhtin

    Graham Pechey•BOOK•Mikhail Bakhtin•2007

  • Exotic to demotic

    Open Access•Graham Pechey•ARTICLE•Critical Quarterly•2005

    'Folk etymology' is the linguistic move whereby speakers modify spelling or pronunciation so as to neutralise a strangeness of a word from another language or from a forgotten earlier stage of the same language. Obeying no known law, insisting always on the bonding of the phonic and the semantic, folk etymology challenges the nineteenth-century philology of the Neo-Grammarians. The saturation with historicity and sociality which was later to make…

  • Pharaoh's Sjambok

    Graham Pechey•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 1

    This essay brings into a single focus two phenomena of the first half of the 20th century: the globalization of certain South African words; and the emigration of some of its major poets. The interest is then to track the use—or, conversely, significant non‐use—of these words in the work of those same writers. Attention is given first to the resonance of sjambok in Roy Campbell’s “Vespers on the Nile”. Trek is then examined for its burgeoning ext…

  • Coetzee's Purgatorial Africa

    Graham Pechey•ARTICLE•Interventions•2002•Cited by: 1•References: 1

    Coetzee's latest novel is placed in the context of those other modern European literary constructions of sub-equatorial Africa that project the subcontinent as a purgatorial space beyond the pre-modern options of the infernal and paradisiacal. This high-cultural intertext, mediated by the hero's (cultivated) consciousness, should be given as much weight as the contemporary historical transformation of South Africa, which is here seen as replaying…

  • Writing South Africa

    Open Access•Rosemary Jane Jolly, André Brink et al.•BOOK•Writing South Africa•1998

    During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…

  • Post‐apartheid reason

    Graham Pechey•ARTICLE•Current Writing•1998

  • On The Borders of Bakhtin

    Open Access•Graham Pechey•ARTICLE•Oxford Literary Review•1987•Cited by: 1•References: 1

    The battle over Mikhail Bakhtin's theoretical and political legacy may now be said to have been joined in earnest. It is a battle which is strikingly analogous to the contention over Walter Benjamin that raged some years ago and now seems to have run out of steam; there are good reasons why the present contention won' t go away so easily. In both cases, motifs of the most thoroughgoing secularism in history are held to compete with motifs derivin…

  • The story of an African farm

    Graham Pechey•ARTICLE•Critical Arts•1983•Cited by: 1•References: 2

    My concern ln thlS artlcle is to suggest how The Story of an African FArm might be related to two historical conjunctures: the moment of its production (1876–1883), and the earlier momement (1858–1867) to which the text alludes. From this it might be concluded that I shall be committing myself to large generalities about 'colonial history', or that at any rate this history will have the status of a solid datum to which the text must then be made …

  • Pharaoh's Sjambok

    Graham Pechey•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 1

    This essay brings into a single focus two phenomena of the first half of the 20th century: the globalization of certain South African words; and the emigration of some of its major poets. The interest is then to track the use—or, conversely, significant non‐use—of these words in the work of those same writers. Attention is given first to the resonance of sjambok in Roy Campbell’s “Vespers on the Nile”. Trek is then examined for its burgeoning ext…

  • Coetzee's Purgatorial Africa

    Graham Pechey•ARTICLE•Interventions•2002•Cited by: 1•References: 1

    Coetzee's latest novel is placed in the context of those other modern European literary constructions of sub-equatorial Africa that project the subcontinent as a purgatorial space beyond the pre-modern options of the infernal and paradisiacal. This high-cultural intertext, mediated by the hero's (cultivated) consciousness, should be given as much weight as the contemporary historical transformation of South Africa, which is here seen as replaying…

  • On The Borders of Bakhtin

    Open Access•Graham Pechey•ARTICLE•Oxford Literary Review•1987•Cited by: 1•References: 1

    The battle over Mikhail Bakhtin's theoretical and political legacy may now be said to have been joined in earnest. It is a battle which is strikingly analogous to the contention over Walter Benjamin that raged some years ago and now seems to have run out of steam; there are good reasons why the present contention won' t go away so easily. In both cases, motifs of the most thoroughgoing secularism in history are held to compete with motifs derivin…

  • The story of an African farm

    Graham Pechey•ARTICLE•Critical Arts•1983•Cited by: 1•References: 2

    My concern ln thlS artlcle is to suggest how The Story of an African FArm might be related to two historical conjunctures: the moment of its production (1876–1883), and the earlier momement (1858–1867) to which the text alludes. From this it might be concluded that I shall be committing myself to large generalities about 'colonial history', or that at any rate this history will have the status of a solid datum to which the text must then be made …

  • The story of an African farm

    Graham Pechey•ARTICLE•Critical Arts•1983•Cited by: 1•References: 2

    My concern ln thlS artlcle is to suggest how The Story of an African FArm might be related to two historical conjunctures: the moment of its production (1876–1883), and the earlier momement (1858–1867) to which the text alludes. From this it might be concluded that I shall be committing myself to large generalities about 'colonial history', or that at any rate this history will have the status of a solid datum to which the text must then be made …

  • On The Borders of Bakhtin

    Open Access•Graham Pechey•ARTICLE•Oxford Literary Review•1987•Cited by: 1•References: 1

    The battle over Mikhail Bakhtin's theoretical and political legacy may now be said to have been joined in earnest. It is a battle which is strikingly analogous to the contention over Walter Benjamin that raged some years ago and now seems to have run out of steam; there are good reasons why the present contention won' t go away so easily. In both cases, motifs of the most thoroughgoing secularism in history are held to compete with motifs derivin…

  • Writing South Africa

    Open Access•Rosemary Jane Jolly, André Brink et al.•BOOK•Writing South Africa•1998

    During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…

  • Post‐apartheid reason

    Graham Pechey•ARTICLE•Current Writing•1998

  • Coetzee's Purgatorial Africa

    Graham Pechey•ARTICLE•Interventions•2002•Cited by: 1•References: 1

    Coetzee's latest novel is placed in the context of those other modern European literary constructions of sub-equatorial Africa that project the subcontinent as a purgatorial space beyond the pre-modern options of the infernal and paradisiacal. This high-cultural intertext, mediated by the hero's (cultivated) consciousness, should be given as much weight as the contemporary historical transformation of South Africa, which is here seen as replaying…

  • Exotic to demotic

    Open Access•Graham Pechey•ARTICLE•Critical Quarterly•2005

    'Folk etymology' is the linguistic move whereby speakers modify spelling or pronunciation so as to neutralise a strangeness of a word from another language or from a forgotten earlier stage of the same language. Obeying no known law, insisting always on the bonding of the phonic and the semantic, folk etymology challenges the nineteenth-century philology of the Neo-Grammarians. The saturation with historicity and sociality which was later to make…

  • Pharaoh's Sjambok

    Graham Pechey•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 1

    This essay brings into a single focus two phenomena of the first half of the 20th century: the globalization of certain South African words; and the emigration of some of its major poets. The interest is then to track the use—or, conversely, significant non‐use—of these words in the work of those same writers. Attention is given first to the resonance of sjambok in Roy Campbell’s “Vespers on the Nile”. Trek is then examined for its burgeoning ext…

  • ‘Empire laid up in heaven’

    Open Access•Graham Pechey•ARTICLE•Critical Quarterly•2007

  • Mikhail Bakhtin

    Graham Pechey•BOOK•Mikhail Bakhtin•2007

Literature (8 works) · Art (7 works) · History (7 works) · Political science (6 works) · Law (5 works) · Sociology (5 works) · South African History and Culture (5 works) · History (4 works) · Philosophy (4 works) · Philosophy (4 works)

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